Todd Rosenthal

Check out photos from opening night of Audible Theater’s New York premiere of the acclaimed Goodman Theatre production of Swing State.

Audible Theater’s New York premiere of The Goodman Theatre production of Swing State officially opened on September 17 at Audible’s Minetta Lane Theatre. Read the reviews for Swing State here!

Audible Theater’s New York premiere of the Goodman Theatre production of Swing State, written by Pulitzer Prize finalist Rebecca Gilman begins previews this week. Learn how to purchase tickets!

Noises Off is a masterclass in timing and physical comedy. The precision with which the actors execute their slapstick routines and intricate movements is truly remarkable. The well-timed door slams, missed cues, and perfectly choreographed chaos complement a perfectly written script that has audiences roaring with laughter.

Swing State, Rebecca Gilman's play which premiered at the Goodman Theatre last year, is headed off-Broadway. Learn more about how to catch the production when it heads to New York here!

Manhattan Theatre Club is presenting the New York premiere of Steppenwolf Theatre Company and Center Theatre Group's production of King James. Check out photos from opening night!

Manhattan Theatre Club and directed by Tony Award winner Kenny Leon (A Raisin in the Sun, Fences), opens tonight starring Glenn Davis (Bengal Tiger at the Baghdad Zoo, Downstate) and Chris Perfetti (“Abbott Elementary”). Read reviews for the production!

ZACH Theatre has announced cast and creatives for Noises Off written by Michael Frayn.

Get a first look at photos and videos of Manhattan Theatre Club’s New York premiere of Steppenwolf Theatre Company and Center Theatre Group’s production of King James.

It’s only fitting that for his swan song at Goodman Theatre Artistic Director Robert Falls has adapted and directed Anton Chekhov’s THE CHERRY ORCHARD, a play that’s also very much a swan song. With this staging, Falls has completed the cycle of directing all four of Chekov’s full-length plays for the Goodman stage. Fall’s take on THE CHERRY ORCHARD is surprisingly comedic and strips the play of the more obscure Russian references (though it’s still a period piece), which also demonstrates an artful understanding of the text and how 2023 audiences are best primed to receive it. THE CHERRY ORCHARD’s central character, estate owner Lyubov Ranevskaya, desperately clings to her glamorized version of the past even as the world around her moves inexorably forward. It’s a farewell, indeed, and a lesson in learning when to hold on and when to let go.

Skylight Music Theatre has announced the cast and creative team for the hilarious comedy Noises Off, with music by Combustible Edison, running March 17 – April 2, 2023 at Skylight's beautiful Cabot Theatre in the Broadway Theatre Center, 158 N. Broadway, in Milwaukee's Historic Third Ward. Skylight is Milwaukee's professional Equity music theatre company.

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, has announced the extension of Andy Warhol in Iran by Brent Askari, directed by BJ Jones. Five performances have been added, now running through February 26, 2023, at Northlight Theatre, 9501 Skokie Blvd in Skokie.           

In the ripple, the wave that carried me home, protagonist Janice must metaphorically reckon with her homecoming and her childhood in the fictional Beacon, Kansas.

Playwrights Horizons (Adam Greenfield, Artistic Director; Leslie Marcus, Managing Director) has extended the New York premiere of Bruce Norris's provocative, critically lauded play Downstate, directed by Pam MacKinnon, a second and final time, to January 7, 2023.

The Alliance Theatre's annual production of the Charles Dickens classic, A CHRISTMAS CAROL adapted by David H. Bell and directed by Leora Morris, runs on the Coca-Cola Stage until December 24, 2022. Described as 'one of Atlanta's most treasured holiday traditions,' this production is Alliance’s 34th. It is also a remount of last year's reimagined staging, design, and performance features 'stunning new costumes, beautiful live music, exciting puppetry, and a reconceived set design.' It's easy to say Alliance's A CHRISTMAS CAROL is a holiday gift in itself. The story is a timeless reminder of what a little kindness, generosity, and gratitude can do to not only change your own life, but also your community that surrounds you.

What did our critic think of A CHRISTMAS CAROL at Goodman Theatre, Chicago?

See photos of the New York premiere of Bruce Norris’s provocative, critically lauded play Downstate, directed by Pam MacKinnon, now extended at Playwrights Horizons to December 22.

Playwrights Horizons will present the New York premiere of Bruce Norris’s Downstate, directed by Pam MacKinnon, October 28–December 11 (opening November 15). This provocative work surrounds a registered address in downstate Illinois, where four men convicted of sex crimes share a group home, living out their days post-incarceration.

Lookingglass Theatre Company has announced the cast for the return of Chicago's beloved holiday tradition, The Steadfast Tin Soldier! The ensemble cast features Lookingglass Ensemble Members Kasey Foster as Ballerina and Anthony Irons as Goblin, with Christopher Donahue as Nursemaid, John Gregorio as Rat, and Adeoye as Tin Soldier. 

What did our critic think of SWING STATE at Goodman Theatre? Rebecca Gilman shows her deftness at writing “slice of life” plays in SWING STATE at Goodman Theatre. In this latest collaboration with outgoing Goodman Theatre Artistic Director Robert Falls, Gilman introduces four characters at a crossroads in a small town in rural Wisconsin during summer 2021. It’s marketed as a play about the pandemic, and indeed, SWING STATE contains some references to the COVID-19 pandemic, masks, and vaccines. Ultimately, though, SWING STATE is a pure character study with the notions of pandemic and extinction of the human race in the background, and notions of mortality and despair in the foreground. Yes, it’s a post-pandemic play, but really it’s just allowing us to peer into the lives of these characters at a moment in time. That’s not to say that Gilman’s play isn’t moving, but I found the overall execution to not be as overarching as the set-up purports.