Mark Twain wrote, "There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses. And then there is Sarah Bernhardt." In 1899, the international stage celebrity set out to tackle her most ambitious role yet: Hamlet. Theresa Rebeck's new play rollicks with high comedy and human drama, set against the lavish Shakespearean production that could make or break Bernhardt's career. Janet McTeer, "one of the finest classical actresses of her generation" (The Telegraph), brings the legendary leading lady to life. The remaining cast and creative team will be announced soon.
While von Stuelpnagel seems intent on out-Heroding Herod, McTeer and Rebeck are caught in a trap that's at once more difficult and more sympathetic. They're torn between the seduction of Bernhardt's myth and the more unknowable essence of her humanity - between the compulsion to hold up this spectacular woman from history as both an artistic legend and a feminist hero, and the less flashy, much more personal impulse to tell the story of a woman of the theater who's wrestling with ego, uncertainty, mortality, and Shakespeare. I know which story interests me more, but Bernhardt/Hamlet never fully makes the leap. Instead, it spends its time plucking low-hanging fruit and getting its characters into arguments that feel like cul-de-sacs. It can't decide whether it wants to ridicule or re-envision Hamlet's lack of resolve, and in the meantime, it never quite finds its own.
Perhaps everyone was worried that would have limited the play's appeal, rendering it nerdy and overly Shakespearean. Come on, it's only the greatest play, ever. I say it would only have deepened its truths, and it would have freed McTeer in the process.
2018 | Broadway |
Roundabout Theatre Company Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2019 | Drama Desk Awards | Outstanding Costume Design for a Play | Toni-Leslie James |
2019 | Drama League Awards | Distinguished Performance Award | Janet McTeer |
2019 | Outer Critics Circle Awards | Outstanding Scenic Design | Beowulf Boritt |
2019 | Tony Awards | Best Costume Design of a Play | Toni-Leslie James |
2019 | Tony Awards | Best Performance by an Actress in a Leading Role in a Play | Janet McTeer |
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