Review: South Coast Repertory Presents THE HEART SELLERS
by Michael Quintos - Nov 11, 2025
An intermission-less, two-character, conversational-centric play that focuses on a pair of women's specific immigrant experiences—marked with loneliness, hopes, fears, and puzzlements big and small—Pulitzer Prize finalist Lloyd Suh's absorbing, touching, and occasionally (thankfully) very funny play explores the emotional tug-of-war between comfortable, familiar cultural traditions left behind and the need to accept, learn, and assimilate to the often confounding realities of their new home environment—a sometimes exciting, but sometimes heartbreaking concept that many first-generation immigrants know all too well. Continues at South Coast Repertory through November 16, 2025.
Photos: THE BODY SNATCHER at Alley Theatre First Look
by Chloe Rabinowitz - Oct 8, 2025
Alley Theatre is presenting The Body Snatcher. Alley Associate Artistic Director Brandon Weinbrenner directs Katie Forgette’s spine-tingling love story, inspired by Robert Louis Stevenson’s Victorian Gothic classic. See photos here!
Sarah Kirkland Snider’s HILDEGARD Premieres at Los Angeles Opera
by Nicole Rosky - Oct 1, 2025
Snider’s first opera, HILDEGARD, for which she also wrote the libretto, will be presented in rolling world premieres by Los Angeles Opera (November 5-9, 2025) and PROTOTYPE Festival in New York (January 9-17, 2026), with subsequent performances at the Aspen Music Festival and School (Summer 2026, details TBA).
Review: AM I ROXIE? at GEFFEN PLAYHOUSE
by Tracey Paleo - Sep 12, 2025
Roxana Ortega’s, one woman show, AM I ROXIE? is absolute magnificence. No need for lead-in or build-up. The statement is consummate fact.
Photos: AM I ROXIE? Opens at Geffen Playhouse September 11
by A.A. Cristi - Sep 9, 2025
The Geffen Playhouse will open Am I Roxie? on Thursday, September 11, 2025, following previews September 3–10. Written and performed by Roxana Ortega (Nickelodeon’s The Casagrandes, The Groundlings) and directed by Bernardo Cubría, the one-woman show runs through October 5 at the Gil Cates Theater. See photos of the show.
Review: THE CAMP at Aratani Theatre
by Andrew Child - Feb 23, 2025
With a superior level of artistry in terms of performance, composition, and design, the reality of the Japanese American concentration camps is relayed to contemporary audiences.
Interview: Directors Diana Wyenn and John Miyasaki on THE CAMP
by Shari Barrett - Feb 17, 2025
In 1942 during World War II, 120,000 people of Japanese ancestry - two-thirds of whom were American citizens - were unjustly incarcerated in concentration camps within the United States. Inspired by these events, and given how the rise of bigotry is rearing its ugly head in the world today, it’s most appropriate that a new American opera titled The Camp is making its world premiere in Los Angeles. I decided to speak with director Diana and The Camp’s associate director John Miyasaki about this world premiere opera and what inspired her to direct it, how she envisions staging it, and what messages they hope reach audiences.
Music Director James Conlon To Depart LA Opera After 20 Years; 40th Anniversary Season Lineup Announced
by A.A. Cristi - Feb 12, 2025
LA Opera has announced details for the company's 40th anniversary season, which will launch on September 20, 2025. In his 20th season with the company—his final season as Music Director before becoming Conductor Laureate—James Conlon will conduct three of the five mainstage productions, with other mainstage performances led by Resident Conductor Lina González-Granados and by guest conductor Dalia Stasevska.
Review: South Coast Repertory Presents WISH YOU WERE HERE
by Michael Quintos - Jan 21, 2025
Directed by Mina Morita, the play—an emotionally-absorbing drama with sprinkled bits of comedy—is, at its core, a poignant exploration of deep friendships, colored by a devotion to cultural and religious identity and the fears of displacement and upheaval set against the backdrop of Iran's political turmoil in the late 1970s and early 1980s. Featuring an outstanding ensemble of five very gifted actors that give their respective roles distinct personalities and quirks, the play transcends some of its staging obstacles to ultimately become one of the most emotionally resonant and relatable plays of SCR's 61st season.