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Guest Blog: Actor Zoe Iqbal on Recognising the Forgotten Working Class in ROAD at the Oldham Coliseum
by Guest Blog: Zoe Iqbal - September 16, 2022
Everyone remembers the first time they discovered Road. I was 17, just started college. No connections to the industry at all. I’d hear the names of playwrights in lessons and didn’t have a clue who these people were. I’d go to the library and just read plays. 
Chickenshed's New Christmas Production is JACK
by BWW News Desk - September 16, 2022
Meet Jack - the poor and disheartened character of this year's Chickenshed's Christmas show!
Photos: First Look At Susie Blake In Agatha Christie's THE MIRROR CRACK'D UK Tour
by BWW News Desk - September 16, 2022
Susie Blake, Sophie Ward and Joe McFadden will star in the brand new production of Rachel Wagstaff’s acclaimed adaptation of Agatha Christie’s THE MIRROR CRACK’D. See photos from the production.
Review: HANDBAGGED, Kiln Theatre
by Aliya Al-Hassan - September 16, 2022
Indhu Rubasingham's revival of Buffini’s play is playful and fiercely funny, whilst deftly tackling serious issues. It explores the battle of wills between two powerful women: The Queen and Margaret Thatcher, through the eleven years Thatcher served as Prime Minister.
Review: ROSE, Park Theatre
by Gary Naylor - September 16, 2022
One woman's reflections on her life as a Jew in the 20th century throw light on the history of a people - and give us much food for thought in the 21st.
Review: UNITED UKRAINIAN BALLET'S GISELLE, London Coliseum
by Vikki Jane Vile - September 16, 2022
Comprising over fifty Ukrainian refugee dancers, the United Ukrainian Ballet’s debut in London was always going to be a moving and courageous showing.
Photos: Inside Rehearsal for THE MOORS At The Hope Theatre
by BWW News Desk - September 15, 2022
The Hope Theatre has released rehearsal photos for their forthcoming production of award-winning  American playwright Jen Silverman’s The Moors, with all six performers graduating from drama  school training since the start of the coronavirus pandemic. 
Review: THE P WORD, Bush Theatre
by Debbie Gilpin - September 15, 2022
This two-man show explores what it’s like for a gay Muslim, who’s also dealing with the expectations of his Pakistani family and the wider community; it also investigates the continued threat of the UK’s ‘hostile environment’ – a deadly game of chance for many at-risk individuals.
West End-Themed Bottomless Brunch to Open in London
by BWW News Desk - September 15, 2022
A bottomless West End themed brunch is opening at Oche The Strand in London! Brunch will take place every Saturday (1pm-4:30pm), featuring darts, a 6 Course Sharing Menu, Live West End themed Entertainment, and more for £55 per person!
Photos: Inside Rehearsal With Callum Scott Howells, Madeline Brewer and the New Cast of CABARET at the Kit Kat Club
by BWW News Desk - September 15, 2022
All new photos have been released of Callum Scott Howells, Madeline Brewer and the new cast of CABARET at the Kit Kat Club in rehearsals.
Review: PYGMALION, Tabard Theatre
by Mattea Leow - September 15, 2022
The DOT’s touring production of Pygmalion is a unique interpretation of George Bernard Shaw’s writings and whose script has a stronger focus on the rather unpleasant character of Henry Higgins rather than the more romanticised musical version My Fair Lady.
Soho Theatre Announces Cast For SUPER HIGH RESOLUTION
by BWW News Desk - September 15, 2022
Blanche McIntyre directs Nathan Ellis' Verity Bargate Award shortlisted Super High Resolution – a fast paced, darkly funny play about being a doctor in the NHS and the limits of anyone's ability to care for other people.
Photos: First Look at FOR A PALESTINIAN at Camden People's Theatre
by BWW News Desk - September 15, 2022
After captivating audiences during its sold-out performances last year, production photos have been released for For a Palestinian which returns for its first full-length run at Camden People’s Theatre this September before heading to Bristol Old Vic in October.
Photos: Inside Rehearsal For IPHIGENIA IN SPLOTT at the Lyric Hammersmith Theatre
by BWW News Desk - September 15, 2022
All new production photos have been released for Gary Owen’s Iphigenia in Splott, starring Sophie Melville with direction from Rachel O’Riordan. The production opens at the Lyric Hammersmith Theatre on 30 September, with previews from 26 September, and runs until 22 October.
KING HAMLIN Comes to the Park Theatre Next Month
by BWW News Desk - September 15, 2022
Against the backdrop of urban London, King Hamlin follows young friends Hamlin, Quinn and Nic as they experience the tensions of a friendship punctured by pride, revenge and turf wars. Interweaving urgent issues of poverty, race and social class, Williams sheds a light on the external pressures causing a devastating impact on communities in today's uncertain climate. The world premiere of playwright Gloria Williams' latest play follows in the footsteps of Bullet Hole, which premiered at Park Theatre in 2018 to critical acclaim.
Tickets From £25 for BUT I'M A CHEERLEADER at the Turbine Theatre
by Aliya Al-Hassan - September 15, 2022
Back by popular demand, But I’m A Cheerleader, which won audiences over with its charm and heart-warming story during its first run in February 2022, is back!
Cast Announced For THE SOLID LIFE OF SUGAR WATER At Orange Tree Theatre
by BWW News Desk - September 15, 2022
The Orange Tree Theatre has announced the full cast for Jack Thorne's The Solid Life of Sugar Water. JMK Award Winner Indiana Lown-Collins directs Katie Erich and Adam Fenton.
THE GUILTY FEMINIST Comes To The London Apollo Next Month
by BWW News Desk - September 15, 2022
Since its launch in 2016 – The Guilty Feminist has grown to become less of a podcast and more of a global phenomenon. With over 95 million downloads in six years, with a Sunday Times bestselling book - The Guilty Feminist is part comedy, part deep-dive discussion, and part activism.
Review: THE SNAIL HOUSE, Hampstead Theatre
by Gary Naylor - September 15, 2022
Big ambitious new play derailed by too many cookie-cutter characters and a central dilemma that fails to land as its explanation lacks the required clarity
Review: 2:22 - A GHOST STORY, Criterion Theatre
by Cindy Marcolina - September 15, 2022
The new company brings new energy to Matthew Dunster’s production, but the core of the show remains a smashing success.
GUEST BLOG: Director Emma Baggott Talks About the Exploration of Mental Health in THE WONDERFUL WORLD OF DISSOCIA
by Guest Blog: Emma Baggott - September 15, 2022
Never in my lifetime have we spent so much time thinking about health and illness as we have in the past few years.  
Review: THE TWO POPES, Rose Theatre
by Aliya Al-Hassan - September 14, 2022
Anthony McCarten's thoughtful and witty play is now revived at Kingston’s Rose Theatre in a production that deftly combines solemnity with fun in portraying the fictional relationship between Pope Benedict and Pope Francis.
Photos & Video: First Look at KINKY BOOTS First UK Revival and Regional Premiere
by BWW News Desk - September 14, 2022
The New Wolsey Theatre, Ipswich and the Queen’s Theatre Hornchurch have released first look images and video of Keanu Adolphus Johnson (Lola), Matt Corner (Charlie) and Aruhan Galieva (Lauren) from their upcoming production of the award-winning musical Kinky Boots. See photos and video here!
Photos: See Tony Gardner, Jordan Metcalfe & More in Rehearsals for ACCIDENTAL DEATH OF AN ANARCHIST
by BWW News Desk - September 14, 2022
Sheffield Theatres is presenting Dario Fo and Franca Rame’s Accidental Death of an Anarchist, adapted by BAFTA nominated writer Tom Basden. The show opens on Thursday 29 September in the newly named Tanya Moisiewitsch Playhouse. Check out rehearsal photos here!
Talawa Theatre Company & Young Vic Theatre to Host Event in Honor of Mona Hammond OBE
by BWW News Desk - September 14, 2022
Talawa, the UK’s outstanding Black theatre company, is holding an evening of celebration in honour of its late co-founder Mona Hammond OBE (1931–2022).  As one of the founders of Talawa Theatre Company in 1986, Hammond was instrumental in championing Black British theatre and her passion and vision was fundamental to the company’s work.

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