Review: HANSEL AND GRETEL, Royal Opera House
Antony McDonald's production simply oozes glamour and matches perfectly the opera’s quintessentially Romantic music. Eerie forests cast in twilight, cluttered huts, and old-fashioned costumes mix and mingle to give audiences a feeling of watching something straight out of the 19th century....
Review: HOW TO FLIRT: THE TED XXX-MAS EDITION, Soho Theatre
How to Flirt: The Ted XXX-mas Edition, written and performed by Daisy Doris May, is a drag king show that brings audience members into a university-style seminar on how to properly flirt with women. The teacher? Steven Porters, a “self-taught feminist” who has seen the error of his ways and is d...
Podcast Review: LOVE, CONDITIONALLY, Play Inside
Play Inside’s Love, Conditionally – a new, immersive, series of short (around 15 minutes) audio recordings made in the UK and Palestine – is made with interactive listeners in mind....
Review: NUTCRACKER, London Coliseum
When I first saw The Nutcracker around a quarter of a century ago, I became sure of one thing: either I was on drugs, the cast were on drugs or we both were. A far cry from the average ballets, this dream-like work still has the power to enthral the young and old....
Review: THE REST IS POLITICS LIVE, Royal Albert Hall
Wonderfully warm show by the soi-disant 'Pod-Gods' taps into a desire for a gentler, more considerate politics. See what our critic thought of the podcast.
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Review: MACBETH, Donmar Warehouse
It would be interesting to see the show free from all the fancy listening gear so we can bask in the thrill of seeing Tennant and Jumbo grapple with their actions without a middleman. After all, isn’t part of the beauty of theatre that the audience isn’t separated from the story by a screen of a...
Review: STRANGER THINGS: THE FIRST SHADOW, Phoenix Theatre
It’s very much a case of if it ain’t broke don’t fix it. The winning formula of gruesome body-horror thrills, teenage romance, and fuzzy edged nostalgia for the analogue age will feel familiar in this highly anticipated stage prequel. But if that formula is raking in millions who is complainin...
Review: REUBEN KAYE: THE BUTCH IS BACK, Southbank Centre
With an opening that couldn’t be more over the top if it was broadcast from the International Space Station, the never knowingly underdressed Reuben Kaye sweeps the entire room into his particular brand of cabaret. Coming on like a one-man Moulin Rouge floorshow, he spits out caustic one liners li...
Review: UNFORTUNATE: THE UNTOLD STORY OF URSULA THE SEA WITCH, Southwark Playhouse Elephant
Unfortunate: The Untold Story of Ursula the Sea Witch, written by Robyn Grant and Daniel Foxx with music by Tim Gilvin, tells the “true” story of Ursula, starting from her childhood and ending with what happens after The Little Mermaid (both 1989 and 2023)....
Review: EDWARD SCISSORHANDS, Sadler's Wells
No Sugarplum Fairy at Sadler’s Wells this Christmas…they've got Edward Scissorhands instead! Specifically Matthew Bourne’s New Adventures production running until 20 January.
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Review: ROCK 'N' ROLL, Hampstead Theatre
During its original run, real life happenings threatened to overshadow the fictional: Pink Floyd's Syd Barrett - whose presence and music is felt throughout Tom Stoppard’s Rock ‘n’ Roll - sadly died in Cambridge where he was born and where this epochal play of cultural and political revolution...
Review: THE SECRET GARDEN, Tabard Theatre
For this festive season, the team behind Tabard Theatre's production of Five Children and It have brought out their own take that will delight and captivate audiences of all ages....
Review: COLD WAR, Almeida Theatre
It raised eyebrows when it was announced: Paweł Pawlikowski’s Oscar nominated Cold War is hardly five years old, not nearly enough time for it to have fallen off the cultural radar. If a stage adaptation isn’t rejuvenating a lost classic, what does it want to achieve?...
Review: DICK WHITTINGTON, Richmond Theatre
If you want a risque and bawdy production, it's best to look elsewhere for your panto entertainment this year, as Richmond Theatre has produced a safely charming, family-friendly show....
Review: SPY MOVIE: THE PLAY!, The Hope Theatre
The “greatest spy movie never made” revolves around writer Ian Flemish and real-life spy, Jane Blonde. A group of villains known by EVIW is using the adventures of Flemish’s main character, spy Dick Hardwood, as inspiration for their own evil schemes, and Flemish and Blonde must stop them befo...
Review: STEPHEN SONDHEIM'S OLD FRIENDS: A CELEBRATION, Live at the Sondheim Theatre, Cast Recording
Were you one of the lucky few who managed to bag a ticket for the one-night-only, star-studded gala revue, StephenSondheim’s Old Friends, on May 3, 2022?...
Review: PHANTOM PEAK: WINTERMAS, London
The latest season of this immersive experience gives us the chance to jump aboard Operation Frostbite, drink some seasonal cocktails and find out about the jolly rotund fellow walking around who is definitely not being mysterious. And just what does this all have to do with the evil Dr Winter’s at...
Review: 21 ROUND FOR CHRISTMAS, Park Theatre
Christmas can often be a time for reflection, be it unwanted or unexpected. For poor put-upon Tracy, the breathing space of the festive period allows her to consider life, pondering who and what is important truly at this point of her life....
Review: ONE NIGHT, LONG AGO, 100 Petty France
From two associate directors of Punchdrunk, One Night, Long Ago is an evocative walk through a mind palace which reveals more and more as the journey continues. With an audience of only 15 for each show in the venue used for Swamp Motel’s immersive show Saint Jude earlier this year, it’s a setti...
Review: PANDEMONIUM, Soho Theatre, W1
Armando Iannucci’s name carries great clout; as well as comedy and Dickens, shows such as The Thick Of It and Veep have secured his status as one of our great political satirists, yet until now he has never written anything for the stage. If anyone can skewer the madness of the last few years, it...
Review: GET HAPPY, Barbican Pit
It’s very much the time of year for seasonal silliness, and whilst run-of-the-mill pantomimes are a safe choice, they are also a predictable one. Theatre company Told by an Idiot’s Get Happy is anything but that....
Review: HIGH SOCIETY, The Mill At Sonning
As households around the country begin to plan their festive feasts, the delightful Mill at Sonning in Berkshire already has theirs well in hand. ...
Review: ELF IN CONCERT, Royal Albert Hall
The Hall knew what they were doing when choosing their festive programming. All decked out with shiny trees and classy wreaths, it welcomed young and old in their most cheery gear. The sparkliest, reddest crowd with the most interesting and creative jumpers were eager to watch their favourite elf.
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Review: ODYSSEY: A HEROIC PANTOMIME, Jermyn Street Theatre
Five opera singers are holding out for a hero...
Review: WICKED, Edinburgh Playhouse
Launching its latest UK tour, Wicked is casting its magical spell on audiences once again. The enchantment begins at the Edinburgh Playhouse, with a glorious 5-week run from Thursday, 7th December 2023, to Sunday, 14th January 2024, at this iconic Scottish theatre. This essential musical provides an...
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