Interview: Arye Gross Watching BIRDS OF NORTH AMERICA & More
The Los Angeles premiere of Anna Ouyang Moench’s Birds of North America opens September 23, 2023, at The Odyssey Theatre (with previews starting September 20th). Peter Richards directs this narrative of a father and daughter relationship with the cast of Arye Gross and Jacqueline Misaye. I got the chance to examine some of Arye’s views on Birds and his eventful theatrical career.
SOMETHING ROTTEN! Comes to the Fulton Theatre
The Fulton Theatre has announced the highly anticipated production of the uproarious musical comedy, Something Rotten! This Tony Award-nominated hit will open the Fulton’s 2023/24 Mainstage season, and is set to captivate audiences with its show-stopping musical numbers, hilarious one-liners, and energetic and colorful stage design, beginning on September 15, 2023 with previews September 13 and 14.
Interview: A Fun Game of Tennis: SOMETHING ROTTEN! Cast Discusses MSMT Production
“As an actor, I have a huge sense of play, and this show is very much that. It’s really like a fun game of tennis with lots of back and forth. We don’t always know what is going to happen until we are in the moment, declares Tyler Hanes, who portrays Shakespeare in SOMETHING ROTTEN!, the musical which closes out MSMT’s 2023 season.
Artistic Director Curt Dale Clark concurs, “SOMETHING ROTTEN! is like a game I love to play; it teases you verbally, vocally, and instrumentally to name those Broadway musicals. It is so much fun!”
“It is everything I love about musical theatre all in one show,” agrees Lucy Godinez, who plays Bea Bottom. “It’s joyful; it’s fun; there is love. The sense of play in this show gives you the license to fill in the blanks.”
Bryant Martin, who plays Nick Bottom, adds that not only is the show great fun with lots of great musical numbers, but it also “speaks to the struggle all artists have dealing with validation. Nick asks why his peers are having success and he isn’t. It’s a situation with which we as actors can easily resonate.”
The foursome are serving on a panel moderated by BWW World Maine Editor, Carla Maria Verdino-Süllwold, at MSMT’s final Peek Behind the Curtain on August 16 at Brunswick’s Curtis Memorial Library to discuss MSMT’s hilarious production of SOMETHING ROTTEN! And judging by the laughter in the room, the large audience agrees that the musical by Karey and Wayne Kirkpatrick is not only clever and hugely funny, but a crowd-pleasing hit.
Review: Smart, Silly, Spectacular, SOMETHING ROTTEN! Proves a Dazzling MSMT Main Stage Finale
Dancing omelettes, a zany soothsayer, THE Bard of English theatre, and a ragtag troupe of Renaissance actors struggling to survive all share the Maine State Music Theatre stage in dizzying profusion in the final main stage production of the season: SOMETHING ROTTEN! - an outrageously funny, simultaneously urbane and plebeian send up and homage to classical theatre and that unique genre the MUSICAL.
The stylish and brilliant co-production with Lancaster’s Fulton Theatre, directed by Marc Robin, creates an entirely new imaginary universe, a world at the intersection of Elizabethan England and modern American musical theatre – part Renaissance Faire (on steroids), part Monty Python at their most hilarious. The evening, which is filled with endearing characters, showstopping song and dance numbers, comedy fueled by allusions, puns, slapstick, scatological jokes, and occasionally even poetry, is pure entertainment. No one will need to “brush up his Shakespeare” or be able to “name that tune” in order to come away from SOMETHING ROTTEN! thoroughly exhilarated and brimming with joy.
EVERY BRILLIANT THING Rehearsals Begin At Geffen Playhouse
Rehearsals have begun for Geffen Playhouse’s production of Every Brilliant Thing, written by Olivier Award–nominated playwright Duncan Macmillan (Lungs; People, Places, and Things) with Drama Desk Award, Lucille Lortel Award, and Off-Broadway Alliance Award nominee Jonny Donahoe (Thirty Christmases, Forgiveness).
Review: JULIUS CAESAR at Independent Shakespeare Company in Griffith Park
Atmosphere, this CAESAR has aplenty. What David Melville’s production does not have this time is particularly strong acting. Players in several key roles felt miscast, out of synch with their own characters, with fellow players or, in some cases, both. As a result, the production is not great at making us emotionally invest.