Review: DRIFTWOOD, Kiln Theatre
by Clementine Scott - Jun 10, 2026
“It’s like vultures circling a carcass,” one character in Driftwood says of the uneasy situation in Trinidad a few years shy of independence. This is the febrile setting for Casualty actress Martina Laird’s debut play, a portrait of a nation told entirely within the walls of one Port of Spain gentleman’s club, named ALMA.
2025-2026 Austin Theatre Critics Awards Winners Announced
by Sabrina Wallace - Jun 9, 2026
The results are in and the buckets have found their new homes! The Austin Theatre Critics Awards honored the outstanding artists, productions, designers, directors, and unsung heroes who made this past season one to remember. Check out the full list of winners and celebrate the best of Central Texas theatre.
European Premiere of Haruki Murakami Adaptation and More Set For the Barbican
by Stephi Wild - Jun 9, 2026
The Barbican announced its autumn/winter Theatre & Dance programme, featuring the European premiere of Haruki Murakami's END OF THE WORLD AND HARD-BOILED WONDERLAND, the UK premiere of PAM TANOWITZ DANCE'S PASTORAL, and London premieres of TOM AT THE FARM and DANCE IS NOT FOR US.
Review: WE HAD A WORLD, Hampstead Theatre
by Clementine Scott - Jun 8, 2026
On her deathbed, US playwright Joshua Harmon’s grandmother granted him permission to write a play about their family, on the condition that it be as “brutal and vitriolic” as possible. The result is We Had A World, a Pandora’s Box of generational trauma – indeed, the actor playing Harmon begins by opening up a literal box.
Review: SHREK THE MUSICAL at Maine State Music Theater
by Carla Maria Verdino-Süllwold - Jun 8, 2026
A giant green man with a booming brogue, a talking donkey, a wooden boy with a long nose, a wolf in granny skirts…. These are the loveable misfits who commandeer MSMT’s stage in the Jeannine Tesori- David Lindsay-Abaire classic SHREK THE MUSICAL that runs for four delightful performances at the Pickard Theater on June 8. The musical,based on the DreamWorks original movie, features witty lyrics, catchy tunes, and a heartwarming story, about acceptance, individuality, and inclusion.
Review: HAIRSPRAY is An Anthem to Optimism and Change
by Carla Maria Verdino-Süllwold - Jun 5, 2026
From the joyful opening number, “Good Morning, Baltimore,” to the to the rousing vibrancy of the finale, “You Can’t Stop the Beat,” Maine State Music Theatre’s revival of HAIRSPRAY, a co-production with Lancaster, Pennsylvania‘s Fulton Theatre, which opens the 2026 season, offers the audience pure optimism and joy. Despite - or perhaps because of - the more serious underlying themes that the musical tackles such as racism, segregation, body positivity, and inclusion - HAIRSPRAY remains the perfect theatrical evening where entertainment and inspiration combine.
This new production, directed and choreographed by Kenny Ingram with a superbly talented cast that features an extraordinary blend of Broadway, MSMT veteran, and young professional talent invites audiences to marvel at the company’s artistic range and to revel in an exquisitely delightful evening’s entertainment.