The Revel Puck Circus’s latest collaboration with Underbelly is set in the faraway land of the Circus Hub on the Meadows in Edinburgh, in a sweet, acrobatic retelling of The Ugly Duckling.
Rajiv Karia’s Man Alive! is a thoughtful and sharply observed hour, which asks big questions with a light, playful touch.
Gloriously unhinged BAFTA-nominated newcomers Ada and Bron bring their chaotic brand of sketch character comedy to the Edinburgh Fringe with The Origin of Love, a fast-paced, surreal and delightfully filthy exploration of romance, in all of its very strangest forms.
Douglas Widick’s Paperclip is a witty, genre-bending thrill ride, which imagines a world where the fate of humanity rests in the hands or rather, the wires of Microsoft Word’s long-forgotten writing assistant Clippy.
It’s not often that villains are the stars of children’s shows, but Freckle Productions’ adaptation of Julia Donaldson and Axel Scheffler’s The Baddies gleefully flips the script.
Horrible Histories: Barmy Britain – The Best Bits! presents the grizzly tales of British history with gusto.
Amy Mason is witty, unfiltered, and enjoyably coarse, diving right into how connection, intimacy, and the chaos of how modern life works in reality.
Joz Norris is an enthusiastic lover of fun, concerned with elevating joy and embracing his inner weird.
There’s a new Queen in town, and her name is Keala Settle, with five pop princesses all called Diana, keen on stealing her limelight.
Jess Robinson, Your Song: Elton Reimagined is an uproarious triumph which cements Jess Robinson as the reigning diva of comedic musical impressions.
Staged in the lush, storybook setting of the Royal Botanic Gardens, Kew, The Dream Fairies: Adventure Through Bubble Land by The Australian Shakespeare Company offers a gentle, enchanting escape for families seeking a touch of summer magic.
Adapted by Penny Farrow based on the novel by Lewis Carroll, Broadway Haus and DEM Productions have conjured up a delightfully imaginative retelling of Alice in Wonderland at the Marylebone Theatre, under the inventive direction of Nate Bertone and the sharp, playful guidance of Associate Director E
Performed at the Lyric Theatre, The Smeds and the Smoos is a delightful theatrical treat for families, delivering a charming adaptation of Julia Donaldson and Axel Scheffler’s beloved book.
Nick Cope’s vibrant live show, I’VE LOST MY BOBBLE HAT!, is a polished, thoughtful, and musically rich experience that confirms his standing as one of the UK’s most respected musical family entertainers.
King of Pangea at the King’s Head Theatre, London is a striking and inventive one-act 90-minute play, which blends the personal experience of grief with surreal world-building.
Overheard in a Tower Block at the Little Angel Theatre Studios is a raw and honest insight into young life, parental separation and the experiences of living in a high rise flat.
Grave Mistake is an unmissable farce and dark comedy created by writers Matthew Ballantyne and Toby Hampton.
‘A Transported by Culture’ initiative by London Transport Museum, Director and CEO Elizabeth McKay has materialised into the premiere of a new family theatre show aimed at children aged 5+-11 on site in the Museum’s very own Cubic Theatre, in Covent Garden.
The Elmer Adventure, inspired by David McKee’s beloved patchwork elephant, bursts onto the stage with a kaleidoscope of colour and charm.
The Koala Who Could is a bestselling children’s book by Rachel Bright and Jim Field, which has been Adapted and Directed for theatre by Emma Earle.
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