Christiana Rose - Page 4

Front Room Productions and Lawrence Batley Theatre present The Uncrackable Case, a courtroom drama which reimagines fairy tale characters in a tabloid-fuelled whodunnit. Humpty Dumpty has fallen from the Death Wall, and Jill is accused of egg-icide in a trial which grips a nation eager for scandal.

Dear Annie, I Hate You is a visceral, captivating account of survival which fuses raw storytelling with inventive theatricality. Written and performed by Samantha Ipema, this semi-autobiographical work confronts the life-altering impact of a brain aneurysm diagnosis at the age of twenty, crafting a narrative which is as darkly funny, as it is deeply affecting.

Chloe Petts love of Big Naturals, regales with a bold and brilliantly crafted hour, in which she tackles her favourite body parts, questions her previously entrenched relationship with lad culture and inspects her own evolving identity.

In her triumphant return to the Fringe, Amy Annette brings Busy Body to The Baby Grand, a shipping container transformed into an intimate comedy boudoir, complete with a floral display and the nostalgic welcoming harmonies of The Andrews Sisters

Dream Space by Creative Group SSAK is a shimmering piece of theatrical magic, transforming the everyday into the extraordinary through inventive puppetry, music, and movement. From the moment the playful kazoo ensemble opening sets the tone, the production invites audiences of all ages into its surreal island world, where the line between reality and fantasy melts away.

The Revel Puck Circus’s latest collaboration with Underbelly is set in the faraway land of the Circus Hub on the Meadows in Edinburgh, in a sweet, acrobatic retelling of The Ugly Duckling.

Rajiv Karia’s Man Alive! is a thoughtful and sharply observed hour, which asks big questions with a light, playful touch. Karia discusses male friendships, issues around maintaining contact, social connection and weaves this into the everyday irritations and anxieties of modern life and with a lens of warmth, wit, and self-deprecation, skilfully keeping the audience laughing consistently.

Gloriously unhinged BAFTA-nominated newcomers Ada and Bron bring their chaotic brand of sketch character comedy to the Edinburgh Fringe with The Origin of Love, a fast-paced, surreal and delightfully filthy exploration of romance, in all of its very strangest forms.

Douglas Widick’s Paperclip is a witty, genre-bending thrill ride, which imagines a world where the fate of humanity rests in the hands or rather, the wires of Microsoft Word’s long-forgotten writing assistant Clippy.

It’s not often that villains are the stars of children’s shows, but Freckle Productions’ adaptation of Julia Donaldson and Axel Scheffler’s The Baddies gleefully flips the script. At Cadogan Hall, this wickedly silly romp delivers a charming, high-energy musical, which keeps its youngest audience members giggling, while slipping in theatrical polish to keep the grown-ups engaged.

Horrible Histories: Barmy Britain – The Best Bits! presents the grizzly tales of British history with gusto. Celebrating 20 years of Horrible Histories Live on Stage and 14 years of entertaining London audiences, Birmingham Stage Company’s latest incarnation proves that even after two decades, history is far from dull, especially when it’s packed with peril and poo jokes.

Amy Mason is witty, unfiltered, and enjoyably coarse, diving right into how connection, intimacy, and the chaos of how modern life works in reality. Mason brings a refreshingly honest perspective to the hour, delivered in a deadpan yet inviting style which creates a sense of wonder at her candour, with every understated punchline.

Joz Norris is an enthusiastic lover of fun, concerned with elevating joy and embracing his inner weird. With a blend of surreal storytelling, gentle earthy chaos and endearing self-awareness, Norris draws the audience into a world where logic is irrelevant. 

There’s a new Queen in town, and her name is Keala Settle, with five pop princesses all called Diana, keen on stealing her limelight. The Diana Mixtape, currently lighting up HERE at Outernet, is a glitter-soaked, pop-powered celebration of the People’s Princess, unlike anything London has seen before. Blending drag spectacle, West End flair, and irresistible chart-toppers, this high-camp musical concert is less a traditional biopic and more a fabulously queer fever dream. 

Jess Robinson, Your Song: Elton Reimagined is an uproarious triumph which cements Jess Robinson as the reigning diva of comedic musical impressions.

Staged in the lush, storybook setting of the Royal Botanic Gardens, Kew, The Dream Fairies: Adventure Through Bubble Land by The Australian Shakespeare Company offers a gentle, enchanting escape for families seeking a touch of summer magic.

Adapted by Penny Farrow based on the novel by Lewis Carroll, Broadway Haus and DEM Productions have conjured up a delightfully imaginative retelling of Alice in Wonderland at the Marylebone Theatre, under the inventive direction of Nate Bertone and the sharp, playful guidance of Associate Director Eva Sampson.

Performed at the Lyric Theatre, The Smeds and the Smoos is a delightful theatrical treat for families, delivering a charming adaptation of Julia Donaldson and Axel Scheffler’s beloved book.

Nick Cope’s vibrant live show, I’VE LOST MY BOBBLE HAT!, is a polished, thoughtful, and musically rich experience that confirms his standing as one of the UK’s most respected musical family entertainers.

King of Pangea at the King’s Head Theatre, London is a striking and inventive one-act 90-minute play, which blends the personal experience of grief with surreal world-building.