Review: THE GIANT BALLOON SHOW, artsdepot
Enticingly watchable, Dizzy O’Dare in a solo performance for The Dynamo Show tour, who emits enough joy and warmth to fill the giant balloon during the renowned The Giant Balloon Show.
Christiana Rose - Page 5
Review: FAMILY FOLK SHOW WITH MEGSON, artsdepot
Family Folk Show With Megson is part of artsdepot's 20th anniversary festival year, bringing together highly acclaimed artistry in a family friendly venue, concerned with true talent and pure entertainment.
Review: AMY ANNETTE: THICK SKIN, Soho Theatre
In a glorious assault on the image obsessed and therefore resulting trauma of the Noughties, Amy Annette’s ‘Thick Skin’ Debut UK Tour opened at The Soho Theatre to a sell-out audience.
Review: THE CREAKERS, Southbank Centre
Based on Tom Fletcher’s best-selling children’s book and adapted by scriptwriter Miranda Larson, The Creakers musical is an escapade which highlights the very real need for sustainability, through a tale about Lucy and the ‘kidderlings’ of Whiffington.
Critics' Choice: Christiana Rose's Best Children's Shows of 2024
In an evolving year of children’s theatre, the themes of climate change and sustainability reign supreme, with a lean towards immersive and inclusive theatre with excellent changes in the industry meaning prior access resources are provided as a matter of course.
Review: THE HOLLY KING AND THE OAK KING, Battersea Arts Centre
The Holly King and The Oak King is an immersive and inclusive festive experience, collaboratively created by Battersea Arts Centre, with award-winning immersive arts creators Wild Rumpus.
Review: THE FIR TREE, artsdepot
***** The Fir Tree @artsdepot is a triumph, a beautifully engaging festive family treat and deserves plentiful and full accolades.
Review: CHRISTMAS COMES TO MOOMINVALLEY, Jacksons Lane
Adapted from Tove Jansson’s short story The Fir Tree, the creative team at Jackson’s Lane have collaborated with organisation Moomin Characters and the Finnish Institute in the UK and Ireland, to produce a festive spectacle, concerned with wonder, discovery, joy and the pure kindness of giving.
Review: MADDIE MOATE'S A VERY CURIOUS CHRISTMAS, Apollo Theatre
Maddie Moate’s festive live science show incorporates the perfect blend of live science experiments, a mission to assist Mrs Claus and a taste of musical theatre with a pantomime flair.
Review: COMEDY CLUB 4 KIDS- CHRISTMAS CRACKER SHOW, The Arts Depot
Comedy Club 4 Kids Christmas Cracker Show at The Arts Depot is a family comedy show aimed at inclusive comedy, without the rude bits and swearing, for children aged 6+.
Review: ROOM ON THE BROOM, Lyric Theatre
It’s the show that London children’s theatre goers have been waiting for this festive season, Room on the Broom by theatre company Tall Stories.
Review: NICK COPE’S FAMILY SHOW, The Arts Depot
Nick Cope’s family fun tunes are a pleasure in hear in-person, heightened by the added commentary about the song writing style which further enriched the show by addressing elements of morals, ethics, and a reminder to hold dear our key priorities.
Review: THE FORSYTE SAGA, PARTS 1 & 2, Park Theatre
The world premiere of The Forsyte Saga Parts 1 'Irene' and Part 2 'Fleur' has been devised by Ashley Cook for Troupe Theatre, in association with Park Theatre, featuring a superbly talented cast of nine in a genuinely epic and stylish period production.
Review: PORT CITY SIGNATURE, The Hope Theatre
**** PORT CITY SIGNATURE at The Hope Theatre is a timeless, tense and tenacious tale of seaside noir with a strong cast and playful thrills
Review: MYRA DUBOIS: BE WELL, Hackney Empire
Nearly midway through their whirlwind tour of the UK and Ireland, the glorious Gareth Joyner as Myra Dubois and Frank Lavender, should be revelling in selling out the enormous 1268 capacity venue Hackney Empire.
Review: THE LITTLE DEATH, King's Head Theatre
**** THE LITTLE DEATH at Kings Head Theatre unveils and encourages shamelessness, this is a bold play concerned with the relentless pursuit of seeking pleasure @littledeathshow @grimlittleberry @justin.
Review: EDINBURGH 2024: THE LAST FORECAST BY BRIDIE GANE, Assembly @ Dance Base 1
Creator and Choreographer Gane, was influenced by the history of lighthouses in Scotland, the survival of the natural world and climate change.
Review: EDINBURGH 2024: IIIII – ABOUT THE ART OF LETTING GO, Underbelly Circus Hub On The Meadows
Sandra Hanschitz & Joel Beierer perform in IIIII - The Art of Letting Go at The Underbelly Circus Hub on The Meadows at The Beauty, a circus show showcasing the Cyr wheel.
Review: EDINBURGH 2024: COLIN HOULT: COLIN, The Pleasance Courtyard
Hoult is a superb character comedian, well known for ‘star of stage and screen’ Anna Mann.
Review: EDINBURGH 2024: ABBY WAMBAUGH: THE FIRST 3 MINUTES OF 17 SHOWS, Pleasance Courtyard
For Wambaugh’s debut hour at the Edinburgh Fringe 2024, the shows premise is the offering of a top 17 set of ideas for beginning a comedy show.
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