EDINBURGH 2026: Review: THE REAL KYLE MCCARREN, Pleasance Courtyard, Forth
Theatre is often at its most meaningful when it comes from a place of truth.
Christiana Rose - Page 2
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EDINBURGH 2026: Review: KEVIN!!!!!, Pleasance Courtyard, Forth
The 1990 ultimate Christmas film Home Alone has been reimagined by the team at Recent Cutbacks via puppetry.
EDINBURGH 2026: Review: LIL WENKER: BOYKING, Pleasance Courtyard, Bunker One
Lil Wenker is a force of energy.
EDINBURGH 2026: Review: HARRY JUN: INSIDE JOKES, OUTSIDE VOICES, Pleasance Courtyard, Bunker Three
Harry Jun wastes no time checking in with his sold out Edinburgh audience, first ensuring his Australian accent is decipherable, before conducting a racism check to establish that he is, importantly, in a safe space.
Review: I’M EVERY WOMAN, THE CHAKA KHAN MUSICAL, Troubadour Wembley Park
It is press night for I’m Every Woman: The Chaka Khan Musical at Troubadour Wembley Park Theatre, where one of music’s most influential voices is celebrated in a vibrant biographical production exploring 'the fame, the fire and the fight' behind an extraordinary career.
Review: DOG MAN: THE MUSICAL, Southbank Centre
There are few children’s books which have captured young imaginations quite like Dav Pilkey’s Dog Man series.
Review: MALORY TOWERS, Alexandra Palace Theatre
Emma Rice’s glorious adaptation of Enid Blyton’s Malory Towers returns to Alexandra Palace Theatre with all of the warmth, wit and wonder which made it such a beloved success.
Review: DINOSAUR WORLD LIVE, Troubadour Wembley Park Theatre
At first glance, Dinosaur World Live appears to promise a traditional theatrical adventure, but audiences should adjust their expectations before entering this prehistoric expedition.
Review: A WORLD ELSEWHERE, Shakespeare’s Globe
Following the Olivier Award nominated success of Rough Magic, Shakespeare’s Globe and Splendid Productions once again demonstrate an extraordinary understanding of family theatre with A World Elsewhere.
Review: BRAINIAC LIVE, Garrick Theatre
Following its Olivier Award win for Best Family Show, Brainiac Live returns to the West End with an hour of exhilarating scientific mayhem which proves that education can be every bit as entertaining as it is informative.
Review: THE WIND IN THE WILLOWS, Theatre On Kew
Celebrating the fortieth anniversary of Glenn Elston’s acclaimed adaptation of The Wind in the Willows, the Australian Shakespeare Company once again demonstrates why it has become synonymous with imaginative outdoor family theatre.
Review: JACK AND THE BEANSTALK, Theatre On Kew
The Australian Shakespeare Company brings Glenn Elston’s adaptation of Jack and the Beanstalk to Kew Gardens for its UK premiere with an energetic outdoor production, which embraces the traditions of pantomime while adding a generous helping of modern humour.
EDINBURGH 2026: Review: JOHN-LUKE ROBERTS: WHAT I TALK ABOUT WHEN I RUN ABOUT TALKING, Monkey Barrel 4
John-Luke Roberts returns to the Edinburgh Festival Fringe with What I Talk About When I Run About Talking, his first new hour in four years.
EDINBURGH 2026: Review: ALICE FRASER: OH MAN!, Monkey Barrel at O'Neills (The Tron)
Alice Fraser brings an intellectually rich and entertaining hour of stand up to the stage with a show which cleverly blends philosophy, social commentary and sharp observational comedy.
EDINBURGH 2026: Review: SID SINGH: LOVE BOMBING, The Lounge At Laughing Horse @ The Counting House
Comedian's Choice Award winner Sid Singh returns to the Edinburgh Fringe with activism, political intention and a good dose of love-based reckless abandon.
Review: ARCADIA, Duke Of York’s Theatre
Returning to the West End in a breath-taking production directed by Carrie Cracknell, this revival confirms that Tom Stoppard created one of the finest works in modern theatre.
Interview: 'It's All Quite Brain-Melty': Actor Isis Hainsworth On Returning To ARCADIA
Fresh from an Olivier Award-nominated performance at The Old Vic, Isis Hainsworth is preparing to step back into the role of Thomasina Coverley for the highly anticipated West End transfer of Tom Stoppard's Arcadia.
Review: 360 ALLSTARS, Peacock Theatre
Returning to London with their trademark energy and astonishing athleticism, Onyx Productions’ 360 ALL STARS continues to prove why it has remained a global success for more than a decade.
Review: THERE’S A MONSTER IN YOUR SHOW, artsdepot
Tom Fletcher’s much loved Who’s in Your Book? series makes a joyful leap from page to stage in There’s a Monster in Your Show, a lively and engaging family musical which celebrates imagination, friendship and the importance of working together.
Book Review: THIS BOOK IS SHORT: A Toolkit for Creative ADHDers, by Tom Ryalls
Tom Ryalls' This Book Is Short: A Toolkit for Creative ADHDers is a refreshingly honest, practical and deeply compassionate guide that understands both the possibilities and the frustrations of living and creating with ADHD.
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