Christiana Rose
Review: DIANA: THE UNTOLD AND UNTRUE STORY, Underbelly Boulevard Soho
Interview: 'Forget The Small Talk': Sara Barron In Celebration Of Her 25 Years With THE MOTH
Review: PADDINGTON THE MUSICAL, Savoy Theatre
EDINBURGH 2026: Review: THE REAL KYLE MCCARREN, Pleasance Courtyard, Forth
Review: PLAYING SHAKESPEARE WITH DEUTSCHE BANK: ROMEO AND JULIET, Shakespeare's Globe
Latest Articles
Feature: MY NEIGHBOUR TOTORO: Studio Ghibli’s Beloved Forest Spirit Comes To Life
Studio Ghibli’s beloved animated classic My Neighbour Totoro has reached its final three months in London’s West End, where the Royal Shakespeare Company’s award winning stage adaptation continues to celebrate the wonder of childhood, the strength of family and the extraordinary possibilities
Review: DIANA: THE UNTOLD AND UNTRUE STORY, Underbelly Boulevard Soho
Diana: The Untold and Untrue Story, performed and directed by Linus Karp and Joseph Martin, takes the familiar royal narrative and gleefully sets fire to the history books.
Feature: The Launch Of SHEDINBURGH At The Young Vic
Bringing the spirit of Edinburgh Fringe to the Young Vic, Shedinburgh offers an inviting celebration of theatrical creativity, heartfelt storytelling and performers who know how to make audiences laugh, reflect and feel.
Review: TWENTY THOUSAND STREETS UNDER THE SKY, Southwark Playhouse, Borough
Patrick Hamilton’s bleak portrait of 1920s London arrives on stage in a new adaptation by Simon Reade, exploring the fragile connections between those searching for love, belonging and something more.
Review: FRINGE FIX: MOTHMAN: A ROMANCE MUSICAL, Underbelly Soho Boulevard
There is something wonderfully appealing about a musical which makes absolutely no attempt to behave itself.
Feature: THE MOTH MAINSTAGE: TIGHTROPE at The Southbank Centre
At The Moth Mainstage: Tightrope five extraordinary storytellers took to the stage to explore risk, survival and the courage to keep moving forward.
Interview: 'Forget The Small Talk': Sara Barron In Celebration Of Her 25 Years With THE MOTH
For almost 25 years, Sara Barron has witnessed what happens at The Moth when people step beyond the safety of everyday conversation and dare to tell the truth.
Interview: 'Something Is Missing From The Way We Portray Circus': Writer And Director Jack Horner On Developing Jim Tully's CIRCUS PARADE
For Jack Horner, Circus Parade is a story 20 years in the making.
Interview: 'The Story Means So Much To People': Actor Steph Eva Adcliffe On Becoming ZOG at Warwick Castle
For Steph Eva Adcliffe, becoming an actor has never been about taking the easiest route.
EDINBURGH 2026: Interview: Stacey Clare of STRIPPERS ADVICE BUREAU
Stacey Clare of 'Ask a Stripper' and 'Strippers Advice Bureau advocates for the shows on the Fringes of The Fringe.
Review: BBC PROMS: ENCHANTED: ALAN MENKEN’S MUSIC FOR DISNEY, Royal Albert Hall
Alan Menken is an incredibly well renowned composer whose music has the power to transport an audience back to childhood effortlessly.
EDINBURGH 2026: Review: ANNA LEONG BROPHY: BORN SEXY YESTERDAY, Pleasance Courtyard, Below
Hatched from an egg, 'Jacket' is born, unwraps herself and immediately imprints on the first human she sees, a man sitting in the front row.
EDINBURGH 2026: Review: EM HUMBLE: LADY OF THE LAKES, Pleasance Courtyard, Below
Sir Thomas Malory’s Le Morte d’Arthur charts the rise and fall of King Arthur, Merlin, Guinevere, Lancelot, the Knights of the Round Table and the eventual destruction of Camelot.
EDINBURGH 2026: Review: ROB PRESTON: AMAZING GLOBAL SOLUTIONS, Pleasance Courtyard
Rob Preston’s Amazing Global Solutions is a gloriously strange gallery of grotesques, populated by characters who are so worryingly fully formed that their absurdity becomes increasingly believable.
EDINBURGH 2026: Review: BEN HART: LABYRINTH, Palais du Variété, Assembly George Square Gardens
Ben Hart has an exceptional understanding of the world of magic.
EDINBURGH 2026: Review: HUGO'S RAINBOW SHOW, Underbelly, Bristo Square, Dexter
Hugo Grrrl welcomes the audience with an exuberant “guys, gals and non binary pals”, immediately establishing the warm, inclusive spirit of Hugo’s Rainbow Show.
EDINBURGH 2026: Review: SHOWSTOPPER! THE KIDS SHOW, Pleasance Courtyard
Six extraordinary musical theatre performers take to the stage with one seemingly impossible task: create a brand new musical from scratch, based entirely on suggestions from the children in the audience.
EDINBURGH 2026: Review: MARTY GLEESON: DOG EAR, Pleasance Courtyard, Bunker One
Marty Gleeson arrives at the Edinburgh Fringe with a debut hour which feels as curious, unconventional and quietly assured as its title suggests.
EDINBURGH 2026: Review: TARANG HARDIKAR: IF I'M NOT WRONG, Pleasance Courtyard
Tarang Hardikar’s Edinburgh Fringe debut is an hour of wonderfully curious comedy, in which no thought is too small to escape scrutiny.
EDINBURGH 2026: Review: RAJ POOJARA: DICE, Pleasance Courtyard, Bunker Three
Raj Poojara opens by introducing himself through an unlikely cocktail of Maui from Moana, Hagrid from Harry Potter and the Bearded Lady from The Greatest Showman, immediately establishing the playful absurdity which runs through the show.
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