
Christiana Rose
Theatre Journalist Christiana Rose has written 259 articles for BroadwayWorld since 2019, covering Scotland theatre.
Christiana Rose has been writing for BroadwayWorld since 2019, is Childrens Theatre lead, loves circus, storytelling and is an award winning cabaret performer in her own right. Her work background is in performance event management, academic event coordination and she has recently completed a law degree LLB with 1st Class Honours in 2025. She was awarded the 2026 Inspiring Young Woman of Barnet award and is the 2026 Ally of the Year at The Queer Student Awards 2026. Her great love however, is community engagement. You can follow her on Instagram @chrissymrose
About Christiana Rose
- First Show
- Rent on Broadway, Les Mis in the West End
- Favorite Show
- Hadestown
Favorite Stories
- Paddington - Paddington the Musical is a shining triumph. It is generous, courageous, wildly imaginative and rooted in a belief which feels especially vital today; that home is something we build together. This production does not simply bring Paddington to the stage, it brings heart, compassion and kindness to us all.
- THE FIR TREE, artsdepot - The Fir Tree was a triumph, a beautifully engaging festive family treat, deserving of plentiful accolades. It was so wonderful, we went back for a second visit.
Most Popular Articles


EDINBURGH 2026: Review: COLIN CLOUD: HOAX at Pleasance Courtyard, The Grand
August 13, 2026

Review: BBC PROMS: ENCHANTED: ALAN MENKEN’S MUSIC FOR DISNEY, Royal Albert Hall
September 1, 2026

Review: PADDINGTON THE MUSICAL, Savoy Theatre
December 1, 2025

EDINBURGH 2026: Review: THE REAL KYLE MCCARREN, Pleasance Courtyard, Forth
August 12, 2026

Review: PLAYING SHAKESPEARE WITH DEUTSCHE BANK: ROMEO AND JULIET, Shakespeare's Globe
March 7, 2026
Latest Articles

Feature: THE MOTH MAINSTAGE: TIGHTROPE at The Southbank Centre
September 11, 2026
At The Moth Mainstage: Tightrope five extraordinary storytellers took to the stage to explore risk, survival and the courage to keep moving forward.

Interview: 'The Story Means So Much To People': Actor Steph Eva Adcliffe On Becoming ZOG at Warwick Castle
September 9, 2026
For Steph Eva Adcliffe, becoming an actor has never been about taking the easiest route.

Review: BBC PROMS: ENCHANTED: ALAN MENKEN’S MUSIC FOR DISNEY, Royal Albert Hall
September 1, 2026
Alan Menken is an incredibly well renowned composer whose music has the power to transport an audience back to childhood effortlessly.

EDINBURGH 2026: Review: ANNA LEONG BROPHY: BORN SEXY YESTERDAY, Pleasance Courtyard, Below
August 17, 2026
Hatched from an egg, 'Jacket' is born, unwraps herself and immediately imprints on the first human she sees, a man sitting in the front row.

EDINBURGH 2026: Review: EM HUMBLE: LADY OF THE LAKES, Pleasance Courtyard, Below
August 17, 2026
Sir Thomas Malory’s Le Morte d’Arthur charts the rise and fall of King Arthur, Merlin, Guinevere, Lancelot, the Knights of the Round Table and the eventual destruction of Camelot.

EDINBURGH 2026: Review: ROB PRESTON: AMAZING GLOBAL SOLUTIONS, Pleasance Courtyard
August 17, 2026
Rob Preston’s Amazing Global Solutions is a gloriously strange gallery of grotesques, populated by characters who are so worryingly fully formed that their absurdity becomes increasingly believable.

EDINBURGH 2026: Review: BEN HART: LABYRINTH, Palais du Variété, Assembly George Square Gardens
August 17, 2026
Ben Hart has an exceptional understanding of the world of magic.

EDINBURGH 2026: Review: HUGO'S RAINBOW SHOW, Underbelly, Bristo Square, Dexter
August 17, 2026
Hugo Grrrl welcomes the audience with an exuberant “guys, gals and non binary pals”, immediately establishing the warm, inclusive spirit of Hugo’s Rainbow Show.

EDINBURGH 2026: Review: SHOWSTOPPER! THE KIDS SHOW, Pleasance Courtyard
August 17, 2026
Six extraordinary musical theatre performers take to the stage with one seemingly impossible task: create a brand new musical from scratch, based entirely on suggestions from the children in the audience.

EDINBURGH 2026: Review: MARTY GLEESON: DOG EAR, Pleasance Courtyard, Bunker One
August 17, 2026
Marty Gleeson arrives at the Edinburgh Fringe with a debut hour which feels as curious, unconventional and quietly assured as its title suggests.

EDINBURGH 2026: Review: TARANG HARDIKAR: IF I'M NOT WRONG, Pleasance Courtyard
August 17, 2026
Tarang Hardikar’s Edinburgh Fringe debut is an hour of wonderfully curious comedy, in which no thought is too small to escape scrutiny.

EDINBURGH 2026: Review: RAJ POOJARA: DICE, Pleasance Courtyard, Bunker Three
August 17, 2026
Raj Poojara opens by introducing himself through an unlikely cocktail of Maui from Moana, Hagrid from Harry Potter and the Bearded Lady from The Greatest Showman, immediately establishing the playful absurdity which runs through the show.

EDINBURGH 2026: Review: GARRY STARR: CLASSIC PENGUINS, Pleasance Courtyard, The Grand
August 17, 2026
The enormous Grand stage at Pleasance Courtyard features a treasure chest, a bookcase and centre stage, facing away from the crowd, a figure sits comfortably in a leather chair, seemingly relaxed, gently puffing away on a pipe and awaiting the moment to begin.

EDINBURGH 2026: Review: JESS ROBINSON: ELTON REIMAGINED: Piccolo Tent, Assembly George Square Gardens
August 15, 2026
Jess Robinson does not simply impersonate the stars.

EDINBURGH 2026: Review: THE PALESTINIAN CIRCUS: STEP AND A HALF, Underbelly Circus Hub on the Meadows
August 15, 2026
The Palestinian Circus brings culture, community and contemporary circus together in Step and a Half, a production which places Palestinian identity firmly at its heart.

EDINBURGH 2026: Review: HASAN AL-HABIB: STUCK IN THE MIDDLE (EAST) WITH YOU, Pleasance Courtyard, Upstairs
August 14, 2026
Hasan Al- Habib has a lot to get off his chest, but Stuck in the Middle (East) with You never feels like a therapy session masquerading as stand up.

EDINBURGH 2026: Review: COLIN CLOUD: HOAX at Pleasance Courtyard, The Grand
August 13, 2026
World renowned mentalist and Fringe favourite Colin Cloud returns to Edinburgh with Hoax, his highly anticipated new show which challenges perceptions of truth, belief and reality.

EDINBURGH 2026: Review: ROSALIE MINNITT: CLEMENTINE 2, Pleasance Courtyard - Beside
August 14, 2026
Rosalie Minnitt’s much anticipated return as Clementine begins at full throttle, with a high energy visual montage of screen images accompanied by a strikingly conflicting collection of messages about feminism, piousness, illiteracy and diary entries.

EDINBURGH 2026: Review: KATE BUTCH: A KATE IN THE HAND IS WORTH TWO IN THE BUTCH, Pleasance Dome, King Dome
August 12, 2026
A Kate in the Hand is Worth Two in the Butch, a riotous, wonderfully hilarious and surprisingly incisive hour which combines sharp stand up with an abundance of sequins, foliage and northern wit.

EDINBURGH 2026: Review: ALEX FRANKLIN KISS ME X, Underbelly Cowgate (Jelly Belly)
August 13, 2026
Alex Franklin delivers a gloriously funny, musically accomplished and unexpectedly moving hour in Kiss Me x, which celebrates trans joy, self acceptance and the simple, beautiful pleasure of a good kiss.
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