Review: ESTHER MANITO ‘SLAGBOMB’, Soho Theatre
Esther Manito’s Slagbomb, currently on a UK tour, contains unfiltered honesty and sharp observational wit about ungraceful aging and 2.
Christiana Rose - Page 3
Review: 5 MISTAKES THAT CHANGED HISTORY, artsdepot
Paul Coulter’s 5 Mistakes That Changed History is an ingenious historical exploration, which is as sharp in its storytelling as it is rich in historical detail.
Interview: Actor Seán McGinley on Language, Kindness and Human Connection in THE WEIR
Conor McPherson’s modern classic The Weir has opened at the Harold Pinter Theatre, running until 6 December 2025, in a new production directed for the first time by the playwright himself.
Review: WE'RE GOING ON A BEAR HUNT, Little Angel Theatre
Little Angel Theatre delivers a vibrant, triumphant and delightful production of We’re Going on a Bear Hunt.
Review: THE REMARKABLE BEN HART, Wilton’s Music Hall
Master of illusion, Ben Hart has created a theatrical experience which blurs the line between trickery and the inexplicable.
Review: THE ENORMOUS CROCODILE, Regent’s Park Open Air Theatre
Roald Dahl’s beastly reptile slithers into Regent’s Park Open Air Theatre in a dazzling musical version which proves as entertaining for adults as it is for the children it is written for.
EDINBURGH 2025: Review: JOSH ELTON: AWAY WITH THE FAIRIES, Hoots @ The Apex
Josh Elton makes an assured and highly memorable Fringe debut with Away With The Fairies, a show which captures both the unfiltered chaos of the life of a comic and the mythic absurdity which shapes it.
EDINBURGH 2025: Review: STEFFAN ALUN: STAND UP at Hoot 4, Hoots @ The Apex
Welsh comedian Steffan Alun brings warmth, wit and a proudly offbeat perspective to his debut Fringe hour, Steffan Alun: Stand Up.
EDINBURGH 2025: Review: TARTAN TABLETOP: A DUNGEONS & DRAGONS COMEDY, Bramley, Gilded Balloon, Appleton Tower
Tartan Tabletop is a Dungeons and Dragons panel show which thrives on live comedic improvisation, uncertainty and risks, which results in riotous game play.
EDINBURGH 2025: Review: MESSY MAGIC, Assembly Festival, Bijou
Written and Performed by Lizzie T Ollemache and David Ladderman from Rollicking Entertainment, a riot of magic, slapstick and sparkle is brought to the stage with Messy Magic, a family show which manages to be silly, but skilful.
EDINBURGH 2025: Review: SIGNOR BAFFO, Assembly Rooms, Bijou
There is nothing quite like the delicious mix of chaos and charm that Josh Burton brings to his gleeful children’s show Signor Baffo.
EDINBURGH 2025: Review: LEVEL UP! Gilded Balloon, Patter House
Goldspun Media’s Level Up! begins with a promising burst of nostalgic energy.
EDINBURGH 2025: Review: TED MILLIGAN: UNITED, Pleasance Courtyard, Bunker Three
From the moment Ted Milligan strides on to the stage to the roar of football anthems, the atmosphere is electric.
EDINBURGH 2025: Review: SHARON WANJOHI: IN THE HOUSE, Pleasance Courtyard, Bunker 2
In her debut hour, Sharon Wanjohi strides on stage with dynamic energy on a mission to share her comedic mock wisdom.
EDINBURGH 2025: Review: FLY, YOU FOOLS!: RECENT CUTBACKS, Pleasance Courtyard, Pleasance Beyond
From the creators of Hold On To Your Butts, Recent Cutbacks return with a gloriously inventive UK premiere which transforms an epic fantasy film into a joyous, lo fi theatrical romp.
EDINBURGH 2025: Review: THE UNCRACKABLE CASE, Pleasance Courtyard, Pleasance Two
Front Room Productions and Lawrence Batley Theatre present The Uncrackable Case, a courtroom drama which reimagines fairy tale characters in a tabloid-fuelled whodunnit.
EDINBURGH 2025: Review: DEAR ANNIE, I HATE YOU, Pleasance Courtyard, Pleasance Two
Dear Annie, I Hate You is a visceral, captivating account of survival which fuses raw storytelling with inventive theatricality.
EDINBURGH 2025: Review: CHLOE PETTS: BIG NATURALS, Pleasance Courtyard
Chloe Petts love of Big Naturals, regales with a bold and brilliantly crafted hour, in which she tackles her favourite body parts, questions her previously entrenched relationship with lad culture and inspects her own evolving identity.
EDINBURGH 2025: Review: AMY ANNETTE: BUSY BODY, The Pleasance Courtyard
In her triumphant return to the Fringe, Amy Annette brings Busy Body to The Baby Grand, a shipping container transformed into an intimate comedy boudoir, complete with a floral display and the nostalgic welcoming harmonies of The Andrews Sisters
EDINBURGH 2025: Review: DREAM SPACE, Assembly George Square
Dream Space by Creative Group SSAK is a shimmering piece of theatrical magic, transforming the everyday into the extraordinary through inventive puppetry, music, and movement.
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