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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
Review: NEWSIES, Troubadour Wembley Park Theatre

Review: NEWSIES, Troubadour Wembley Park Theatre

by Gary Naylor — December 9, 2022
The foundations of musical theatre are sacrificed for spectacle and energetic enthusiasm in a venue with acoustics that fail to do justice to the quality of the singing and musicianship...
Review: LIVE AT LOLA'S: A MUSICAL CHAT SHOW WITH STARS OF THE WEST END, Lola's Underg

Review: LIVE AT LOLA'S: A MUSICAL CHAT SHOW WITH STARS OF THE WEST END, Lola's Underground Casino at The Hippodrome

by Cindy Marcolina — December 9, 2022
It's a clever, engaging format. Resembling more to a daytime talk show than a traditional cabaret, the audience joins in in the scripted malarkey while the guests discuss anything from dream roles to nervous poos. It truly is a chance to get up close and personal with the stars to discover personali...
Review: A CHRISTMAS CAROL, Rose Theatre

Review: A CHRISTMAS CAROL, Rose Theatre

by Aliya Al-Hassan — December 9, 2022
It's always a hard task to 'put a spin' on a story as traditional and well known as Charles Dickens' A Christmas Carol. Morgan Lloyd Malcolm's adaptation gives us a female Scrooge, Charlie Dickens as a magical narrator and a school of cold and hungry children, run by Scrooge's nephew and his wife, w...
Review: ALICE IN WONDERLAND, Brixton House Theatre

Review: ALICE IN WONDERLAND, Brixton House Theatre

by Gary Naylor — December 8, 2022
As fine a Christmas show as you'll see in a beautiful venue and at a price that won't blow the budget (well, not too much)...
Review: GOLDILOCKS AND THE THREE BEARS, Richmond Theatre

Review: GOLDILOCKS AND THE THREE BEARS, Richmond Theatre

by Kat Mokrynski — December 8, 2022
Let me start this review with a confession - I’m an American who had never seen a panto before last night, and I had no idea what to expect from Goldilocks and the Three Bears. I was aware of the tradition of the pantomime, but did not know the extent to how beloved it was in the UK. So it was wit...
Review: KERRY JACKSON, National Theatre

Review: KERRY JACKSON, National Theatre

by Alexander Cohen — December 8, 2022
An on-stage sitcom unable to find its feet....
Review: HOLY SH*T, Riverside Studios

Review: HOLY SH*T, Riverside Studios

by Cindy Marcolina — December 8, 2022
All in all, the piece is promising at this stage, but it could be so much more. The idea is clever, the dynamic is intriguing, it just needs a rewrite or two....
Review: SLEEPING BEAUTY, Sadler's Wells

Review: SLEEPING BEAUTY, Sadler's Wells

by Franco Milazzo — December 8, 2022
Sir Matthew Bourne’s Sleeping Beauty debuted in 2012 to mark the twenty-fifth anniversary of Bourne’s New Adventures company. Ten years on, the celebratory production is now in its own turn being celebrated....
Review: JACK! PLAYING IS BELIEVING..., Chickenshed Theatre

Review: JACK! PLAYING IS BELIEVING..., Chickenshed Theatre

by Gary Naylor — December 7, 2022
Another triumphant vindication of a uniquely thoroughgoing philosophy at Chickenshed...
Review: HANDEL'S MESSIAH: THE LIVE EXPERIENCE, Theatre Royal Drury Lane

Review: HANDEL'S MESSIAH: THE LIVE EXPERIENCE, Theatre Royal Drury Lane

by Franco Milazzo — December 7, 2022
Those who deride this particular vision of Handel’s masterpiece as being inauthentic should be locked in some stocks and pelted with facts....
Review: HEX, National Theatre

Review: HEX, National Theatre

by Aliya Al-Hassan — December 7, 2022
Poor Hex. Scuppered by Covid last year before it even got to press night and dogged by rumours of nepotism, this re-working of the fairytale Sleeping Beauty had a lot to overcome. It could have been the festive highlight at the National Theatre, but is compromised by a meandering story and less-tha...
Review: A CHRISTMAS GAIETY, Royal Albert Hall

Review: A CHRISTMAS GAIETY, Royal Albert Hall

by Franco Milazzo — December 6, 2022
Drag queens are rarely charged with the crime of being understated so it is hardly surprising that San Fran’s Peaches Christ and her co-host Edwin Outwater chose to partner up with the Royal Albert Hall for the UK debut of their perennial Christmas show....
Review Roundup: What Did the Critics Think of ORLANDO, starring Emma Corrin?

Review Roundup: What Did the Critics Think of ORLANDO, starring Emma Corrin?

by Aliya Al-Hassan — December 6, 2022
Michael Grandage directs Emma Corrin in Neil Bartlett’s joyous new adaptation of Virginia Woolf’s modern masterpiece – Orlando. Leading an eleven-strong company in a bold new staging, Olivier Award nominee Emma Corrin returns to London’s West End in one of the most surprising stories in the ...
Review: WICKIES: THE VANISHING MEN OF EILEAN MOR, Park Theatre

Review: WICKIES: THE VANISHING MEN OF EILEAN MOR, Park Theatre

by Cindy Marcolina — December 6, 2022
Playwright Paul Morrissey explores a fascinating case, transforming it into a boutique paranormal thriller whilst trying to explain the lead-up to their disappearance. Directed by Shilpa T-Hyland, Wickies: The Vanishing Men of Eilean Mor is a good alternative to the Christmas stories that traditiona...
Review: A CHRISTMAS CAROL, Reading Rep Theatre

Review: A CHRISTMAS CAROL, Reading Rep Theatre

by Imogen Usherwood — December 6, 2022
This small-scale production chimes with the spirit of Christmas in the Cratchit house by making the most of everything it has to create plenty of good cheer....
Review: ORLANDO, Garrick Theatre

Review: ORLANDO, Garrick Theatre

by Aliya Al-Hassan — December 6, 2022
On the surface it might seem impossible to adapt Orlando for the stage, but Neil Bartlett and director Michael Grandage have achieved a warm and witty play that is also a welcome antidote to today's culture wars....
Review: RUINATION, Royal Opera House

Review: RUINATION, Royal Opera House

by Alice Cope — December 6, 2022
The concept of a Greek tragedy as a Christmas show may seem contrary or unusual, but in fact this entire performance is built on such contradictions....
Review: YIPPEE KI YAY, King's Head Theatre

Review: YIPPEE KI YAY, King's Head Theatre

by Franco Milazzo — December 5, 2022
This versified version of arguably the greatest Christmas film ever is a seasonal highlight....
Review: PICTURE PERFECT CHRISTMAS SHOW, National Gallery

Review: PICTURE PERFECT CHRISTMAS SHOW, National Gallery

by Clementine Scott — December 5, 2022
Ever wanted to step inside the world of one of the National Gallery’s paintings? Immersive theatre company Boo Productions may have the answer. Boo Productions pluck their protagonists from the foreground of Avercamp’s wintry village scenes, and use them to create an original, pantomime-influenc...
Review: THE PIXIE AND THE PUDDING, Little Angel Studios

Review: THE PIXIE AND THE PUDDING, Little Angel Studios

by Charlotte Bois-Pursey — December 5, 2022
A gentle and wholesome festive show which offers a nice alternative to the chaos of panto....
Review: WE'RE GOING ON A BEAR HUNT, Little Angel Theatre

Review: WE'RE GOING ON A BEAR HUNT, Little Angel Theatre

by Charlotte Bois-Pursey — December 5, 2022
A beautifully constructed piece of children's theatre, filled with puppetry and song....
Review: PEPPA PIG BEST DAY EVER, Theatre Royal Haymarket

Review: PEPPA PIG BEST DAY EVER, Theatre Royal Haymarket

by Charlotte Bois-Pursey — December 5, 2022
Peppa Pig and friends come to London's West End, offering toddlers the chance to experience live theatre in a fun and friendly environment. Not much in it for the adults but a hit with Peppa's young devotees....
Review: MONOPOLY LIFESIZED, London

Review: MONOPOLY LIFESIZED, London

by Franco Milazzo — December 5, 2022
“Under capitalism, man exploits man. Under communism, it's just the opposite.” Attributed to Nobel Prize-winning economist and Ali G interviewee JK Galbraith, this is the phrase that rolls around my head as I venture into the Crystal Maze-like Monopoly Lifesized, a highly entertaining take on ar...
Review: 12:37, Finborough Theatre

Review: 12:37, Finborough Theatre

by Alexander Cohen — December 2, 2022
A meandering meditation on Zionism in desperate need of refinement...
Review Roundup: What Did the Critics Think of Clint Dyer's OTHELLO?

Review Roundup: What Did the Critics Think of Clint Dyer's OTHELLO?

by Aliya Al-Hassan — December 1, 2022
Clint Dyer’s production is the first Othello from a black director at the National. Starring Giles Terera as Othello and Rosy McEwen as Desdemona, the Shakespearean tragedy opened last night (30 November). What did the critics think of the new revival?...
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