Skip to main content Skip to footer site map

Review Roundup: What Did the Critics Think of Clint Dyer's OTHELLO?

Giles Terera and Rosy McEwen star in the new production at the National Theatre

Review Roundup: What Did the Critics Think of Clint Dyer's OTHELLO?

Clint Dyer's production is the first Othello from a black director at the National. Starring Giles Terera as Othello and Rosy McEwen as Desdemona, the Shakespearean tragedy opened last night (30 November).

What did the critics think of the new revival?


Alexander Cohen: BroadwayWorld: From the moment where he muscles onto the stage, Giles Terera's Othello has a warrior's concretene physicality. His presence is daunting, happy to exhibit his dexterity with a training stick and throw a few strikes at a punching bag. Jealously induces a physical as well as a mental metamorphosis, the warrior's composure is reduced to jittery psychosis. There is a painful resonance to this: BAME communities are at higher risk of developing mental health problems in adulthood than any other ethnic group in the UK.

Sarah Crompton: WhatsOnStage: Dyer is the first Black director of the play in a major British theatre and the depth of his thinking about its meanings is clear in every scene. First, we see Othello the warrior, displaying his warlike prowess in the centre of Chloe Lamford's monochrome stage, starkly lit by Jai Morjaria. Then we realise how quickly applause and gratitude can turn to disgust, as Paul Hilton's black-shirted, Oswald Moseley lookalike, slyly eggs on the equivalent of a lynch mob, their bright brands burning to discover if Desdemona has indeed escaped her father's house to marry her love and commit - in Shakespeare's shocking phrase - "treason of the blood."

Arifa Akbar: The Guardian: A new vision does come though, breathtakingly so, in a radical half-hour at the end when it feels as if Dyer is revealing another play beneath the story we know about jealousy and mistrust in which Othello is a flawed hero who commands our sympathies. This other play is about the tragedy of domestic violence. The women are not reduced to victims here while the men, including Othello, are controlling, toxic abusers. It is an almost obvious interpretation, once we have seen and heard it, yet it makes the play feel utterly new.

Nick Curtis: Evening Standard: Almost everything here is harsh and stark. Iago mentally and physically abuses his wife Emilia (a bruised, affecting Tanya Franks). Chloe Lamford's set, of steeply raked steps on three sides, suggests a parade ground and a gladiatorial arena. The supporting players who gather to lynch Othello in the opening scene become coldly hostile spectators or emblems of the madness seeded in his mind.

Clive Davis: The Times: In the end, the cascade of arresting visuals wins you over. Clint Dyer's production - the first Othello from a black director at the National - isn't particularly subtle about the way it makes race the central theme, but as a visceral piece of theatre, it grabs you by the throat and shakes and shakes until you submit.

Othello is at The National Theatre until 21 January 2023

Photo Credit: Myah Jeffers



Review Roundup: SOUND OF THE UNDERGROUND Photo
Read the reviews for Travis Alabanza’s Sound of the Underground, now playing at the Royal Court Theatre.

Cast Announced for Workshop of New Musical PAINTING THE TOWN Photo
A new musical, Painting The Town, is coming to New Wimbledon Theatre for a workshop and sharing this January – February, and the cast and creatives have been announced. See who is starring, and more!

Photos: Go Inside Rehearsals for WHEN DARKNESS FALLS UK Tour Photo
Get a first look at rehearsal photos of the UK Tour of When Darkness Falls starring Tony Timberlake and Thomas Dennis!

KWPR Announces The World Premiere of AN ABSOLUTE FARCE OF A MURDER MYSTERY Photo
In the year of our Lord Nineteen-Hundred & Agatha, the inhabitants and guests of Garbadale Manor have their evening rudely interrupted by the untimely death of Sir Cecil. 


From This Author - Aliya Al-Hassan

Aliya Al-Hassan is UK Managing Editor of BroadwayWorld. A London-based theatre critic and journalist, she has a life-long passion for the arts, with a focus on theatre and opera. She is a... (read more about this author)


Michael Longhurst to Step Down as Artistic Director of the Donmar WarehouseMichael Longhurst to Step Down as Artistic Director of the Donmar Warehouse
January 26, 2023

After five years in the role, Michael Longhurst has announced that he will step down as Artistic Director of The Donmar Warehouse when his contract ends in February 2024.

Review: STEEL MAGNOLIAS, Richmond TheatreReview: STEEL MAGNOLIAS, Richmond Theatre
January 26, 2023

As with so many famous films, there was first a play. Robert Harling’s Steel Magnolias remains best known for being the 1989 weepie with a stellar cast featuring Dolly Parton, Sally Fields and Julia Roberts, but began life Off-Broadway over thirty years ago.

BIG NIGHT OF MUSICALS Returns to BBC One and BBC Radio 2BIG NIGHT OF MUSICALS Returns to BBC One and BBC Radio 2
January 26, 2023

For the second year running, Big Night Of Musicals will be staged by The National Lottery at the AO Arena Manchester on Monday 27 February, bringing together the biggest shows from the world of theatre for a spectacular celebration.

Exclusive Presale for VARDY V ROONEY: THE WAGATHA CHRISTIE TRIALExclusive Presale for VARDY V ROONEY: THE WAGATHA CHRISTIE TRIAL
January 26, 2023

Tickets from £30 for Vardy v Rooney: The Wagatha Christie Trial

ROSE, Starring Maureen Lipman, to Receive West End TransferROSE, Starring Maureen Lipman, to Receive West End Transfer
January 25, 2023

Maureen Lipman is to return to the West End in Martin Sherman's Rose. Following successful runs at the Hope Mill Theatre in Manchester and London’s Park Theatre, the show will run at the Ambassador's Theatre for only 28 performances.