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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
Review: THE CRITIC, The Calder Bookshop and Theatre

Review: THE CRITIC, The Calder Bookshop and Theatre

by Gary Naylor — November 21, 2022
John Hill's play touches on a range of interesting themes, but its narrative meanders and its tension falls away...
Review: SPECTRE IN CONCERT, Royal Albert Hall

Review: SPECTRE IN CONCERT, Royal Albert Hall

by Debbie Gilpin — November 21, 2022
“The dead are alive.” Even the film’s title is redolent of a haunting presence - although hardened Bond fans will know the true significance of this word....
Review: PERFECT SHOW FOR RACHEL, Barbican Theatre

Review: PERFECT SHOW FOR RACHEL, Barbican Theatre

by Paige Cochrane — November 21, 2022
This is a theatrical experience unlike any other, crafted with accessibility at the helm. The framework of each unique production is built around empowering disabled people’s autonomy; Rachel has every freedom available to her as both cast and audience await her next creative decision....
Review: SKYFALL IN CONCERT, Royal Albert Hall

Review: SKYFALL IN CONCERT, Royal Albert Hall

by Cindy Marcolina — November 19, 2022
It’s remarkable how permeating Thomas Newman’s score is. It becomes evident in such a context, where the music is given the place of honour as it soaringly comes alive....
Review: PICKLE, Park Theatre

Review: PICKLE, Park Theatre

by Franco Milazzo — November 18, 2022
What did our critic think of PICKLE at Park Theatre?...
Review: CASINO ROYALE IN CONCERT, Royal Albert Hall

Review: CASINO ROYALE IN CONCERT, Royal Albert Hall

by Aliya Al-Hassan — November 18, 2022
As the rain pours and the Chancellor’s statement rings in our ears, escapism is what we all need and James Bond always fits the bill. To continue the celebrations of 60 years of James Bond at the Royal Albert Hall, the venue is showing some of the most recent films in concert and last night Casino...
Review: HEAR MYSELF THINK Podcast, Series 2

Review: HEAR MYSELF THINK Podcast, Series 2

by Cheryl Markosky — November 18, 2022
During lockdown, Hear Myself Think's mini audio-theatre podcasts exploring mental health offered solace to listeners in more than 25 countries. Coming from diverse perspectives, they're aimed at communities less likely to get support for mental health issues....
Review: ANYTHING WITH A PULSE, Park Theatre

Review: ANYTHING WITH A PULSE, Park Theatre

by Franco Milazzo — November 17, 2022
While ostensibly in the same bailiwick as Constellations and Lungs, Anything With A Pulse is far more of a white-knuckle ride into the heart of a modern source of darkness....
Review: THE LAST LAUGH, Tabard Theatre

Review: THE LAST LAUGH, Tabard Theatre

by Gary Naylor — November 17, 2022
Brimming with ideas, Richard Harris's play never forgets that its first obligation is to entertain...
Review: LA CLIQUE, Leicester Square Spiegeltent

Review: LA CLIQUE, Leicester Square Spiegeltent

by Franco Milazzo — November 16, 2022
When it comes to London Christmas stage institutions, there’s an argument for saying that La Clique now deserves a place alongside Handel’s Messiah, A Christmas Carol, The Nutcracker and Mother Goose. ...
Review: HERE, Southwark Playhouse

Review: HERE, Southwark Playhouse

by Cindy Marcolina — November 16, 2022
It all sounds quite dramatic on paper, but the piece becomes a relentless plod-along. It’s plotless and paceless. The characters are irredeemably broken and unchanged by their time on stage. Monica is an alcoholic, Jess is having an existential crisis, Jeff is a church-going gambler, and Matt’s ...
Review: THE SEX PARTY, Menier Chocolate Factory

Review: THE SEX PARTY, Menier Chocolate Factory

by Aliya Al-Hassan — November 16, 2022
Terry Johnson’s new play,The Sex Party, has many ingredients for success; an intriguing idea, an excellent cast and a beautiful set, but is let down with a sledgehammer script and meandering message that goes nowhere. There’s a lot happening at once, but the entire play is as shallow as a puddle...
Review: THE RAPE OF LUCRETIA, Royal Opera House

Review: THE RAPE OF LUCRETIA, Royal Opera House

by Alexander Cohen — November 14, 2022
There is a growing trend of operas drawing inspiration from and working alongside the contemporary theatre world. Whether it is collaborations or borrowing ideas, in these tempestuous times for the performing arts our artistic ecosystem inevitably grows richer as a result....
Review: RICHARD THE SECOND, Omnibus Theatre

Review: RICHARD THE SECOND, Omnibus Theatre

by Gary Naylor — November 12, 2022
One of Shakespeare's most political plays is on the nose for our times, but this production doesn't quite have the courage of its aesthetic convictions...
Review: BLACKOUT SONGS, Hampstead Theatre

Review: BLACKOUT SONGS, Hampstead Theatre

by Alexander Cohen — November 12, 2022
A tender study into the blurred boundaries between desire and addiction...
Review: EK/FORSYTHE/QUAGEBEUR, Sadler's Wells

Review: EK/FORSYTHE/QUAGEBEUR, Sadler's Wells

by Vikki Jane Vile — November 12, 2022
Time for the annual treat that is an ENB mixed bill at Sadler’s Wells, on this occasion featuring a couple of lockdown greatest hits, and a bold new production of The Rite of Spring. ...
Review: IKARIA, Old Red Lion Theatre

Review: IKARIA, Old Red Lion Theatre

by Gary Naylor — November 11, 2022
Devastating production showcases outstanding writing, directing and acting to create a production that will live long in the memory...
Review: THINGS HIDDEN SINCE THE FOUNDATION OF THE WORLD, Battersea Arts Centre

Review: THINGS HIDDEN SINCE THE FOUNDATION OF THE WORLD, Battersea Arts Centre

by Aliya Al-Hassan — November 11, 2022
Javaad Alipoor’s new show is hard to categorise. Part lecture, part poetry-slam, part abstract Wikipedia game and part lesson on colonialism. It acts as a provocative and creative way to pass on a message about the realities of our modern knowledge under the auspices of investigating a cold-case m...
Review: DEATH DROP: BACK IN THE HABIT, Garrick Theatre

Review: DEATH DROP: BACK IN THE HABIT, Garrick Theatre

by Alice Cope — November 10, 2022
This is the second outing for the Death Drop team following on from the popularity of the first Death Drop play which toured in 2020. This time for Death Drop: Back in the Habit, directed by Jesse Jones, we meet new characters as the comedy horror mystery tale takes place in the convent of Saint Bab...
Review: DAYS OF QUARANTINE, White Bear Theatre

Review: DAYS OF QUARANTINE, White Bear Theatre

by Gary Naylor — November 10, 2022
Relationships are forged and fractured in the emotional fires of lockdown...
Review: SPIKE, Richmond Theatre

Review: SPIKE, Richmond Theatre

by Aliya Al-Hassan — November 9, 2022
SPIKE is based on letters between Milligan and his BBC executives. Ian Hislop and his long-time writing partner Nick Newman have created an affectionate and beautifully staged portrait of the often-troubled mind of this comedy genius....
Review: FROM HERE TO ETERNITY, Charing Cross Theatre

Review: FROM HERE TO ETERNITY, Charing Cross Theatre

by Cindy Marcolina — November 9, 2022
It should all feel very epic, but it’s mild at best. While the piece puts into perspective how irrelevant any matter of the heart is in the face of war, the attempt to present the love stories so upfront mostly just dilutes the critique of the American military system. An unmemorable score that am...
Review: MEN IN MOTION, London Coliseum

Review: MEN IN MOTION, London Coliseum

by Vikki Jane Vile — November 9, 2022
Ivan Putrov’s annual celebration of the male dancer returns to the Coliseum with a diverse programme of work, old and new. “Ballet conjures up an image of tutus and pointe shoes,” he says, keen to showcase what else the art form can offer since 2012....
Review: HAPPINESS, Cervantes Theatre

Review: HAPPINESS, Cervantes Theatre

by Gary Naylor — November 8, 2022
A play from an award-winning Spanish playwright that captures our life and times in the UK with a domestic dilemma that raises big questions for the next generation...
Review: DON'T SHOOT THE MEISTERSINGER, Studio at New Wimbledon Theatre

Review: DON'T SHOOT THE MEISTERSINGER, Studio at New Wimbledon Theatre

by Aliya Al-Hassan — November 8, 2022
A play about the legendary football match between the British and German troops on Christmas Day 1914, co-inciding with Rememberance Day, should feel both moving and timely. Unfortunately, it is just frustrating....
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