Review: NOT ONE OF THESE PEOPLE, Royal Court Theatre
Cutting edge technology and a witty script combine in this play which pushes the boundaries of what can be considered theatre....
Review: NOT NOW, Finborough Theatre
A gentle snapshot of a fractious family trying to heal its wounds...
Review: PETER PAN'S LABYRINTH, The Vaults
A riotous send-up to David Bowie and Peter Pan's at one of London's best-kept secrets, Peter Pan's Labyrinth is the perfect alternative autumn season show....
Review: A DEAD BODY IN TAOS, Wilton's Music Hall
David Farr made his name in 2016 bringing John le Carré's book The Night Manager to vivid life in a hit TV adaptation. In his latest play A Dead Body In Taos, re-animation is again the name of the game....
Review: THE IMPORTANCE OF BEING EARNEST, Rose Theatre
Like Wilde, Denzel Westley-Sanderson, winner of the RTST Sir Peter Hall Award for young directors, pushes boundaries and brings fresh ideas to the social comedy: an all-black cast, a drag queen as Lady Bracknell and a lesbian twist....
Review: SUPER HIGH RESOLUTION, Soho Theatre
Ultimately, this is a story of unintentional alienation and the role of mental health in those who care for other people’s. It’s funny and tragic, thought-provoking and entertaining. It’s far from being a perfect piece, but it paints an accurate picture of the shambolic conditions doctors and ...
Book Review: THE PLAYWRIGHT'S JOURNEY by Jemma Kennedy
Exquisitely written, extraordinarily perceptive, and delightful to read, Jemma Kennedy's The Playwright's Journey is a joyful meander through creative process....
Review: EVENING CONVERSATIONS, Soho Theatre
A fuzzy edged meditation on diaspora identity needs more focus...
Review: MARY, Hampstead Theatre
Rona Munro explores the ramifications of the - then alleged, now confirmed - rape of Mary, Queen of Scots under the warped lens of the political games for which it was a useful tool. Mary is the last companion piece to Munro’s The James Plays cycle. It introduces the intriguing, malicious hearsay ...
Review: STRICTLY BALLROOM THE MUSICAL, Birmingham Hippodrome
The cast and creatives attached to this production of Strictly Ballroom the Musical are enough to make any Strictly Come Dancing fan salivate. Yet despite what should be a winning team, this production fails to find all the right moves....
Review: THE QUEEN OF THE OCEAN, Savoy Hotel
A recreation of the last night on the Titanic feels more like a badly organised and awkward wedding breakfast...
Review: JORDAN GRAY: IS IT A BIRD?, London Palladium
Jordan Gray is having one hell of a year. Five-star reviews at the Edinburgh Fringe have led to a run at Soho Theatre, a controversial slot on Channel 4’s Friday Night Live and the chance to work on an ITV show with Simon Pegg and Nick Frost....
Review: AN ANATOMY OF MELANCHOLY, Barbican Theatre
A profound meditation on the nature of mental illness...
Review: LETTERS LIVE, Royal Albert Hall
Letters Live is a simple concept: some famous people reading out a variety of letters. But it is so much more than that. In a time when people click a button rather than pick up a pen, the event not only highlights excellent performances, but also the power that letters can hold....
Review: BEHIND CLOSED WALLS, Jack Studio Theatre
David J Blair's new play has punch and relevance but may need expanding to fulfil its potential...
Review: DADDY ISSUES, Seven Dials Playhouse
It’s the first anniversary of the death of Imi’s father and she’s having a lonely wake for Roger, her 8-month-old therapy dog whom she’s convinced absorbed all her feelings and kicked the bucket for it. “We’re the live, get on with it, cry on your own silently kind of family”, she says...
Review: TAMMY FAYE, Almeida Theatre
Rupert Goold directs a sanitised tale of faith, love, and financial fraud with a cast led by Andrew Rannells and Katie Brayben as the Bakkers - the couple who changed the face of American Christianity by broadcasting “24 hours per day, seven days a week until the second coming” in the 70s and 80...
Book Review: MASTER OF THE HOUSE - THE THEATRES OF CAMERON MACKINTOSH
With many years ahead of the producer’s career, this most definitely won’t be the definitive text on Mackintosh’s tangible contributions to London’s theatres, but it’s a remarkable “the story so far” on a figure who’s as admired as is criticised....
Review: THE FAMOUS FIVE: A NEW MUSICAL, Chichester Festival Theatre
A show full of good songs, fine singing and engaging characters doesn't quite live up to the sum of its parts...
Review: KING HAMLIN, Park Theatre
The writer packs it with top-shelf themes. Racism, inequality, unemployment, masculinity, gang culture, social media, street violence, class, education. The failure of a system that should support but only cuts. Sadly, this play isn’t the abundance of richness it could be....
Review: TURNING THE SCREW, Studio at New Wimbledon Theatre
As part of New Wimbledon Theatre’s Studio Premieres Season, Turning The Screw is a thoughtful and absorbing play that explores composer Benjamin Britten’s infatuation with choir boy David Hemmings while he was writing The Turn Of The Screw....
Review: MY SON'S A QUEER (BUT WHAT CAN YOU DO?), Garrick Theatre
A glistening celebration of queer identity, individuality, and family...
Review: LITTLE MANFRED, Polka Theatre
Following the success of War Horse it’s little wonder that Michael Morpurgo’s books have become a popular choice for stage adaptations. A favourite with primary school teachers too, the bestselling author’s novels can be found in classrooms around the country....
Review: STRANGER SINGS!, The Vaults
Nestled deep underneath the Waterloo railway, get ready to be reintroduced to all your favourites, who will have you laughing your way through the chaotic events of season one (yes, that includes a dancing Demogorgon.) Even if you’re not a fan of the original, there are enough quirky pop culture r...
Review: MUSICAL CON, Excel Centre
Musical Con is the 'West End's first ever musical theatre fan convention', an event designed to connect audiences with their favourite performers, showcase new work and simply have a lot of stagey fun....
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