Edinburgh 2022: Review: BREATHLESS, Pleasance Courtyard
What happens when the things we covet hide us from ourselves? Opening up to new experiences in her late 30s, Sophie is exploring long repressed sides of herself.
Edinburgh Deaf Festival Kicks Off This Week
The first ever Edinburgh Deaf Festival kicks off this week with a week-long programme featuring everything from comedy, drama and film to children's shows, magic and a rave.
Mischief Partners with Scottish Autism for Edinburgh Festival Fringe 2022
Mischief has announced partnership with Scottish Autism for Edinburgh Festival Fringe 2022.
Review: CIRCA: HUMANS 2.0, The Underbelly's Circus Hub On The Meadows
The team work between them is glorious, where we see exquisite acro balance, notably the back angel in various positions and aerial performed slowly, demonstrating the level of strength.
Edinburgh 2022: Review: FANBOY, Pleasance Dome
Joe has always been a nerd.
Edinburgh 2022: Review: LET'S TALK ABOUT PHILIP, Pleasance Courtyard
When 30 years of family silence is broken, Helen begins a quest to discover the hidden story behind her brother's suicide.
BIG BRAIN TUMOUR BENEFIT 2022 Announced As Part of the 2022 Edinburgh Fringe
Underbelly has announced the line-up for its fourth Big Brain Tumour Benefit in its biggest venue at the Edinburgh Festival Fringe, McEwan Hall.
Review: HOW TO BUILD A WAX FIGURE, Assembly George Square Studios
What did our critic think of HOW TO BUILD A WAX FIGURE at Assembly George Square Studios?
Photos: First Look at Mischief's CHARLIE RUSSELL AIMS TO PLEASE and MIND MANGLER: MEMBER OF THE TRAGIC CIRCLE at Edinburgh Fringe
All new photos have been released for Mischief’s Edinburgh Fringe shows Charlie Russell Aims To Please (Written and performed by Charlie Russell) and Mind Mangler: Member of the Tragic Circle (By Henry Lewis, Jonathan Sayer and Henry Shields, performed by Lewis and Sayer).
Edinburgh 2022: Review: CHRISTOPHER MACARTHUR-BOYD: OH NO, Monkey Barrel
A brand-new hour that finds Glasgow’s finest comedian exploring the end of the world and Italian food.
Review: YOUR AUNT FANNY: MUFF SAID, Assembly Rooms
What did our critic think of YOUR AUNT FANNY: MUFF SAID at Assembly Rooms?
Edinburgh 2022: Review: SOOZ KEMPNER: PLAYSTATION, Banshee Labyrinth
Twitter sensation Sooz (BBC Radio 4, BT Sport, BBC Radio 5 Live) got a PlayStation, the first adult console, in 1998 and finally felt grown-up.
Review: YURIKO KOTANI: KAIJU ABOUT, Pleasance Dome
What did our critic think of YURIKO KOTANI: KAIJU ABOUT at Pleasance Dome?
Review: HOTEL PARADISO, Underbelly's Circus Hub On The Meadows
Six extremely skilled acrobats, clowns and jugglers present hilarious hotel hi-jinks, in their fabulous performance of Hotel Paradiso.
Review: EDINBURGH 2022: REVIEW: THE SINGLE LADY, TheSpace On North Bridge - Perth Theatre
Queen Elizabeth I is famous for never marrying, for ruling alone as a woman in a man’s world.
Edinburgh 2022: Starship Improvise Guest Blog
Writer, director and performer Adam Meggido blogs for BroadwayWorld about Starship Improvise coming to the Fringe, in what ways a show is better for being improvised and why live performance is so exciting for the cast and the audience.
Edinburgh 2022: Review: BUFFY: REVAMPED, EICC
Seven seasons.
Edinburgh 2022: Review: THE ANNIVERSARY, Pleasance Dome
It's Mr Bean meets The Shining! Don't be fooled – Jim and Barb are no ordinary elderly couple.
Edinburgh 2022: Review: OUT TO LUNCH, Underbelly
Sitters has just come back from the Annual Food Writer's Awards.
Edinburgh 2022: Review: MAKING A MURDERER THE MUSICAL, Underbelly
A darkly comic, deeply engaging and emotive musical inspired by the case of Steven Avery.
Edinburgh 2022: Review: BLOCK'D OFF, Pleasance Courtyard
Working-class means many things now.
Review: TAKE IT AWAY, CHERYL, Greenside @ Infirmary Street
What did our critic think of TAKE IT AWAY, CHERYL at Greenside @ Infirmary Street?
Stefanie Rummel Presents 'Chansons – Songs & Stories From Piaf, Brel & Me' at Edinburgh Festival Fringe
Chansons is characterized by passionate French chansons interpreted in English and French, heart touching autobiographical stories, individual exchange with the audience, intercultural insights and an outlook to the joie de vivre: It is a charming musical cabaret with depth.
Review: JOHN ROBERTSON: THE DARK ROOM FOR KIDS, Gilded Balloon Teviot - Dining Room
This show is ostensibly branded 'For Kids', but adults will love it too.
Review: OLGA KOCH: JUST FRIENDS, Monkey Barrel Comedy
Olga Koch comes on stage to the music of Shania Twain, adorned with a cowboy hat, and a full (monkey) barrel of energy.
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