Broadway Show Reviews & Critics' Ratings

Alison Spittle: BIG begins with Spittle entering the stage wearing a costume made out of colourful loofahs, before pulling it off to reveal a sequined outfit underneath. But this isn’t just a costume reveal - Spittle confesses to the audience that, while she is still fat (and has been since she was eight), she has recently lost a considerable amount of weight. BIG is about not only the weight loss journey, but Spittle’s relationship with her body over the years.

I couldn't help but get swept away by The Red Shoes. A rich blend of romantic storytelling and cinema, this production showcases the best Matthew Bourne has to offer as a love letter to ballet in its purest (and most haunting) form. If you're unable to find a production of The Nutcracker this holiday season, a trip to Sadler's Wells will more than suffice.

At Theatre Royal Winchester this holiday season, Play to the Crowd is bringing one of the classic pantomimes, Puss in Boots, to life in a pawsome new production, written and directed by Robin Belfield. Audiences join Puss (Bekah Selina), who must not only battle the evil Fluella Frostbite (Emma Fenney) but also train a clumsy young boy named Colin (Liam Watson) to become the hero who will save the day.

Having brought their extraordinary theatrical concepts to the all-conquering Fiddler on The Roof, director Jordan Fein and designer Tom Scutt reunite to bring lucky London audiences a gorgeously dark and heartfelt version of James Lapine and Stephen Sondheim's Into The Woods. 

Those dramatis personae (ha!) and more are animated to a fare thee well by only two – count ‘em – two actors, Mr. Guy and Mr. Lang, who bring to their poly-personality assignments proficient physical suppleness and chameleon-like chops. I started to keep track of how many characters they essay, and then gave up – their number outpaced my jottings. Within a single scene, the two actors might exit and enter the stage as four different characters with seamless precision. It’s a wonder audience members don’t suffer whiplash. 

What did our critic think of HOLIDAY SHOW 2025 - SOLSTICE at Circus Juventas?

This is one of the most enjoyable versions of A Christmas Carol this reviewer has seen in recent years—it is unique and entertaining, while maintaining the classic storyline and its underlying themes.

The soprano shared her voice, passion and knowledge with an adoring crowd on Sunday December 7th. The evening promised glamour, nostalgia, and soaring vocals

Hot Springs audiences received an early holiday treat with The Pocket Community Theatre’s spirited and joyfully chaotic production of THE BEST CHRISTMAS PAGEANT EVER, which ran November 21–23 under the direction of Bekah Wilson. Adapted for the stage by Barbara Robinson from her beloved novel, this family-friendly classic was the perfect kickoff to the festive season, bringing packed houses and hearty laughter to the Spa City.  

We attended the exuberant opening night of A Very SW!NG OUT Holiday on Tuesday, December 9 at The Joyce Theater where the remarkably talented dancers brought to the stage their energy, joyous spirit, and passion for the art of dance.

Imagine the situation. You’re in love. You are asked to defend your present relationship as one that could endure. Could you be supremely confident that nothing could shake its foundations?  If asked by authorities, what proof would youneed? How easy is it to truly have an open mind? Do we make assumptions?

The Tony Winning Best Musical MOULIN ROUGE was the highly anticipated opener to the McCallum's Broadway Season and it brought an enthusiastic audience all the promised spectacle, glitz, excess, bawdiness and More, More, More!!! There is much to love about this thrill ride of a production -- but the real headliners of this jukebox musical are Justin Townsend's lighting, Derek McLane's scenic design and Sonya Teyah's Tony Winning choreography. They stole the show, even from the superbly talented cast! 

What did our critic think of DIALOG-WROCŁAW INTERNATIONAL THEATRE FESTIVAL in Wrocław?

Before Lea Salonga stepped out on the stage of the Strathmore this past Saturday evening, I could feel the anticipation building. Soon, a very savvy orchestra assembled and lightly “tuned up” as the audience awaited the entrance of Lea Salonga, --stage, screen, recording and concert performer par excellence. Ms. Salonga finally appeared to loud applause in a beautifully tuxedoed -tailored, colorful pantsuit.

An ominous small town tension, the lingering fear that something rotten lies beneath the wholesome community spirit, pervades KENREX, which transfers to London after an acclaimed Sheffield Theatres run.

Brave young Elsbeth, with magical powers still to be unleashed, lives in the snowy village of Glenfrost. When her brother Kai is kidnapped by the wicked Snow Queen Chillblane and her slippery sidekick Jack Frost, she sets off on a daring rescue mission.

What did our critic think of JESUS CHRIST SUPERSTAR at Ordway Center For The Performing Arts?

What did our critic think of A CHRISTMAS CRISIS at Q Theatre, Auckland?

Stage adaptations of movies are always tricky, but there’s a certain level of prestige that comes with adapting and pulling off one of the most loved and highly regarded movie adaptations of all time. The Lion King holds a deep residency in so many hearts, having loved the movie from a very early age, many people associate specific memories and people with the classic tale.

What did our critic think of JESSICA VOSK SLEIGH at Berklee Performance Center?