Broadway Show Reviews & Critics' Ratings

The actors are phenomenal musicians, playing the instruments themselves, and are extraordinary vocalists, with DeJean being particularly jaw dropping.

Can Aladdin escape the clutches of the wicked sorcerer, unlock the secrets of the magic lamp,and win the heart of the beautiful Jasmine?

FMCT’s The Dangerous Christmas of Red Riding Hood is a whimsical, heartwarming, and joyfully mischievous holiday musical that spins the classic fairy tale on its head.

With some exciting favourites and fresh faces set to bring the fairytale story to life, Andrew Agnew (Balamory, Scot Squad) returns as Nurse Netty Knickerbocker, Killie’s best loved Dame, alongside Jamie McKillop as the cheeky comic, Hilarious Hector. Also returning are James McAnerney as King Cuthbert, Craig McDougall as the dashing Prince Gordon of Galston and Ali Cleland the delightfully boo-able Carabosse. Gill McGowan sprinkles some panto magic as Fairy Flutterby and Charis Murray stars in the title role as Princess Beauty.

THE WIZARD OF OZ is one of City Spring Theatre Company’s best, perfect for the holiday season and theatre lovers of all ages. You’re guaranteed to leave with a smile on your face, and a song in your heart.

Dungeons & Dragons: The Twenty-Sided Tavern is an improv comedy extravaganza, with all kinds of madcap silliness on display.

The four pieces performed during BODYTRAFFIC: Check-Mate highlighted the dance company’s technical prowess and ability to masterfully embody diverse choreography styles via their dazzling versatility.

If I had a nickel for every time that I’ve reviewed the same show, I’d have 2 nickels. Which isn’t a lot, but I’m surprised that it took so long in my reviewing history to happen. It shouldn’t be a surprise, however, that in both cases, they are to review Christmas productions. For the first time since 2021, I’ve been treated with attending TheatreWorks New Milford’s production of Matt Austin’s, What the Dickens. Can we officially call this a Christmas Classic?

Watching Broadway’s Sara Sheperd perform her holiday themed cabaret, Please Come Home for Christmas, is akin to sitting in front of a cozy fire with a mug of hot cocoa. Sheperd, and her piano playing father Scott, shared more than a dozen of her favorite holiday songs peppered with a few seasonally appropriate Broadway tunes. From her opening number “Let it Snow” to her final song “It’s Beginning to Look a Lot Like Christmas,” Sara Sheperd gifted the audience with a lovely evening of perfectly pitched and precisely phrased vocals. Her audience left the club feeling the spirit of the season and grateful that the humble Sheperd shared her talent again in St. Louis.

La Cage aux Folles finally returns to its French roots at the Théâtre du Châtelet—and the homecoming is worth the wait. Olivier Py’s ambitious revival, led by a radiant Laurent Lafitte, blends glamour, wit, and quiet political force in a production that reclaims Jerry Herman’s musical as both spectacle and statement

Co-Artistic Director of the RSC Daniel Evans brings to life one of Roald Dahl’s most darkly beloved children’s books in an utterly thrilling adaptation by Tom Wells. 

Part-panto, part-pastiche, an affectionate and funny homage to genres past and present

What did our critic think of LESLIE ODOM JR. - THE CHRISTMAS TOUR at Fox Cities Performing Arts Center?

QUATTRO MAMME SCELTE A CASO al TEATROSOPHIA NAPOLI E MATERNITA', UN DUO IMPRESCINDIBILE

What did our critic think of LIT! A FESTIVE HOLIDAY MIX STARRING BROADWAY STAR MANDY GONZALEZ at Sheldon Theatre?

What did our critic think of RING OF FIRE: THE MUSIC OF JOHNNY CASH at Merrimack Repertory Theatre?

At a time in which it is easy to feel like who you are is not enough, this production reminds us all that we never have to be anyone other than who we are. What a beautiful message for us all to keep in our hearts. Gettysburg Community Theatre’s Penguin Project is a gift to the actors, the production team, the audience, and the community.

What did our critic think of CINDERELLA at Hillbarn Theatre?

John Hughes Your Own Adventure - LIVE is a whole lot of fun for anyone familiar with Hughes work. Hughes enthusiasts and aficionados will be laughing through their tears. The sold-out runaway hit was the headliner at STL Fringe and one of last summer’s hottest theater tickets. St. Louis Fringe and Cherokee Street Theatre Co. are reprising the outrageous satire at the Kranzberg Black Box. Twelve actors, supported by an offstage announcer (billed as The Voice of God), are hurling themselves about the stage in their homage to John Hughes and his classic films.

To Kill a Mockingbird' at the VST is a potent and timely revival of a classic story. With sharp direction and a deeply affecting performance by the cast, this production brings Harper Lee's tale of justice, prejudice, and childhood innocence vividly to life. It is a stirring courtroom drama and a powerful reminder of the courage it takes to stand up for what is right.