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Broadway Show Reviews & Critics' Ratings

Discover the best reviewed Broadway shows by top critics on BroadwayWorld.

Review Roundups

Review Roundup: Robert Montano's SMALL Off-Broadway

Review Roundup: Robert Montano's SMALL Off-Broadway

Chloe Rabinowitz • June 1, 2026

See what the critics are saying about Robert Monatno's Small, now officially open Off-Broadway at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center. Read the Review Roundup here!

Review Roundup: AND THEN THE RODEO BURNED DOWN at Ars Nova

Review Roundup: AND THEN THE RODEO BURNED DOWN at Ars Nova

Chloe Rabinowitz • June 1, 2026

See what the critics are saying about And Then The Rodeo Burned Down at Ars Nova, the first Off-Broadway production of playwriting and performing duo Xhloe and Natasha. Read BroadwayWorld's Review Roundup here!

Regional Reviews

All Regional Reviews ›
Review: EVIL LIBRARIAN: A NEW MUSICAL at Landless Theatre Company

Review: EVIL LIBRARIAN: A NEW MUSICAL at Landless Theatre Company

Washington, DC: Rachael F. Goldberg • June 17, 2026

Many of us have less-than-fond memories of high school, and can relate to the idea that “high school is hell” – enough so that a musical about a high school literally at the mouth of hell, overrun by demons and evildoing feels fairly apropos.

Review: AMAZING GRAVES Sets Two Short Plays Inside the Same Cemetery

Review: AMAZING GRAVES Sets Two Short Plays Inside the Same Cemetery

Los Angeles: Shari Barrett • June 17, 2026

Have you ever wondered what really goes on in cemeteries when memories are shared with those seen and unseen at grave sites?  Then head on over to see two, funny and life-affirming plays in this year’s Hollywood Fringe Festival, bundled together as Amazing Graves, produced by Amanda Lynne for Neo Ensemble Theatre.

Review: THE PLAY THAT GOES WRONG at Keegan Theatre

Review: THE PLAY THAT GOES WRONG at Keegan Theatre

Washington, DC: David Friscic • June 17, 2026

The Play That Goes Wrong, now playing at the Keegan Theatre, amusingly subverts classic murder mystery tropes by merrily mixing the physical comedy of the Three Stooges with the verbal intricacy of the Marx Brothers. This frenetically and madcap play conveys the double-entendre of Charlie Chan and the mass appeal of detectives we have all come to know through literature and film (for, indeed, the marvelous Matthew Pauli does a superb job of portraying “Chris” as Inspector Carter-- who reminded me of an absent-minded  Hercule Poirot or Miss Marple).

El Teatro Calderón estrena 'ALMA DE ZARZUELA'

El Teatro Calderón estrena 'ALMA DE ZARZUELA'

Spain: Fasika Velasco Gomez • June 17, 2026

El espacio Lírico del Teatro Calderón será el escenario de Alma de zarzuela, un concierto dramatizado que conectará algunas de las obras más representativas del género con la historia del propio teatro y de la ciudad de Madrid.

Review: Diana Varco Shares Her Journey to RISE Above Childhood Rage

Review: Diana Varco Shares Her Journey to RISE Above Childhood Rage

Los Angeles: Shari Barrett • June 16, 2026

It's a very well done, confrontational hour-long play at this year’s Hollywood Fringe Festival, but also life-affirming to know none of us are alone in the struggle for emotional maturity rather than turn to the easy crutches of overeating, alcohol abuse, drug use or unbridled sex to forget about where the Rage holding our emotions in place is rooted.

Review: COMPANY at Rise Up Theatre Company

Review: COMPANY at Rise Up Theatre Company

Sacramento: Courtney Symes • June 16, 2026

Coming off a successful run of The Drowsy Chaperone at Cosumnes River College, Rise Up Theatre Company is tackling another fan favorite. Stephen Sondheim's Company has long been regarded as an insightful and groundbreaking comedy. In this latest production, director Courtney Conklin impressively rises to the challenge that Sondheim poses, offering an engaging and emotionally relatable interpretation that showcases both the strengths of the cast and the continuing relevance of the material.

Review: NICKELODEON THE SPONGEBOB MUSICAL YOUTH EDITION at Ritz Civic Center

Review: NICKELODEON THE SPONGEBOB MUSICAL YOUTH EDITION at Ritz Civic Center

Arkansas: Theresa Bertram • June 16, 2026

Starting a new theatre company is a leap of faith. Launching that company with a full-scale musical featuring a cast of young performers is even bolder. Yet that is exactly what Kaitlyn Rose Vacco Woodall accomplished with THE SPONGEBOB MUSICAL: YOUTH EDITION, presented June 5-7 by Rosewood Repertory at the historic Ritz Civic Center.

CRÍTICA: DIOS LE GUARDE SU HORA at Foro La Gruta

CRÍTICA: DIOS LE GUARDE SU HORA at Foro La Gruta

Mexico: Juan Carlos Araujo • June 16, 2026

El universo de Pedro Páramo se inserta en la cruda realidad de la Sierra Tarahumara desde la mirada de la Compañía Nacional de Teatro y la sensibilidad del director Juan Carrillo.

Review: DON’T LOOK NOW at Bats Theatre

Review: DON’T LOOK NOW at Bats Theatre

New Zealand: Neil Brewer • June 16, 2026

I can sometimes feel intimidated by productions that focus on the climate crisis. They often leave me wrestling with feelings of guilt and the uncomfortable awareness that I could be doing more. Don't Look Now,written by Angie Farrow, is different. Beautifully and skilfully crafted, it doesn't seek to shame or lecture its audience; instead, it leaves me thoughtful and reflective, contemplating the world we live in, where we are headed, and the role we each play within it.

Review: ONCE at NextStop Theatre

Review: ONCE at NextStop Theatre

Washington, DC: Audrey Cahak • June 16, 2026

Once is a musical based on the acclaimed film of the same name. It remains the only musical to have won an Oscar Award, Grammy Award, Olivier Award, and Tony Award—an OGOT, if you will. If the accolades don’t ring a bell, this movie-turned-musical also inspired another movie, Begin Again starring Mark Ruffalo and Kiera Nightly.

Review: BABY RAINDEER at Capitol Musical Theatre, Wroclaw

Review: BABY RAINDEER at Capitol Musical Theatre, Wroclaw

Poland: Natalia Jarczynska • June 15, 2026

The show isn't long - and neither will this text be. But the truth is, it stays with you long after you've left the theatre. Longer than you'd expect from something so compact. Jan Kowalewski made this show an intensive pleasure full of surprises - like an espresso with caramel (is that even a thing? It is now). His talent and range brought the whole production to another level entirely.

Review: ROMEO AND JULIET at State Theatre Centre

Review: ROMEO AND JULIET at State Theatre Centre

Australia - Perth: David Bravos • June 15, 2026

People know Romeo & Juliet. In fact, it feels to the point that people would be reasonably familiar with a somewhat modernised Romeo & Juliet. Indeed, the archetypal tragedy is so often pulled apart and rehashed that it can become tired. WAAPA’s third year acting students, keen to make an impression, refused to retread a tired path.

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