Discover the best reviewed Broadway shows by top critics on BroadwayWorld.
Are the critics screaming over the first play of the 2026/27 Broadway season? Paranormal Activity officially opened tonight at the August Wilson Theatre. The new play is written by Levi Holloway and directed by Felix Barrett. Let's see what the critics are saying...
The World Premiere of benevolent by Sophie McIntosh, with Good Apples Collective, is officially open Off-Broadway. See what the critics are saying about the production in Broadwayworld's Review Roundup.
The Public Theater's Free Shakespeare in the Park is continuing with THE WINTER’S TALE at The Delacorte Theater in Central Park.The production will run through Sunday, August 23. Read the reviews here!
The reviews are in for Royal Shakespeare Company's world premiere of George R. R. Martin’s Game of Thrones: The Mad King, a new play based on novels by George R. R. Martin. Read the reviews here!
59E59 Theaters is presenting the world premiere of The Vessel, written by Brendan George. See what the critics are saying about the production in BroadwayWorld's REview Roundup.
There's no better way to introduce your family to the wonders of live theatre than with the magic, the mystery, the memory of Cats. What began as a musical about cats after Andrew Lloyd Webber picked up a book of poems in an airport bookshop has become one of the longest running shows in Broadway's history. Winner of seven Tony Awards including Best Musical, Cats features 20 of Andrew Lloyd Webber's timeless melodies, including the hit song 'Memory.' What did the critics think of Drew McOnie's new production?
A moving, sharply observed Dublin drama that connects women’s choices across three generations with compelling performances and real emotional weight.
Director Gregg T. Daniel conducts a muscular cast delivering a production that is as fulfilling as it is shattering.
VANYA and SONIA and MASHA and SPIKE is a delightful romp with equal measures of nostalgia and hope for the future. With rapid-fire dialogue and pitch-perfect timing, the cast bring the script by Christopher Durang to life.
Elephant in the Womb somehow strikes a perfect balance between inappropriate humor, social commentary, and tasteful fourth wall breaking that will leave you feeling uncomfortable, pensive, and warm and fuzzy all at once.
Scenekvelder’s new Les Misérables trusts the score without treating it as a museum piece. Dark, modern and deeply felt, it finds new images for the story while remaining faithful to the form that gives it power. Les Misérables is so familiar that a new production can easily become either a careful reproduction or an argument with its own material. Guy Unsworth’s staging for Scenekvelder finds the more rewarding path between them. It honours the images and emotions audiences bring to the theatre, yet places them in a visual world with a force and logic of its own. The result feels timeless because it understands the past rather than trying to escape it.
Next Friday, the Country will pause to remember, mourn and honor those victims of the attacks of September 11, 2001. The town of Gander, Newfoundland, is called the Rock. During the week that followed, it truly was a rock. The current production at Marriott Theatre in Lincolnshire is the emotional but uplifting true story Come From Away by Irene Sankoff and David Hein.
An evening full of laughter. A treat seeing a comedy played so well.
El Grup Focus ha presentado su temporada 2026/2027 coincidiendo con la celebración de su 40º aniversario. Sus cuatro teatros de Barcelona afrontan un nuevo curso con 60 espectáculos y una inversión de 14,5 millones de euros después de alcanzar cifras récord de público y recaudación.
September first, 2026, Andy Fickman (Director) and Gary Lloyd’s (Choreographer and Associate Director) production of HEATHERS THE MUSICAL opens in Sydney’s Roslyn Packer Theatre.
The Thought Police monitor every word you say. Children spy on their parents and the Party has abolished the truth. In this totally controlled world, Winston and Julia begin a love affair which catapults them into rebellion against the Party.
There are few true cultural behemoths in music, but one is undoubtedly Johnny Cash. His music reaches audiences old and new in RING OF FIRE. This musical doesn’t take a traditional route by relying on dialogue or heavy choreography.
City Theatre Austin’s Avenue Q brings its mischievous neighborhood to life with a fabulous ensemble, expressive puppetry, strong vocals, and a clever, functional set. The cast delivers the musical’s irreverent comedy and surprisingly heartfelt story with energy, skill, and plenty of personality.
Un unipersonal que nos confronta con la soledad, la vejez y la naturaleza egoísta del ser humana.
While I always mourn the end of summer as we flip the calendar to September, there is one tradition that softens the blow: the finale of Mama’s Next Big Act at Don’t Tell Mama, now in its ninth year.
Merrily We Roll Along tackles these behemoth existentialisms at a granular level in the lives of three old friends. It’s one of those shows that leaves you with something to ponder for days after the lights come up. In Signature Theatre’s hands, Stephen Sondheim and George Furth’s masterpiece is more intricate than ever before.
Marin Theatre opens its 60th season with a bang – a sobering dark comedy from director, writer and former California Shakespeare Theatre Associate Artistic Director Sean Daniels. Chronicling the dark ride of self-delusion into alcoholism, Daniels’ semiautobiographical story is beautifully executed by director Lance Gardner who will be celebrating twenty years of sobriety himself.
Sense and Sensibility is Jane Austen's classic novel, first published anonymously in 1811. Set within the social constraints of Regency England, it follows the fortunes and romantic entanglements of sisters Elinor and Marianne Dashwood. Through their contrasting temperaments, Austen explores the tension between reason and emotion, while offering a sharp commentary on class, reputation, and the pursuit of happiness.
What did our critic think of DAY (AFTER DAY) IN THE LIFE OF THE USELESS at Heath Ledger Theatre?
Marthinus Basson's ART turns a blank canvas into a friendship-ending grenade. Van der Walt, Pretorius and Binge are superb. Hilarious, precise, and unexpectedly cutting.
MAMMA MIA! ya tiene reparto para su nueva etapa en Barcelona. Anna Lagares como Donna y Lucía Pemán como Sophie encabezan la compañía que llevará las canciones de ABBA al Teatre Tívoli.
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