Target Margin Celebrates Design at DEGENERATE BALL
by Stephi Wild - Oct 17, 2025
Target Margin Theater, whose 2025-2026 season, Degenerate Art Now!, is focused on art that is uncertain, challenging, subversive, deviant, and slippery, will celebrate Design at the Degenerate Ball.
Video: GRIEF CAMP Now Playing Off-Broadway
by Stephi Wild - Apr 22, 2025
Atlantic Theater Company will open the world premiere of Grief Camp, written by Eliya Smith (Off-Broadway debut) and directed by Tony Award nominee Les Waters (Dana H.) tonight, Tuesday, April 22nd. Check out all new video footage here!
Full Cast Set for GRIEF CAMP at Atlantic Theater Company
by Chloe Rabinowitz - Nov 12, 2024
Atlantic Theater Company has revealed the cast for the world premiere of Grief Camp, written by Eliya Smith and directed by Tony Award nominee Les Waters. See who is starring and learn how to purchase tickets.
Edie Falco Joins Marin Ireland's PRE-EXISTING CONDITION
by Stephi Wild - Jul 17, 2024
Pre-Existing Condition by Tony Award nominee Marin Ireland will extend for two weeks through August 17 and will star Emmy Award winner Edie Falco in the rotating role of “A” beginning on August 6.
BWW Review: GATZ at Berkeley Rep Transforms the Great American Novel into a Singular Theatrical Experience
by Jim Munson - Feb 15, 2020
'In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. Whenever you feel like criticizing anyone, he told me, just remember that all the people in this world haven't had the advantages that you've had.' Thus famously begins both F. Scott Fitzgerald's novel 'The Great Gatsby' and its stage incarnation 'Gatz' in the Elevator Repair Service (ERS) production currently running at Berkeley Repertory Theatre. Wait, you mean Fitzgerald was addressing the notion of privilege way back in 1925? Yes, indeedy! In fact, so much of his novel resonates so deeply with our current state that it's a perfect time to revisit this classic. Which is exactly and literally what ERS is doing here. The text of 'Gatz' consists of every word in the novel and nothing more. So, yes, that means you're in for roughly six hours (plus 2 intermissions and a welcome dinner break) of Fitzgeraldian theatrical experience. If those last two sentences intrigue you at all, I highly recommend you take the ride.