Review: A SONG FOR ELLA GREY, Liverpool Playhouse Theatre
Pilot Theatre, the company behind the critically acclaimed Noughts & Crosses, return with their latest production, A Song For Ella Grey, which is a unique and engaging retelling of the ancient Orpheus Myth....
Review: INSTRUCTIONS FOR A TEENAGE ARMAGEDDON, Garrick Theatre
Girlhood comes to the Garrick. Rosie Day’s moving one-woman play Instructions for a Teenage Armageddon transfers to the West End helmed by Bridgerton’s Charithra Chandran. Filled to the brim with trigger warnings and imbued with the blunt honesty and pure emotion owned by young girls only, the p...
Review: JENŮFA, London Coliseum
Opera is not short of stories where women are violated and abandoned by the men in their lives but Leoš Janáček’s Jenůfa is an especially cruel tale....
Review: HIDE AND SEEK, Park Theatre
Hide and Seek is not an easy watch, although it starts off in a light vein, almost sweet, when one schoolboy is exploring a cave and finds the hideout of his missing classmate.. Despite being distant out in the real world, here they develop a friendship which grows and flourishes despite themselves....
Review: HARRY CLARKE, Ambassadors Theatre
Billy Crudup's mercurial talent keeps this flaccid show afloat...
Review: ROBBY HOFFMAN, Soho Theatre
Throughout the show, Hoffman returns to one phrase that keeps her going - “It could be worse.” She has a tendency to focus on the past, with one example being reenacting how someone invented dominoes out of pure boredom one day. But, even though everything could be worse, Hoffman brings up a ran...
Review: SAPAN VERMA: SHAME ON ME, Soho Theatre
Sapan Verma: Shame on Me begins with an introductory video, played on the two screens above the stage. In the video, Verma confesses that he hadn’t actually filmed any of the performances that he talks about, so to prove his worth, he provides us with a review - from his parents.
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Review: RICHARD, MY RICHARD, Shakespeare North Playhouse
One of the best plays you will see this year, Richard, My Richard is an outstanding first production from Philipa Gregory....
Review: AUTOBIOGRAPHY (V95 AND V96) - COMPANY WAYNE MCGREGOR, Sadler's Wells
Wayne McGregor has been working with digital intelligence in relation to creativity since 2017, and why not? This is the digital age after all. Who needs humans?!...
Review: ADAM FLOOD: REMOULDED, Soho Theatre
Adam Flood: Remoulded is a fun night of musical comedy that takes a look at what it’s like to be trapped between two selves. Flood does a fantastic job of switching between stand-up and singing, and I’d say the £350 autotune tool was certainly a good investment!...
Review: PUDDLES PITY PARTY, Soho Theatre
Puddles Pity Party returns to Soho Theatre after almost a decade away....
Review: MACBETH (AN UNDOING), Rose Theatre
A production that promises to be a 'fresh take' on one of Shakepeare's most famous plays is apt to produce a weary sigh or two. After previously playing at Edinburgh's Royal Lyceum last February, Zinnie Harris now brings her promising yet unfocused version of the Scottish play to the Rose Theatre....
Review: LONDON ZOO, Southwark Playhouse
Too much left unexplored in biting satire on the workplace and the emerging new media landscape of the 21st century...
Review: LOVE FROM CARMEN, Chickenshed Theatre
Rap and Bizet's music tells this updated story of love in a hostile world...
Review: THE LONDON 50-HOUR IMPROVATHON, Wilton's Music Hall
'Directed by Adam Meggido and Ali James, The London 50-hour Improvathon is exactly what it says on the tin - a show that takes place over fifty hours in London, bringing together improvisational actors to create an absolutely wild weekend.'...
Review: GUYS & DOLLS, Bridge Theatre
The challenge of updating theatrical classics has led to some truly stunning theatre, such as the sell-out Cabaret and last year’s darkly stark OKLAHOMA! Frank Loesser’s 1950 musical comedy about sin and romantic salvation during the height of Prohibition was ripe for an update and Nicholas Hytn...
Review: BEN & IMO, Swan Theatre, Stratford-upon-Avon
Written by Mark Ravenhill and directed by Erica Whyman, Ben & Imo tells the story of the composition of Benjamin Britten’s (Samuel Barnett) Gloriana with musical assistant Imogen Holst (Victoria Yeates) over a period of nine months in the coast town of Aldeburgh. The play is based on Ravenhill’s...
Review: BLUE, Seven Dials Playhouse
It’s easy to understand why Blue garnered excellent reviews and a Fringe First Award for their run in Edinburgh last year. It’s an intense, alarming, carefully eloquent, and raw achievement. It’s a reactive and reactionary piece of theatre, real and terrible, relevant and urgent. If all that d...
Review: GIANT, Royal Opera House
Where does a body start and a human being end? The story of Charles Byrne, the so-called “Irish Giant” is the diving board off of which Composer Sarah Angliss’ debut opera leaps...
Review: NEW YORK CITY BALLET: MIXED BILL, Sadler's Wells
New York City Ballet are at Sadler’s Wells for the very first time, and returning to London for the first time since 2008 in a rare event for dance fans in the capital. Now under the direction of Jonathan Stafford, they arrive with a diverse quadruple bill, presumably designed to offer something f...
Review: ROMEO AND JULIET, Globe Theatre
Shakespeare's classic tragedy Romeo and Juliet is currently being performed with an exciting and contemporary makeover at the iconic Globe Theatre, enchanting younger audiences with modern twists, an engaging diverse cast and daring BMX stunts....
Review: FOR BLACK BOYS WHO CONSIDERED SUICIDE WHEN THE HUE GETS TOO HEAVY, Garrick Theatre
The kind of writing and performances that stick with you long after you've left the theatre....
Review: SWAN LAKE, Royal Opera House
If you came for anything other than wall-to-wall superlatives for the Royal Ballet’s A-team and Liam Scarlett’s superior production of Swan Lake then you’ll be disappointed with this review, because yet again, for the fourth time in six years, ballet heaven is delivered with a side of perfecti...
Review: UNCLE VANYA, Orange Tree Theatre
Trevor Nunn's production runs until 13 April...
Review: BESOS, BEATS AND BEAUTIES, Lio London
Operating from the former Café de Paris, dinner-cabaret experience Lio London is coming up to its first anniversary and is celebrating with its latest show Besos, Beats and Beauties....
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