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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
BWW Review: BARBER SHOP CHRONICLES, National Theatre

BWW Review: BARBER SHOP CHRONICLES, National Theatre

by Charlie Wilks — November 24, 2017
Inua Ellams' dynamic new play debuted last June, to critical acclaim. Following its successful run at the West Yorkshire Playhouse, Barber Shop Chronicles returns to the National with a bang. The story takes its audience to barber shops in Peckham, Johannesburg, Lagos, Accra, Harare and Kampala....
BWW Review: WILD BORE, Soho Theatre

BWW Review: WILD BORE, Soho Theatre

by Charlie Wilks — November 24, 2017
Three women place their naked bums on a table and speak through them into a microphone. Literally talking out of their arses, they enter into a prolonged rant detailing how terrible the show is meant to be, using text from critics who have seen it previously. And any resemblance to these critics, li...
BWW Review: CINDERELLA, Hackney Empire

BWW Review: CINDERELLA, Hackney Empire

by Nicole Ackman — November 24, 2017
Hackney Empire can be counted on to deliver a hilarious and naughty panto every year, but Cinderella also has heart. This fun and fantastical production caters to both children and adults with its contemporary humour, talented cast, and impressive staging. Hackney's diverse reimagining of the classi...
BWW Review: UNCLE VANYA, Manchester HOME

BWW Review: UNCLE VANYA, Manchester HOME

by Abigail Donoghue — November 23, 2017
Uncle Vanya at its simplest is a bleak take on the human condition. At its most complex, it's a harrowing look into the never-ending cycle of humanity and how easy it is to be consumed by your own mind....
BWW Review: BAD ROADS, Royal Court

BWW Review: BAD ROADS, Royal Court

by Charlie Wilks — November 23, 2017
A journalist ventures to the front line in search of a story. Underage girls wait to be a soldier's playthings. A medic mourns the loss of her lover. In the bleakest areas of Ukraine, a war rages on....
BWW Review: EVERYBODY'S TALKING ABOUT JAMIE, Apollo Theatre

BWW Review: EVERYBODY'S TALKING ABOUT JAMIE, Apollo Theatre

by Nicky Sweetland — November 22, 2017
There's been a real buzz of anticipation around the West End with the impending opening of Everybody's Talking About Jamie. In fact, it has felt like everybody really has been talking about it! So much so that for theatre fans, trying to watch the show without any preconceived ideas is almost imposs...
BWW Review: ORDINARY DAYS, Drayton Arms Theatre

BWW Review: ORDINARY DAYS, Drayton Arms Theatre

by Gary Naylor — November 23, 2017
Ordinary Days captures the ups and downs of romance in a big city with fine singing and warm, winning performances....
BWW Review: THE SECRET THEATRE, Sam Wanamaker Playhouse

BWW Review: THE SECRET THEATRE, Sam Wanamaker Playhouse

by Debbie Gilpin — November 23, 2017
Terrorist plots, underfunded government departments, unjustifiable military action - all very modern worries, I'm sure you'll agree. However, playwright Anders Lustgarten and director Matthew Dunster beg to differ. The second production of The Winter Selection is a new play, The Secret Theatre, oste...
BWW Review: SVETLANA ZAKHAROVA - AMORE, London Coliseum

BWW Review: SVETLANA ZAKHAROVA - AMORE, London Coliseum

by Gary Naylor — November 22, 2017
Three very different dances united by the stellar qualities of Bolshoi superstar Svetlana Zakharova....
BWW Review: THE HOUSE OF BERNARDA ALBA, Cervantes Theatre

BWW Review: THE HOUSE OF BERNARDA ALBA, Cervantes Theatre

by Gary Naylor — November 19, 2017
This is a great, complex, problematic, Shakespearean, mythic, disturbing, provocative play....
BWW Review: MARNIE, London Coliseum

BWW Review: MARNIE, London Coliseum

by Aliya Al-Hassan — November 19, 2017
After a season that saw some triumphant returns of classic operas, such as the magnificent revival Jonathan Miller's The Barber of Seville, the ENO has taken another gamble on bringing a brand new production to the stage of the London Coliseum. Following Two Boys in 2011, Marnie is the young compose...
BWW Review: MISS JULIE, Jermyn Street Theatre

BWW Review: MISS JULIE, Jermyn Street Theatre

by Cindy Marcolina — November 19, 2017
Directed by Jermyn Street Theatre's own artistic director Tom Littler, Miss Julie is revived in an effortlessly visceral new production....
BWW Review: TIGER BAY THE MUSICAL, Wales Millennium Centre

BWW Review: TIGER BAY THE MUSICAL, Wales Millennium Centre

by Kerrie Nicholson — November 19, 2017
Having also played host to The Mandela Trilogy opera and new musical Only The Brave, it seems that the Wales Millennium Centre seems to be making a name for itself when it comes to mounting new productions. In its latest venture: Tiger Bay The Musical audiences are transported back to Cardiff in the...
BWW Review: RACHEL TUCKER, Shoreditch Town Hall

BWW Review: RACHEL TUCKER, Shoreditch Town Hall

by Nicky Sweetland — November 18, 2017
Following a hugely successful UK tour and an engagement at the acclaimed Feinstein's/54 Below in New York, West End star Rachel Tucker has become a celebrated solo performer....
BWW Review: THE SUPPLIANT WOMEN, Young Vic

BWW Review: THE SUPPLIANT WOMEN, Young Vic

by Charlie Wilks — November 17, 2017
Remaining true to the traditions of Aeschylus's time, The Suppliant Women company consists of three professional actors, a professional musician and a recruitment of locals - who have trained and rehearsed in a choral-like manner, to create a 50-piece ensemble that roars on the Young Vic stage....
BWW Review: INSIDE PUSSY RIOT, Saatchi Gallery

BWW Review: INSIDE PUSSY RIOT, Saatchi Gallery

by Nicole Ackman — November 16, 2017
Inside Pussy Riot is an immersive, provocative experience, not for the faint of heart. This innovative performance was created by Les Enfants Terrible and the Tsukanov Family Foundation, in collaboration with Pussy Riot co-founder Nadya Tolokonnikova and Bird & Carrot. The piece puts the audience in...
BWW Review: THE SECONDARY VICTIM, Park Theatre

BWW Review: THE SECONDARY VICTIM, Park Theatre

by Charlie Wilks — November 16, 2017
Recent figures show that more and more people are visiting their GP with anxiety, stress and other mental health concerns. With so many facilities running at full capacity, options become limited for those in need. And, despite the rising number of people accessing mental health services, there are ...
BWW Review: THE DARK ROOM, Theatre503

BWW Review: THE DARK ROOM, Theatre503

by Gary Naylor — November 16, 2017
The Dark Room raises important issues but its lack of nuance and relentless emotional pain delivered at top volume and top speed, detract from its dramatic potential....
BWW Review: HARD RAIN: BARB JUNGR SINGS DYLAN AND COHEN, Live At Z del

BWW Review: HARD RAIN: BARB JUNGR SINGS DYLAN AND COHEN, Live At Z del

by Debbie Gilpin — November 16, 2017
Celebrated performer Barb Jungr put this collection of songs together a couple of years ago (alongside long-time collaborator and pianist, Simon Wallace) and has been taking the songs across the UK and the US, amongst other places, as well as appearing on the bill of the Art of Protest cabaret at th...
BWW Review: PHOENIX RISING, Smithfield Car Park

BWW Review: PHOENIX RISING, Smithfield Car Park

by Cindy Marcolina — November 15, 2017
Eighteen-year-old Callum is taking his first steps out of care, dreaming of becoming a track star. He is immediately flung into a world of poverty and toxic company, and when his legs start to fail him, he loses the only control he has on his life....
BWW Review: THE IMPORTANCE OF BEING EARNEST, Brockley Jack Studio Theatre

BWW Review: THE IMPORTANCE OF BEING EARNEST, Brockley Jack Studio Theatre

by Gary Naylor — November 17, 2017
As it settles into its run, expect this production of 'Earnest' to bring out comedy that goes against the grain of the times, but is no less funny for that....
BWW Review: DEATHTRAP, Richmond Theatre

BWW Review: DEATHTRAP, Richmond Theatre

by Aliya Al-Hassan — November 15, 2017
The British appetite for thrillers is seemingly unquenchable. Agatha Christie's The Mousetrap has now been running for 65 years in London and detective and murder mystery stories are standard Sunday night television fare. Adam Penfold's revival of Ira Levin's 1978 Broadway hit Deathtrap is obviously...
BWW Review: NETWORK, National Theatre

BWW Review: NETWORK, National Theatre

by Marianka Swain — November 14, 2017
News as showbiz, entire networks and even a reality TV President fuelled by articulating popular rage, and gradual corporate dehumanisation: we are now living Paddy Chayefsky's satirical dystopia. Lee Hall's astute adaptation recognises that the 1976 movie needs little updating to feel like a searin...
BWW Review: JAMAICA INN, Tabard Theatre

BWW Review: JAMAICA INN, Tabard Theatre

by Aliya Al-Hassan — November 11, 2017
Daphne du Maurier is the master of Cornish gothic storytelling and ghostly intrigue. Jamaica Inn is her 1936 novel; a haunting tale set in Cornwall in the 1800s. Following the death of her mother, Mary Yellan goes to live with her downtrodden aunt Patience and bullying uncle Joss in mysterious Jamai...
BWW Review: NO PLACE LIKE HOPE, The Old Red Lion Theatre

BWW Review: NO PLACE LIKE HOPE, The Old Red Lion Theatre

by Cindy Marcolina — November 11, 2017
When Becca (Holly Donovan) is sent to a hospice in order to serve a community punishment, she meets Anna (Clare Corbett), a cancer patient at terminal stage. An unlikely friendship starts between the two women, who at first glance have nothing in common but being confined in the same space. As they ...
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