AVID Dance (Artistic Ventures in Dance) will return home to close out the season with BOUNDLESS, a genre-defying evening of movement, music, and momentum. Learn more!
Discover how personal sacrifice and courage led NYC-based artist, Diane Nicole Lee, to persevere into a professional dance career with a mission to increase dance equity and access for BIPOC youth.
Theater Resources Unlimited has revealed a political leader and a theater industry professional who will join the 'Dollars and Sense' talkback following the TRU Voices reading of Ali MacLean's FINAL RESTING PLACE.
The Really Useful Group has revealed a new company name as it unveils upcoming plans across the entertainment industry. Learn more about the company here.
Joanna Bowman brings Shakespearean Italy to The Other Place at the RSC with her new production of his first play, The Two Gentlemen of Verona. At a pacy 90 minutes (without an interval) and set in the round, the play is reimagined for the present day with a talented cast of actor-musicians - an ideal way to introduce old and new alike to this piece of work.
The Revel Puck Circus’s latest collaboration with Underbelly is set in the faraway land of the Circus Hub on the Meadows in Edinburgh, in a sweet, acrobatic retelling of The Ugly Duckling.
Jackalope Theatre Company has revealed the plays and casts for the 16th Annual Living Newspaper Festival at the Broadway Armory Park. Learn more and see how to purchase tickets.
Maestro Karen Kamensek opened the Lincoln Center Festival Orchestra’s concert at Geffen Hall—“Paris to Patagonia”—with some interesting introductory remarks that almost sounded like an audition for the Philharmonic’s storied Young People’s Concerts. While fascinating in their own way, they didn’t quite prepare us for what the program really had in store for us.
Two joints, both alike in dignity: Monty’s Tacos and Caps Bar. The high street isn’t big enough for the rival families. Shakespeare’s tale of young love and civil bloodshed comes alive in a gripping community-oriented rendition at Stratford East. Adapted by Kwame Owusu and co-directed by Emily Ling Williams and Malik Nashad Sharpe (who also choreographed it), it sees a staggering 38-strong cast of professional performers alongside young artists from the venue’s own training program and representatives of the public. The result is a fresh, energetic, galvanising production infused with music and dance that digs into the more romantic side of the play to deliver an excessively naive interpretation. It’s a springboard for many members of the acting company, but the vision lacks stability.
Emmy and Tony Award-winner Sean Hayes (Will & Grace) brings his acclaimed, Tony Award-winning performance to the Barbican this Summer in Good Night, Oscar – direct from a critically acclaimed Broadway season. What did the critics think?
Long forgotten talkshow guest has plenty to say about culture today
The Den Theatre has revealed its September 2025 shows at the theatre’s Wicker Park stages, including SpotlightCTRL Presents: UNMUTED and more. See the full lineup here!
The Toxic Avenger stomps on stage dripping with radioactive swagger. Loud, brash, and gloriously unfiltered. Now playing at Austin Playhouse thru Aug 10, 2025. #BWW #ATXTheatre
Confession time — I didn’t read most of the required reading in school. I had a friend who struggled in math but loved reading, and I excelled in math but couldn’t focus on the classics.
The World Film Institute has appointed media visionary Larry Namer as its new Chairman. Namer, renowned worldwide as the founder of E! Entertainment Television, succeeds WFI's esteemed founder and president Dr. Olympia Gellini.
Jackalope Theatre Company has revealed the playwrights for the 16th Annual Living Newspaper Festival. Learn more about the festival and see how to attend.
Under the Radar will return for its 21st edition. Since its reemergence in 2024, Under the Radar has gathered artists, audiences, and theater industry experts around a thrilling array of contemporary performances shaped by fearless experimentation.
A dependable haven for artists in isolation, Theater Resources Unlimited (TRU) is celebrating its fifth year of non-stop weekly Community Gatherings. Up next is a Free Introduction to their Producer Development & Mentorship Program.
North Coast Repertory Theatre closes its season with “A Gentleman’s Guide to Love and Murder,” the bloodthirsty Broadway hit that turns serial killing into an elegant and humorous art form.
A slightly curious evening lay in wait with this Prom, performed by Bournemouth Symphony Orchestra under the guiding baton of Chief Conductor Mark Wigglesworth. Shostakovich, Ravel and Walton are all familiar names to the classical music enthusiast, but the pieces themselves don’t appear to have anything to link them; that it’s the 50th anniversary of Shostakovich’s death and the 150 years since Ravel’s birth is possibly as close as we’re going to get.
What did our critic think of SONGS OF THE BULBUL at Sadler’s Wells East?
Opening on July 18, directed by Elina de Santos at Ruskin Group Theatre in Santa Monica, I decided to speak with the production’s leads Luisa and Matt, Sophie Pollono and Rhett Hemingway, about their journey to join the cast, their past experience with the musical, and their feelings about taking the story from the dreamy moonlight into the harsh reality of the Sun.
The show to see this summer is The Complete Works of William Shakespeare at The Shakespeare Theatre of New Jersey (STNJ). It has not been performed by the company for 10 year, and we think it’s the perfect time for metro area audiences to be treated to this comedic gem.
So the challenge with this show is, it is not just one location. It's like Miss Marple's cottage. It's a movie studio. It's a dressing room and a soundstage in the filming studio. And then there's this enormous manor called Gossington Hall.
The Music Hall in Portsmouth, NH is teaming up with MacDowell and New Hampshire Public Radio (NHPR) to launch Across the Table Conversations, a new multidisciplinary talks series spotlighting MacDowell Fellows in public dialogue.
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