It's simply the best! From humble beginnings in Nutbush, Tennessee, to her transformation into the global Queen of Rock 'n' Roll, Tina Turner didn't just break the rules, she rewrote them.
This new stage musical, reveals the untold story of a woman who dared to defy the bounds of her age, abuse, gender, and race. Featuring a book by Katori Hall, direction by Phyllida Lloyd, and unbelievable performances, Tina: The Tina Turner Musical will leave you tapping your toes and exhilarated by a one-of-a-kind theatrical experience.
If you aim to embody the indomitable spirit of a beloved subject named not once but twice in the title of her celebratory bio-musical, you better be up to the challenge. Adrienne Warren has what it takes, and then some - the powerhouse voice, the jackhammer legs, the wild dance moves, and above all, the heart - to carry Tina: The Tina Turner Musical across the rough patches of its clunky book and uneven direction. This grit-and-glitter production is neither the best nor the worst (RIP, Donna Summer) of the ongoing wave of musical biographies, but the sensational lead performance that drives pretty much every scene is not to be missed.
But as director Phyllida Lloyd (who helmed Mamma Mia! in both its stage and film versions) careens through the play's paces - from a pint-size Anna Mae Bullock's beginnings in Nutbush, Tennessee to her fateful meeting as a teenager in St. Louis with the man who would mold and rename her, on through their tumultuous union and her unlikely break into solo stardom in her mid-40s - pretty much every note of nuance is lost in the razzle-dazzle rush.
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