Rob McClure, National Tours of KIMBERLY AKIMBO and SOME LIKE IT HOT Among 2026 Helen Hayes Award Nominees
by A.A. Cristi
- Feb 24, 2026
The 2026 Helen Hayes Award nominations have been announced, recognizing outstanding achievement in Washington-area professional theatre. Arena Stage, Signature Theatre, Shakespeare Theatre Company, Round House Theatre, and dozens of regional companies are represented across performance, direction, design, and production categories. The awards highlight the breadth of theatre work presented throughout the D.C. metropolitan area.
Review: THE WORLD TO COME at Woolly Mammoth
by Pamela Roberts
- Feb 15, 2026
Friendship as Resistance in a Powerful World Premiere - The World to Come, a world-premiere co-production by Woolly Mammoth and Theater J, delivers powerful, honest performances and an intriguing story in an extraordinary, deeply touching production that shouldn’t be missed.
Review: THE AMERICAN FIVE at Ford's Theatre
by Jake Bridges
- Sep 26, 2025
Early in my arts management training, I read former Kennedy Center President Michael Kaiser’s book, The Cycle. This arts manifesto is a practical guide on creating and sustaining the arts, and I do recommend it for anyone seeking a career in the field. But I digress.
PARADISE BLUE Extends Run at Studio Theatre
by Stephi Wild
- May 8, 2025
Just one week into performances, Studio Theatre’s immersive production of Dominique Morisseau’s Paradise Blue has extended its planned run, adding two weeks of performances as well as an Affinity Night event.
Review: PARADISE BLUE at Studio Theatre
by Mary Lincer
- May 7, 2025
A superb troupe of five actors and a great trumpet player (Michael A. Thomas) do everything in their toolkit to realize Dominique Morisseau's significant play, Paradise Blue, about a Detroit jazz club caught in the post-World War II 'urban renewal' which tampered with Black neighborhoods and lifestyles in American cities nationwide.
Review: COMEDY OF ERRORS at Shakespeare Theatre Comany
by Pamela Roberts
- Sep 17, 2024
The Shakespeare Theatre Company has opened its 2024-2025 season with a fun, frothy, beautifully rendered Comedy of Errors by the theatre’s “resident playwright” William Shakespeare and directed by the company’s artistic director, Simon Godwin. Godwin layers visual and aural punch to keep the pace lively – including a band of versatile on-stage musician storytellers.
Review: TOPDOG/UNDERDOG at Round House Theatre
by Pamela Roberts
- Jun 8, 2024
At Round House Theatre, director Jamil Jude stages a brilliant, heightened and deeply emotional interpretation of the Suzan-Lori Parks’ work that is as raw and affecting now as it was when it earned Parks a Pulitzer Prize two decades ago.
Interview: Theatre Life with Psalmayene 24
by Elliot Lanes
- Mar 6, 2024
Today’s subject Psalmayene 24 is someone we can aptly classify as the whole package when we talk about artists in the DC theatre community. He is an accomplished writer/actor/performer and educator whose work has been enjoyed by audiences of all ages over the years. Currently Psalmayene 24 is the director of Arena Stage’s current Power Play entitled Tempestuous Elements. The show is currently playing in the company’s Fichandler space through March 17th.
Review: TEMPESTUOUS ELEMENTS at Arena Stage
by Itai Yasur
- Feb 24, 2024
TEMPESTUOUS ELEMENTS, Arena Stage's latest Power Play premiere, champions the under-appreciated, local historical figure Anna J. Cooper: mother of Black feminism, brilliant educator, and embattled teacher/principal at DC's M Street High School.
Review: THE MOUNTAINTOP at Round House Theatre
by David Friscic
- Oct 18, 2023
The sacred and the secular are merged to show the need for connection in a broken world in playwright Katori Hall’s The Mountaintop in an amazing production at Bethesda’s Round House Theatre. A feminist narrative envelops this beautifully written play that portrays the civil rights leader Dr. Martin Luther King Jr. on the eve of his final day on earth---as the tragic portent of his tragic assassination is conveyed to the consciousness of the audience.
|
|