Review: DEEP AZURE, Sam Wanamaker Playhouse
by Cindy Marcolina - Feb 18, 2026
While most people knew Chadwick Boseman for his blockbuster appearances in the Marvel Cinematic Universe as T’Challa/Black Panther, the actor was also a playwright and director. His early career was spent treading the boards in New York, where he became a Drama League Directing Fellow at 24 years old in 2000. His most celebrated play is now premiering in the UK 21 two decades after its American debut. Written in lyrical verse with direct references to the Shakespearean structure, it brings hip-hop to the Sam Wanamaker Playhouse. It’s a treat to see something so modern and pertinent to our times being staged on the cloistered stage, but the piece is frantically overlong and unfocused. There’s lots to love, but it ultimately doesn’t satisfy.
Arts Foundation Reveals Winners Of £115,000 Awards
by Chloe Rabinowitz - Feb 3, 2026
The Arts Foundation has revealed the five recipients of The Arts Foundation Futures Awards at an Awards Ceremony at Kings Place, London. The Awards support the UK's most promising artists and creatives at a pivotal moment in their career.
Review: THE TEMPEST, Shakespeare’s Globe
by Clementine Scott - Jan 31, 2026
The Tempest is perhaps the most metatheatrical of Shakespeare's plays: the plot takes place in real time, and Prospero asks the audience to “free” him with their applause. So who better to direct than the king of theatrical deconstruction himself, Tim Crouch?
Shakespeare's Globe Reveals Summer Season 2026
by Stephi Wild - Jan 26, 2026
This summer, join Shakespeare's Globe for a season bursting with world-class artists, lesser-known classics, and much-loved plays, in two of the most iconic theatres in the world.
FENCES and More Set For Headlong 2026 Season
by Stephi Wild - Jan 21, 2026
Headlong has announced details for their 2026 season including a brand-new production of August Wilson's Fences directed by Daniel Bailey (Red Pitch) in a co-production with Leeds Playhouse, Lyric Hammersmith Theatre and HOME Manchester.
Critics' Choice: Gary Naylor's Best Theatre of 2025
by Gary Naylor - Dec 24, 2025
Theatre is, of course, a window on another world, often glitzier and brighter than our own, sometimes a reflection that can comfort or discomfit us and sometimes a portal into what it is to be human at all. It is an escape - and who can deny that we need such refuges more than ever - but it can be so much more than mere escapism. The best theatre of 2025 made those lofty promises - and kept them.
Cast Set For DEEP AZURE at Shakespeare's Globe
by Stephi Wild - Dec 11, 2025
Shakespeare’s Globe has announced the full cast and creative team of Deep Azure in the Sam Wanamaker Playhouse. Learn more about the production and the cast here!
Photos: A MIDSUMMER NIGHT’S DREAM at Shakespeare’s Globe
by Chloe Rabinowitz - Nov 28, 2025
Headlong has released production images of their new production of William Shakespeare’s A Midsummer Night’s Dream which is now playing at the Sam Wanamaker Playhouse at Shakespeare’s Globe.
Cast Set for THE TEMPEST at Shakespeare's Globe
by Stephi Wild - Nov 25, 2025
Shakespeare’s Globe has announced the full cast and creative team of The Tempest in the Sam Wanamaker Playhouse. The Tempest is directed by award-winning theatre maker Tim Crouch in his Globe directorial debut.
Full Cast Set For The World Premiere Of HIGH NOON
by Stephi Wild - Nov 7, 2025
Joining Emmy and Tony Award-winner Billy Crudup and Olivier Award-winner Denise Gough are Billy Howle, Rosa Salazar, Simon Chandler, James Doherty, Misha Handley, Joshua Hill, Jonah Russell, Rebecca Lee and Tim Steed.
Review: ROMEO A JULIET, Shakespeare's Globe
by Clementine Scott - Nov 7, 2025
Romeo a Juliet does not make any of its political points overtly, and this is an occasion where some things are better left unsaid, without cheap gimmicks. With nothing made explicit, the audience comes away reflecting on their own use of language and dialect in their daily life, as well as on how over 500 years later, new eyes on Shakespeare can still make desperately overdone texts feel brand new.