Nate Edmondson

NATE EDMONDSON

Composer & Sound Designer

Nate is an international, multi-award winning Composer and Sound Designer for advertising, film, television and stage. Based in Sydney, Australia, Nate’s credits include the following:

For Sydney Theatre Company: A Midsummer Night’s Dream, Romeo And Juliet. For Sydney Theatre Company / Force Majeure: Never Did Me Any Harm (Associate Sound Designer). For Belvoir: Mark Colvin's Kidney, Seventeen, Kill The Messenger (Associate Sound Designer), Angels In America: Part 1 & 2 (Assistant Sound Designer), This Heaven. For Belvoir / STCSA: Mortido. For Sydney Dance Company: Once We Were. For Bell Shakespeare: A Midsummer Night’s Dream, The Tempest, Romeo And Juliet, As You Like It (Associate Sound Designer), Macbeth, The Winter's Tale. For Griffin: The Ham Funeral, MinusOneSister, Caress/Ache, The Witches, Music, Jump For Jordan, The Floating World (Associate Sound Designer), Rust And Bone, The Ugly One (Associate Composer/Sound Designer), This Year’s Ashes. For Malthouse Helium: Salomé, Lord Of The Flies. For Darlinghurst Theatre: Remembering Pirates, Savages, Good Works, Daylight Saving, All My Sons, Torch Song Trilogy, The Greening Of Grace, The Seafarer, The Paris Letter, The Coming World. For ATYP: Political Children, Fireface, The Hiding Place. For Sport For Jove: Of Mice And Men. For Riverside Theatres: Shellshock. For New Theatre: Marat/Sade, When The Rain Stops Falling, The Temperamentals, Julius Caesar. For Rock Surfers: Jack Kerouac’s Essentials Of Spontaneous Prose, Lenny Bruce: 13 Daze Un-Dug In Sydney, Psycho Beach Party, Fallout, Wrecking, The Highway Crossing, Lyrebird, Pictures Of Bright Lights, Flightfall. For Ken Unsworth / Australian Dance Artists: Departures. For Street Theatre: All My Sons (UK). For Red Line Productions: Bengal Tiger At The Baghdad Zoo, The Village Bike, I Hate You My Mother, I Am My Own Wife, A Girl With Sun In Her Eyes, Freak Winds. For Old 505: BU21, Decay, River. For Siren Theatre Company: The Trouble With Harry, Good With Maps (UK, AU), Misterman (UK, AU). For Rockefeller Productions: That Golden Girls Show! (US), The Very Hungry Caterpillar Show (US, UK, NZ, UAE, AU). For Unhappen / Fat Boy Dancing: The Light Box. For Little Ones Theatre: Two By Two, Suddenly Last Summer. For KXT: Leaves, Straight. For WITS / Edgware Forum: Slut. For Tooth And Sinew: Scenes From An Execution, King Lear, Measure For Measure. For Les Currie Presentations / Glen Street Theatre: Every Single Saturday. For Wildie Creative Enterprises: Today We're Alive. For Red Rabbit Theatre: Fefu And Her Friends. For Ashfield Youth Theatre: Punk Rock. For AIM Dramatic Arts: The Tempest, Twelfth Night, Elektra, Medea, Phaedra. For Kambala School: Wicked, Beautiful Words, Away, Living With Lady Macbeth, If Only The Lonely Were Home. For NIDA Independent: The Wild Hunt, The Clinic Of Unhappiness & Negative Therapy, The Ugly One. For NIDA Open Program: Alice In Wonderland. For NIDA: Much Ado About Nothing (Guest Composer/Sound Designer), NIDA Gala (2010 & 2012).

Television Work: The Very Hungry Caterpillar (International), Disturbing Bodies (ABC Fresh Blood).

Online Work: Felix Barbosa And The Dilettantes.

Short Film Work: Ten Little Rubber Ducks (International), I Am Not A Work Of Art, Somewhere, The Light Box, Pretty, Gibney's Island, Kaleidoscope.

Other: Nate also lectures in theatre production, technical audio and sound design, and has taught, supervised and mentored students at NIDA, AIM Dramatic Arts, ACTT and Wesley Institute.

Awards: Best Sound Design: Leaves (Broadway World Awards 2016), Best Play: A Midsummer Night's Dream (Broadway World Awards 2016), Best Score/Sound Design: Misterman (Sydney Theatre Awards 2015), Best Independent Production: Of Mice And Men (Sydney Theatre Awards 2015), The Brian Dyer Trophy - Best Score/Sound Design: All My Sons (The Somerset Fellowship Of Drama, UK), Best Play: Angels In America (Helpmann Awards 2014), Most Outstanding Production: All My Sons (The Glug Awards 2014), Most Outstanding Production: The Seafarer (The Glug Awards 2012).

Training: BDA (Production), NIDA Production Course.

Contact Details: nate.edmondson@hotmail.com (Email); +61 410 219 507 (Mobile).

For more information, visit www.nate-edmondson.com or to hear some of Nate’s past composition work, visit www.soundcloud.com/nate-edmondson or contact him directly.