Review: CHRISTMAS CAROL GOES WRONG, Apollo Theatre
by Kat Mokrynski - Dec 16, 2025
Written by Henry Lewis, Jonathan Sayer and Henry Shields, Christmas Carol Goes Wrong sees the return of Mischief’s beloved Cornley Polytechnic Drama Society, which was first seen by audiences in The Play That Goes Wrong over ten years ago. The show actually picks up where the last “Goes Wrong” show, Peter Pan Goes Wrong, left off, with the Cornley crew putting on a production of Charles Dickens’s A Christmas Carol.
Review Roundup: CHRISTMAS CAROL GOES WRONG Opens At The Apollo Theatre
by A.A. Cristi - Dec 15, 2025
Read reviews for Mischief new festive fiasco, Christmas Carol Goes Wrong. This brand new Goes Wrong comedy sees the chaos and humour of the Cornley Amateur Dramatic Society return, and is written by original Mischief Members Henry Lewis, Jonathan Sayer and Henry Shields.
Photos: DICK WHITTINGTON AND HIS CATFORD CAT In Rehearsal
by A.A. Cristi - Nov 21, 2025
Joy Productions and Broadway Theatre will present Dick Whittington and His Catford Cat from December 9–31, marking the partners’ third annual pantomime in Lewisham. Check out photos from inside rehearsal.
Photos: MAMA GOOSE Panto in Rehearsal at Stratford East
by Stephi Wild - Nov 11, 2025
Stratford East has released first look rehearsal images for the 2025 pantomime Mama Goose, a reimagined telling of the fairy tale classic with a special East London twist. Check out the photos here!
Review: THE TALENTED MR RIPLEY, Richmond Theatre
by Aliya Al-Hassan - Nov 11, 2025
Patricia Highsmith's psychological thriller The Talented Mr Ripley was published 70 years ago, but remains fascinating due to her brilliant writing, but also movie and Netflix versions that have kept the story alive. This excellent new stage adaptation, written and directed by Mark Leipacher, strips back the story and takes us to the dark heart of Highsmith's most famous character.
Review: THE WANDERERS, Marylebone Theatre
by Cindy Marcolina - Oct 23, 2025
It’s an extensive rumination on family, Jewishness, marriage, and the boundaries of emotional infidelity, but it neglects the nuances and peculiarities of the characters, who ultimately remain two-dimensional figurines with very little identity. The narrative is severely self-indulgent, without as much scope or aim as it believes it's offering. It exploits womanhood for the benefit of its male protagonists and under-analyses the consequences of their actions. The direction and company are remarkable, but each element suffers the material.
Review: CHARLEY’S AUNT, Watermill Theatre
by Jo Caruana - Oct 10, 2025
Rob Madge’s adapted version of Brandon Thomas’s Victorian farce proves both hilarious and unexpectedly timely, with standout performances and a contemporary edge that never sacrifices the original’s sparkle.
Review: THE PARTY GIRLS, Oxford Playhouse
by Niamh Jones - Oct 2, 2025
Glamorous and mythic, the Mitford sisters often feel like untouchable figures of the past, central to the tumultuous politics of the interwar period and yet forgotten amidst the rollcall of far more significant names. They seem like the sorts of characters who would be impossible to bring to life, and yet Amy Rosenthal’s The Party Girls successfully brings these figures vividly into the sphere of the audience’s knowledge.
Review: THE TALENTED MR RIPLEY, Birmingham Rep
by Laura Lott - Sep 29, 2025
Talented by name, talented by nature: Ed McVey is a perfectly cast Mr Ripley, deftly juggling paranoia, wild optimism, self-pity and bouts of violence, while never losing either his sense of humour or the audience's tolerance. It's a demanding role requiring seemingly endless reams of dialogue as Ripley narrates his every thought, and McVey navigates it with style and charisma.
Interview: 'Mental, But In The Best Way!': Actor Oliver Halford on Being Alternate Marty McFly in BACK TO THE FUTURE THE MUSICAL
by Kat Mokrynski - Sep 24, 2025
Back to the Future The Musical has been bringing audiences on a time-travelling adventure on the West End for four years, adapting the iconic 1985 film by Robert Zemeckis and Bob Gale for the stage. Recently, we had the chance to chat with Oliver Halford, who was cast as the alternate Marty McFly after an open casting call. We discussed what the casting process was like, how this role in particular is full-circle for him and how he survived an absolutely chaotic opening week!
Review: REUNION, Kiln Theatre
by Clementine Scott - Sep 18, 2025
Lock a few theatre characters in a room together, sit them around a dinner table and they surely won’t leave without revealing a few hidden resentments, infidelities, or family secrets they thought they’d take to their graves. It’s a tried and tested dramatic formula, and one that’s hard to get right.
Review: SEAGULL: TRUE STORY, Marylebone Theatre
by Gary Naylor - Sep 10, 2025
Putin, Chekhov, Trump, art, principles, punishment, love, hate and that iconic, topless-on-a-horse photo of Mad Vlad. And much, much, more.