Kiln Theatre Appoints New Trustees
by Stephi Wild - Aug 7, 2025
Kiln Theatre has announced that Aleksandra Barnes, Michael Berg (Vice Chair of the Board), Heather Doughty, Natasha Gordon, Katie Haines, Sophie Hussey, Alastair Levy, Maimuna Memon and Stacy Coyne Wright join the Board of Trustees.
Marianne Elliott Joins Pentabus Board
by Stephi Wild - Apr 29, 2025
Marianne Elliott, the Olivier and Tony Award-winning director of War Horse and Angels in America joins Michelle Terry and others on the Pentabus board.
Olivier Awards 2025- All the Winners!
by Nicole Rosky - Apr 6, 2025
The Olivier Awards 2025 were held at the Royal Albert Hall, hosted by Beverley Knight and Billy Porter. We have the full list of winners here!
BroadwayWorld UK's Olivier Awards 2025 Predictions
by BWW UK Critics - Apr 4, 2025
Established in 1976, the Olivier Awards celebrate the world-class status of London theatre, and are Britain’s most prestigious stage honours. Leading the way this year is Tom Scutt's Fiddler on the Roof which matches Hamilton's record-breaking 13 nominations, represented in every acting and creative category.
Review Roundup: NATASHA, PIERRE & THE GREAT COMET OF 1812 at the Donmar Warehouse
by Aliya Al-Hassan - Dec 17, 2024
Discover what the critics thought about Natasha, Pierre & the Great Comet of 1812 at London's Donmar Warehouse. Directed by Tim Sheader, this UK premiere of Dave Malloy's musical features a stellar cast and captivating performances. Read insights from BroadwayWorld, The New York Times, and more.
Review: NATASHA, PIERRE & THE GREAT COMET OF 1812, Donmar Warehouse
by Debbie Gilpin - Dec 17, 2024
“Nothing is trivial, and nothing is important, it’s all the same.' Conflict rages around the world, and yet normal life (with its requisite anxieties) is expected to go on regardless. This is the situation in which Tolstoy’s War and Peace characters find themselves; the Napoleonic Wars continue, but high society and family dramas will never rest.
Review: THE GRAPES OF WRATH, National Theatre
by Cindy Marcolina - Aug 1, 2024
The piece is heavy in topic and method, but Carrie Cracknell’s quiet direction smooths out the nearly three hours of running time. It’s by any means not an easy-breezy show to experience, but it sinks into your soul in a way that only an epic does. The problem is that it’s so, so slow.