Industry Pro Newsletter: SAG Winners, Artios Honors & Major Institutional Shifts
by Alex Freeman - Mar 2, 2026
This week’s headlines span Hollywood honors, cultural policy shifts, and major institutional developments on both sides of the Atlantic. From SAG Award winners including Jessie Buckley to casting victories at the Artios Awards, recognition is front and center. At the same time, leadership and funding decisions are shaping the landscape at institutions like the John F. Kennedy Center for the Performing Arts, the Young Vic, and Shakespeare's Globe. Add in Laura Linney’s call to support community theater and a first look at Mary Poppins in Japan, and it’s a week defined by both celebration and change across the performing arts.
Industry Pro Newsletter: How the Washington National Opera is Moving Forward Following Kennedy Center Split
by Alex Freeman - Feb 23, 2026
Good morning from a very snowy New York City! Under a blizzard warning, Broadway canceled their evening shows Sunday with matinees wrapping up with enough time for everyone to make it home before the snow really started coming down. This week we share a few exclusives with you - first Situation unveiled a new leadership survey on the future of live events, and we sat down with the Washington National Opera to learn how they are moving forward after splitting with the Kennedy Center. We’ve also got Tony Awards eligibility updates and a look at funding concerns both in the US and the UK.
Industry Pro Newsletter: Broadway Cares Distributes $3.2 Million, Lortel Awards Dates Announced
by Alex Freeman - Feb 16, 2026
From Broadway Cares/Equity Fights AIDS distributing $3.2 million to food programs nationwide to financial updates and future plans at 54 Below, the theater community continues to navigate challenges while supporting artists and audiences alike. We also look ahead to key dates for the Lucille Lortel Awards, explore a Stage Mag spotlight on THE SOUND INSIDE at Capital Stage, and share a moving PBS feature on Ukrainian theater uplifting children during wartime.
Industry Pro Newsletter: Equity vs. Spotlight, Washington Post Layoffs, and Broadway Bares News
by Alex Freeman - Feb 9, 2026
This week’s newsletter brings together stories of accountability, advocacy, and adaptation across the theatre world. We cover artists and organizations responding to public scrutiny, including Lauren Gunderson’s statement following her appearance in the Epstein files and the Washington Post’s elimination of its chief theater critic role. Elsewhere, new initiatives and events push forward, from Broadway Bares gearing up for its next benefit and Katharine Quinn launching a Broadway-focused marketing agency to Broadway showtunes finding new life on the ice. The issue also examines ongoing debates over access, transparency, and infrastructure, from Equity’s dispute with Spotlight in the UK to closed-door discussions about Portland’s Keller Auditorium.
Photos: MACHINAL Opening Night at New York City Center
by Chloe Rabinowitz - Jun 20, 2025
Machinal officially opened at New York City Center Stage II on June 11, 2025, marking a significant milestone for New York Theatre Company in its off-Broadway debut. See photos here!
Video: Get A First Look at RIDE at San Diego's Old Globe
by Joshua Wright - Apr 12, 2024
Get a first look at the American premiere of Ride at The Old Globe. Now through April 28th, 2024. The cast for Ride features Alex Finke as Annie (Broadway’s revival of Les Misérables; Broadway’s Come From Awayas Janice) and Livvy Marcus as Martha (The Old Globe’s Life After; Berkshire Theatre Festival’s Hair).
Interview: Freya Catrin Smith & Jack Williams On Bringing RIDE to San Diego's Old Globe
by Joshua Wright - Apr 10, 2024
BroadwayWorld sat down for an interview with the writers behind the American premiere of Ride at The Old Globe. The musical features book, music, and lyrics by Freya Catrin Smith (London’s Network Theatre’s The Limit, Edinburgh Festival Fringe’s Part A), music and lyrics by Jack Williams (London’s Network Theatre’s The Limit, Edinburgh Festival Fringe’s Part A), and direction by Sarah Meadows (U.K. premiere of Marie Curie, U.K. tour of The Good Enough Mums Club).