Review: GAME ON! at Hole In The Wall Theater
by Jared Reynolds - Aug 10, 2025
It’s always a big deal to have a worldwide premiere. To be able to take a piece of art that you have spent many years on- in this case, 8 years- and finally be able to present it to the world in an official capacity is such a satisfying experience; and one that keeps theater alive!
Review: FIDDLER ON THE ROOF, Barbican
by Alexander Cohen - Jun 4, 2025
Jordan Fein understands that Fiddler on the Roof is more than just Jews and jazz hands. For him, it’s as much a Greek tragedy that cuts to the heart of the human condition as much as it is a piece of summer escapism. Philip Roth infamously derided it as 'shtetl kitsch’. He might have retracted his comment if he saw Fein’s psychologically streamlined production, now proudly revived and armed with thirteen Olivier nominations.
Industry Pro Newsletter: A Shift in NEA Grants, and the Latest on the Kennedy Center Situation
by Alex Freeman - Feb 18, 2025
This week’s newsletter highlights a range of developments in the theater world, from national funding priorities to local artistic leadership changes and discussions surrounding accessibility. We'll explore the NEA's focus on celebrating America's history through its 2026 grants, celebrate the artistry of makeup and hair designers at the MUAHS Awards, and examine leadership transitions at the Kennedy Center. Additionally, we'll spotlight new artistic directors at regional theaters and share Sir Tim Rice's advocacy for increased surtitles in productions, reflecting a broader conversation about making theater more inclusive and engaging for all.
The DANCE ON CAMERA Festival Announces 2025 Line-Up
by A.A. Cristi - Jan 18, 2025
Dance On Camera and Symphony Space are joining forces to present the 53rd edition of the Dance On Camera Festival, February 21 - 24, 2025. The four-day festival will feature 28 films spanning 13 countries.
Review: CRAZE at Tarragon Theatre
by Ilana Lucas - Nov 29, 2024
Discover CRAZE at Tarragon Theatre, a co-production with Modern Times Stage Company. This play, inspired by 'Who's Afraid of Virginia Woolf?', features a diverse cast and an AI unit named Buddy. Directed by Mike Payette, the show delves into themes of global issues and generational flaws in a modern context.