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Sarasota Opera Announces Casting For The 2019-2020 Season by BWW News Desk
- August 06, 2019 Victor DeRenzi, Artistic Director and Principal Conductor, and Richard Russell, Executive Director, are pleased to announce the casting for the 2019-20 season at Sarasota Opera, welcoming back returning Sarasota audience favorites as well as introducing new artists for their company debuts.
Michigan Opera Theatre Single Tickets On Sale Next Monday by BWW News Desk
- August 05, 2019 Single tickets for Michigan Opera Theatre's (MOT) 2019-20 season will go on sale Monday, Aug. 12. The MOT opera series features a?oeDon Giovanni,a?? a?oeSweeney Todd,a?? a?oeGianni Schicchi/Buoso's Ghost,a?? a?oeChampiona?? and a?oePagliacci.a?? The dance series includes performances by the Joffrey Ballet, Malandain Ballet Biarritz and Dance Theatre of Harlem and concludes with American Ballet Theatre's (ABT) a?oeSwan Lake.a??
BWW Review: IVAN FISCHER AND THE BUDAPEST FESTIVAL ORCHESTRA at The Mostly Mozart Festival by George Weinhouse
- August 05, 2019 One of the joys of attending a concert a where some of the artists are unfamiliar, is discovering new talent. Such occurred in a very big way Sunday evening at one of the concluding concerts of this year's Mostly Mozart Festival at David Geffen Hall. The distinguished Budapest Festival Orchestra under the baton of the accomplished maestro Ivan Fischer played host to a wonderful soprano hitherto unknown to me-Jeanine De Bique.
BWW Review: Am I BLUE at Glimmerglass? You Bet. But There Are Also Some Guilty GHOSTS, and, Oh that Notorious RBG! by Richard Sasanow
- August 02, 2019 A summer's trip to Cooperstown, NY, is for two distinct audiences: Those who come for the Baseball Hall of Fame and those, like me, who come for the opera--the Glimmerglass Festival, under General Director Francesca Zambello, where i caught up with the John Corigliano-William Hoffman THE GHOSTS OF VERSAILLES, the brand-new BLUE by Jeanine Tesori and Tazewell Thompson and a program with Supreme Court Justice (and opera buff) Ginsburg commenting on some of her favorite works.
Austin Opera Announces 2019-2020 Season; RIGOLETTO, EVEREST and TURANDOT by BWW News Desk
- August 02, 2019 Austin Opera today announces its 2019-2020 Season of programming at the Long Center, which includes Verdi's Rigoletto; the company premiere of Joby Talbot and Gene Scheer's Everest, the tale of one of the worst years in the famous mountain's history; and Puccini's final opera, Turandot.
Opera Memphis Announces Second McCleave Fellowship Recipient by BWW News Desk
- August 02, 2019 Opera Memphis announces the second participant in The McCleave Fellowships - Bethania Baray. A first-of-its-kind program launched in 2018, The McCleave Fellowships are designed to identify and nurture emerging artists, directors, and conductors of color in opera and are the second phase of The McCleave Project established by Opera Memphis in 2017.
Heartbeat Opera Announces 2019-2020 Season by BWW News Desk
- July 31, 2019 HEARTBEAT OPERA announces its sixth season, featuring Heartbeat's hottest Drag Extravaganza yet with designer-extraordinaire Miodrag Guberinic riffing on the theme of Mother Earth; and two operatic masterpieces, reimagined, boldly staged, trimmed down, and re-orchestrated: Weber's DER FREISCH?oeTZ and Verdi's MACBETH (retitled LADY M).
Gulfshore Opera Season 6 Brings Exciting Changes And Audience Favorites by BWW News Desk
- July 30, 2019 Gulfshore Opera announces its sixth season with a vibrant new production of La Bohème. As announced this past January, Gulfshore Opera brings its grand-scale opera productions to the Barbara B. Mann Performing Arts Hall in Fort Myers on Wednesday, March 18. The new venue provides Gulfshore Opera the opportunity to bring Puccini's timeless masterpiece to life in a thrilling new production that is sure to wow audiences. A preview performance will be staged at the Charlotte Performing Arts Center Friday, March 13.
Single Tickets For Houston Grand Opera's 2019-20 Season On Sale August 5 by BWW News Desk
- July 29, 2019 Houston Grand Opera (HGO) announces single tickets to the 2019a?'20 season will be available on Monday, Aug. 5 at HGO.org. There is truly something for everyone in HGO's 65th season, which features a diverse set of operas containing epic biblical dramas, love triangles, dangerous curses, heart-filling family narratives, stories of true love, tales of revenge, and whimsical quests.
Elexa Bancroft Named Education Director at Capitol City Opera by BWW News Desk
- July 29, 2019 The Board of Directors of Capitol City Opera Company (CCOC), the only opera company in the Southeast that helps local singers and artists establish their careers, has selected Elexa Bancroft to be the director of the Company's education and outreach programs.
BWW Review: LA BOHEME at Union Avenue Opera by Steve Callahan
- July 29, 2019 Union Avenue Opera is on a roll! Two homers in a row! First their sublime Candide, and now an equally fine production of Puccini's La bohème. Union Avenue knocked them both right into the bleachers, and those of us who were lucky enough to catch one of those prize performances now own a true treasure. I caught La bohème last night and I think I'll have that experience bronzed.
BWW Review: JENUFA at Santa Fe Opera by Maria Nockin
- July 25, 2019 On Wednesday, July 24, 2019, Santa Fe Opera presented Leoš Janáček's powerful dramatic opera Jenůfa. Laura Wilde, a former Santa Fe Apprentice who performed the title role at English National Opera in 2016, again sang the lead while Patricia Racette, who has often sung Jenůfa, portrayed her stepmother, Kostelnička. Both artists gave glorious dramatic interpretations of their roles in this shattering but moving opera.
BWW Review: THE BLACK CLOWN at Mostly Mozart Festival by George Weinhouse
- July 25, 2019 THE BLACK CLOWN, as envisioned by Langston Hughes, is a metaphor for the Afro-American as a figure of entertainment in a white world. It is also a series of verses by Hughes. In this performance piece devised by Davone Tines and Michael Schachter, the clown is examined though the lens of history and given life in a series of impressive vignettes, employing song, acting, and dance. An eclectic mix of music is heard, mainly soul, gospel, Black choral, and spiritual. Various verses of the poem, which is lengthy, are brought to life by the extremely talented performers; some examples follow:
Florentine Opera Company Announces Staffing Changes by BWW News Desk
- July 24, 2019 The Florentine Opera Company celebrates the final bow of their long-time Chorus Master, Scott S. Stewart. General Director and CEO, Maggey Oplinger shared, “We are more than grateful for all of Scott's contributions to the Florentine and wish him the very best as he makes time to pursue a variety of personal and artistic projects. His numerous and inspired musical arrangements and programming ideas have left us all musically richer.”
No Clowning Around for Bass-Baritone Davone Tines in Mostly Mozart's THE BLACK CLOWN by Richard Sasanow
- July 23, 2019 The first time I heard bass-baritone Davone Tinesa--he off the sensual, resonant voice and startlingly vivid stage presence--it was in Handel's ACI, GALATEA E POLIFEMO (described as a spectacular, streamlined, Cliff-Notes version of a Handel opera), at Brooklyn's National Sawdust. Tines wowed me and I thought that I wanted to hear more of him. He opens July 24, 2019 at Mostly Mozart in THE BLACK CLOWN at the Gerald Lynch Theatre of John Jay College, near Lincoln Center.
BWW Review: Mostly Mozart's MAGIC FLUTE versus Teatro Nuovo's STRANIERA, Ingenuity Outdoes Purism by Richard Sasanow
- July 22, 2019 This week's opera performances--Teatro Nuova's LA STRANIERA by Bellini and Mostly Mozart's MAGIC FLUTE--proved that opera can be considered alive and well (and living in New York), as long as those producing it believe in it and give us some voices worth hearing.
JENUFA Receives its Santa Fe Opera Premiere by BWW News Desk
- July 20, 2019 On Saturday, July 20, the Santa Fe Opera will introduce Leoš Janáček's Jenůfa to audiences for the first time in the company's 63 year history. A co-production between Houston Grand Opera, Washington National Opera and the English National Opera, David Alden's production of Jenůfa, now adapted to the Santa Fe Opera's stage, updates the mis-en-scène from an isolated, tight-knit community in 19th-century Moravia to an impoverished industrial section of Soviet-era Czechoslovakia. Alden's staging won the 2007 Laurence Olivier Award for Best New Opera Production when it was produced at the English National Opera, and its 2016 revival there received additional critical acclaim. The Independent gave it a five-star review, headlining it as “brilliantly effective.” The Sunday Times proclaimed, “David Alden's staging…takes this coruscating music-drama a notch higher, turning the screw of the drama inexorably, shatteringly, ultimately movingly. Janáček's uplifting conclusions…is one of the most beautiful 'happy ends' in opera.”
New York City Opera Presents CARMEN in Bryant Park by Sarah Hookey
- July 17, 2019 The final of three extraordinary hour-long performances produced by New York City Opera in Bryant Park this summer, watch passions flare in this adaptation of Carmen, one of the world's most beloved operas.
BWW Review: Gordon-Artman ACQUANETTA is No Grade-B Horror at Bard, Directed by Tony-winner Fish by Richard Sasanow
- July 15, 2019 ACQUANETTA, which just opened at Bard's SummerScape, was the piece that opened 2018's edition of PROTOTYPE festival in New York. Musically and dramatically, written by Michael Gordon, composer (of 'Bang on a Can' fame), Deborah Artman, librettist (ditto), the piece is very much in a class of its own.
Fashion Designer Rei Kawakubo To Design New Opera ORLANDO At Vienna State Opera by BWW News Desk
- July 13, 2019 On 8th December 2019, internationally celebrated American soprano, Constance Hauman, (www.constancehauman.com) will make her Vienna State Opera Debut. She will perform three roles (Queen Elizabeth I, Purity, Friend of Orlando's Child) in the cast of Orlando, a world premiere opera by Austrian composer, Olga Neuwirth, who is the first woman to be commissioned to compose an opera for the Vienna State Opera in over 150 years. Orlando is based on the novel (Published 11th October 1928) by Virginia Woolf. Costumes for the production will be designed by the legendary Japanese fashion designer, Rei Kawakubo, founder of Comme des Garçons fashion empire.
Prototype: Opera I Theatre I Now Announces Eighth Annual Festival by BWW News Desk
- July 10, 2019 With its eighth innovative season in 2020, PROTOTYPE: Opera | Theatre | Now continues its rigorous exploration of the work, producing and presenting an abundance of provocative shows in the interstitial realms between music, operatic tradition, and theatre. This season, Beth Morrison Projects and HERE's meteoric annual festival lands on stages across New York from January 9-18, presenting 6 works by 23 composers and librettists along with hundreds of collaborators - productions ranging from black-box chamber opera to multi-media rock concerts.
Conductor Carlos Miguel Prieto Returns To Carnegie Hall On July 30 by BWW News Desk
- July 09, 2019 Carlos Miguel Prieto, Musical America's 2019 Conductor of the Year, leads the Orchestra of Americas in their annual summer tour, in ten concerts throughout his native Mexico, through August 2, 2019. On June 14, 2019, Prieto's latest album Copland & Chavez: Pan-American Reflections, recorded with the Orchestra of Americas, was released on Linn Records. Also in July, Prieto returns to lead Carnegie Hall's NYO2 initiative, culminating in concerts at the New World Center in Miami, Florida on July 27 and at Carnegie Hall in New York on July 30.
Oliver Beer: Vessel Orchestra Comes to The Met Breuer by BWW News Desk
- July 09, 2019 Oliver Beer: Vessel Orchestra is the first sound-based installation commissioned by The Met. It is a musical instrument, a series of live performances, and an installation composed of thirty-two sculptures, utilitarian vessels, and decorative objects from the Museum collection. Selected for their natural pitches, which range from low C to high G on the chromatic musical scale, they form an arresting and unexpectedly versatile instrument, similar to an organ with multiple pipes.