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UK / West End Opera News Coverage

The latest news on performances of Opera in UK / West End.

Review: ALCINA, Royal Ballet And Opera Interview

Review: ALCINA, Royal Ballet And Opera

by Franco Milazzo — September 17, 2026

Returning to Covent Garden for the first time since it waltzed off with an Olivier in 2022, Richard Jones’ Alcina is ravishing to look at, a joy to hear and its clever design motifs still stand out from the crowd.

Review: DON GIOVANNI, Royal Ballet And Opera Interview

Review: DON GIOVANNI, Royal Ballet And Opera

by Cheryl Markosky — September 12, 2026

A visually compelling Don Giovanni from Royal Ballet & Opera, with a superb set by Es Devlin and memorable star turn by Aigul Akhmetshina as Donna Elvira.

Review: BBC PROMS: ARIADNE AUF NAXOS, Royal Albert Hall Interview

Review: BBC PROMS: ARIADNE AUF NAXOS, Royal Albert Hall

by Louise Penn — August 20, 2026

This production, direct from Glyndebourne, is a delight from start to finish, with laughter and glorious voices leading to a true emotional climax to send us soaring into the summer night.

Review: ARIADNE AUF NAXOS, Glyndebourne Festival Interview

Review: ARIADNE AUF NAXOS, Glyndebourne Festival

by Aliya Al-Hassan — July 20, 2026

Richard Strauss's opera within an opera, Ariadne aux Naxos, is a curious beast: a hybrid of spoken word and singing, a mix of musical influences and themes which ask whether high art can ever mix with popular entertainment.

DON GIOVANNI to Open The Royal Opera's 2026/27 Season Interview

DON GIOVANNI to Open The Royal Opera's 2026/27 Season

by Stephi Wild — July 14, 2026

The Royal Opera will open its upcoming season with Kasper Holten's production of Mozart's DON GIOVANNI, featuring Gordon Bintner, Rachel Willis-Sørensen, and Aigul Akhmetshina, alongside three House debuts.

Review: EUGENE ONEGIN, The Grange Festival Interview

Review: EUGENE ONEGIN, The Grange Festival

by Aliya Al-Hassan — July 05, 2026

Love, jealousy, arrogance, death and rejection, Tchaikovsky's opera Eugene Onegin has all the trappings of a grand opera, but in essence is a simple story.

Review: LA BOHÈME, Royal Ballet And Opera Interview

Review: LA BOHÈME, Royal Ballet And Opera

by Cheryl Markosky — July 02, 2026

On the opening night of director Richard Jones's excellent production of Giacomo Puccini's La bohème, England's captain, Harry Kane, leads his team to the last 16 after scoring two goals against the Democratic of Congo in the World Cup.

Review: I PURITANI, Royal Ballet And Opera Interview

Review: I PURITANI, Royal Ballet And Opera

by Franco Milazzo — July 02, 2026

Thirty-four years is a long time to leave an opera in the attic, and I puritani has spent most of that period gathering dust for good reason.

Review: BILLY BUDD, Glyndebourne Interview

Review: BILLY BUDD, Glyndebourne

by Aliya Al-Hassan — June 29, 2026

It is 75 years since Benjamin Britten's Billy Budd first appeared on stage: a collaboration between himself and novelist EM Forster to adapt Herman Melville’s novella.

Review: IL TURCO IN ITALIA, Glyndebourne Interview

Review: IL TURCO IN ITALIA, Glyndebourne

by Aliya Al-Hassan — May 26, 2026

Il Turco In Italia may not be Rossini's most famous work, but if there is any justice, this wonderful revival of Mariame Clément's 2021 Festival production will bring this opera to much wider attention.

Review: TOSCA, Glyndebourne Interview

Review: TOSCA, Glyndebourne

by Aliya Al-Hassan — May 22, 2026

Tosca is Giacomo Puccini's fast-paced thriller of an opera; brimming with tension and political intrigue.

Review: SAMSON ET DALILA, Royal Ballet And Opera Interview

Review: SAMSON ET DALILA, Royal Ballet And Opera

by Michael Higgs — May 14, 2026

This revival of Richard Jones’s 2022 production of Samson et Dalila excels on a musical level with spectacular performances by Aigul Akhmetshina as Dalila and SeokJong Baek as Samson.

Review: JETTE PARKER ARTISTS: TALES OF LOVE AND LOSS, Royal Ballet And Opera Interview

Review: JETTE PARKER ARTISTS: TALES OF LOVE AND LOSS, Royal Ballet And Opera

by Louise Penn — May 02, 2026

Ana Inés Jabares-Pita's set feels familiar and clearly defines time and place: The Departure remains in the 1960s; Making Arrangements moves into the 1970s, where a woman could choose to live independently; Four Sisters is in the materialistic 1980s, where 'greed is good'.



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