Shaped by Black musical traditions, European theatrical forms, and immigrant cultures, the Broadway musical emerged in the twentieth century as a visceral embodiment of the American melting pot. In Broadway in Black and White, conductor and historian John Mauceri―together with linguist and cultural commentator John H. McWhorter―presents a dazzling history of collaboration between Black and white artists in the American musical theater. Moving from ragtime and operetta through Show Boat and Shuffle Along to The Lion King, Ragtime, and Hamilton, Mauceri reveals how Broadway’s social and political influence extends far beyond artistic achievements and commercial successes. Incisive, deeply personal interludes by McWhorter offer a parallel perspective on the American musical as a testament to cultural exchange.