Theater History Books

By David Mamet, with illustrations by David Mamet. The author " shares scandalous and laugh-out-loud tales from his four decades in Hollywood where he worked with some of the biggest names in movies." Audiobook narrated by Jim Frangione. 256 pages.

By Arnold Aronson. Looks at the history of theatrical scenography by examining the work and contributions of fifty set, costume, lighting, and projection designers since the Renaissance ... including opera, dance, Broadway and West End commercial theatre, avant-garde performance, and even Olympic spectacles. Each chapter features one designer, with basic biographical information and a discussion of that artist's style, aesthetics, and contributions. 330 pages.

By Sean Mayes. Unveils the untold stories and perspectives of artists of color shaping the stage today, through interviews drawn from Broadway and regional productions, including André De Shields, Alex Lacamoire, Baayork Lee, and many more. 168 pages.

A comprehensive study of this 1950 motion picture, from start to finish and after its release. The authors discuss in detail the contributions of the cast (which included Gloria DeHaven, Eddie Bracken, Phil Silvers, and Marjorie Main), the director (Charles Walters), the producer (Joe Pasternak), the script writers (George Wells and Sy Gomberg), the songwriters (which included Harry Warren and Mack Gordon), and top MGM executives (Louis B. Mayer and Dore Schary). Features extensive interviews, ...

An account of stage musicals' engagement with historically significant theories about mental distress, illness, disability, and human variance in the United States. Shows how theater dramatized serious medical conditions and social problems. Among the many Broadway productions discussed are Next to Normal, A Strange Loop, Sweeney Todd, Man of La Mancha, Dear World, Anyone Can Whistle, Gypsy, Oklahoma!, and Lady in the Dark.

Series of photographs by Simon Annand behind the scenes in London theaters, capturing actors before they go on stage. Foreword by Cate Blanchett. 256 pages.

Pop history of audiences through the ages. Walks us through the different types of audiences and the history of their changing behaviors, what science has to say about how our brains respond to what we experience, how technology will continue to shape audiences, and why, during COVID-19, people risked a deadly virus to be part of a crowd. Drawing on perspectives from critics, performers, scholars, and many others. 256 pages.

Interlocking story of the lives and careers American songbook interpreters Bing Crosby, Billie Holiday, Frank Sinatra, Ella Fitzgerald, Judy Garland, and Barbra Streisand. 384 pages.

Chronicles Cohen's decade-long quest to bring No Way to Treat a Lady to the stage–writing, re-writing, and shepherding it across the US and Europe amidst all manner of adversity and plain rotten luck. A portrait of passion, persistence, and resilience. Cast of characters includes an Oscar-winning screenwriter who invites Cohen to his personal screening room for a marathon midnight writing session; a Tony Award-winning director making his comeback after a horrific accident renders him a quadripl...

The early drama of Eugene O’Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O’Neill’s dramatic writing—changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism--theater artists of color have used O’Neill’s texts to raze barriers in American and transatlantic theater.

About the creation of the musical that opened at the Manchester Opera House in February 2020, music and lyrics by Alan Silvestri and Glen Ballard and a book by Robert Zemeckis and Bob Gale (adapted from their original screenplay). Pairs exclusive, in-depth interviews with previously unpublished photography; excerpts from Bob Gale's personal journal; and a foreword by Gale to reveal and detail the years long process, and the creative ingenuity and technical innovation. 224 pages.

Gives his account of how Evita, Cats, Starlight Express, Les Misérables, The Phantom of the Opera, Chess, and Miss Saigon changed the business of musical theater in the 1980s. With insightful, personal stories from cast members, set designers, musical supervisors, dancers, lighting designers, production managers, singers, and choreographers ... and the backstage drama, production nightmares, and financial woes that threatened to derail the shows at multiple points. 268 pages.

Chronological review of the long journey to bring the culture of gay men and women onto the American stage. From the genteel female impersonators of the 1910s to the raucous drag queens of La Cage aux Folles, from the men of The Normal Heart to the women of Fun Home, and from Eva Le Gallienne and Tallulah Bankhead to Tennessee Williams and Nathan Lane .. chronicles the plays and people that brought gay culture to Broadway. 240 pages.

Chronicles the development of dance, with an emphasis on musicals and the Broadway stage, in the United States from its colonial beginnings to performances of the present day. 304 pages.

Lavishly illustrated hands-on account of the creation of new theatre spaces spanning a century. A compelling history that is part memoir, part impassioned call to rethink the design of our theatre spaces and the future of live theatre. 256 pages.

An exploration of the cultural impact of Blanche DuBois, examining Tennessee Williams's most enduring creation through the performances of seven brilliant actresses who have taken on the role: Jessica Tandy, Vivien Leigh, Ann-Margret, Jessica Lange, Patricia Clarkson, Cate Blanchett, and Jemier Jackson. Exploring themes of womanhood, sexuality, mental illness, and the idealized South, Blanche is an engrossing cultural history of a rich and complex character that sheds light on who we are. Photo...

. "... argues that Sondheim firmly belongs to the Broadway aspirational tradition, in that many of his characters are defined by their dreams: to abandon one's dream (as Ben does in Follies, Frank does in Merrily We Roll Along, and Addison does in Road Show) is to lose one's soul. 192 pages.

Examines the careers of seven award-winning playwrights: David Adjmi, Julia Cho, Jackie Sibblies Drury, Will Eno, Martyna Majok, Dominique Morisseau and Anna Ziegler. Covering all their plays, including several as yet unpublished, nothing their critical reception while drawing on their own commentary on their approach to writing and the business of developing a career. 256 pages.

Explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. Asks/answers "Why did A Chorus Line, a show that sought to individuate dancers, inevitably make them indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf ...

In-depth look into the rise of the 1921 Broadway hit, Shuffle Along, the first all-Black musical to succeed on Broadway, with a score by Noble Sissle and Eubie Blake. Book by F. E. Miller and Aubrey Lyles. The story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance. 512 pages.

"Diving deep into Hammerstein’s life, examining his papers and his lyrics, critic Laurie Winer shows how he orchestrated a collective reimagining of America, urging it forward with a subtly progressive vision of the relationship between country and city, rich and poor, America and the rest of the world. His rejection of bitterness, his openness to strangers, and his optimistic humor shaped not only the musical but the American dream itself. His vision can continue to be a touchstone to this day...

"The Wonderful Wizard of Oz" (1900) by Frank L. Baum has served as the basis for some of the most popular musicals on stage and screen. Show by show, Bunch highlights the forms and conventions of musical work as practiced in its time and context–such as the turn-of-the-century extravaganza, the classical Hollywood film musical, the Black Broadway musical of the 1970s, and the twenty-first-century mega-musical. He then shows how the journey of each show teaches participants and audiences somethi...

Personal collection of interviews with the late Stephen Sondheim, conducted in the last years of the artist's life (unedited from the February 22 New Yorker article). Audio versions narrated by Christopher Grove and Keith Sellon-Wright. 240 pages.

Detailed history of one of the most beloved American murder-mysteries and comedies, Joseph Kesselring's Arsenic and Old Lace. Follows the actors, both on the stage and on the screen, as they handle the demands of the roles and behind-the-scenes relationships. 168 pages.

Celebrating the 50th anniversary of Pippin. Dives deep into the legendary clashes, backstage drama, and incredible artistic synergy. An examination of the creative struggles between Pippin's director/choreographer, the iconic Bob Fosse, and Stephen Schwartz.

By Janet Langhart Cohen, who wrote the play Anne & Emmett, which has been performed across the U.S. since 2007 (the play is also being published in paperback and Kindle format). An effort to reveal how some of the people the author has known and the seminal events she experienced enabled her to link together, in an imaginary conversation, the seemingly disparate lives of Anne Frank and Emmett Till, two iconic figures who were murdered by societies that couldn’t protect them.

Looks at American history as depicted in forty Broadway musicals. Categories include: biographies of famous Americans, (Andrew Jackson and Fiorello LaGuardia), stories with national conflicts (Hamilton, South Pacific), events that captured the attention of the American public (Floyd Collins, Newsies), and sociological studies or satires of specific eras (The Music Man, Hair). Approaches American history from two vantage points: the point of view of the playwright and composer accompanied with t...

Good Morning, Olive (named for one of the most beautiful and temperamental of Broadway's ghosts) is about the ghosts that haunt theatres in New York and around the world. 288 pages.

The author brings to life the origins of this classic show, the music behind it, and the unlikely story of its creator. Interweaving behind-the-scenes accounts of people who worked with Willson, Cabaniss looks at his long and unusual career as a composer, conductor, radio personality, and flutist. 208 pages.

Chronicles the unlikely phenomenon of Little Shop of Horrors, the musical by Howard Ashman and Alan Menken. Looks at the creation of the musical and its place in the contemporary musical theatre canon and examines its afterlives and wider cultural context. Told through archival research and eyewitness accounts, with extensive use of Ashman's personal papers, offering a unique and inspiring study of one of musical theatre's greatest talents. 256 pages.

Insider's view of Stephen Sondheim and James Goldman's musical, Follies. New afterword brings the history of the show forward, diving into recent productions around the world, new recordings, and the continued promise of a film version.

Showcases contemporary U.S. set design by engaging designers with one another, pairing dialogue and imagery from varied experiences and practices. The conversations include designers (30 in all) who are commercially successful, artistically successful, and those who have existed on the fringes of the theatre world whose work is not necessarily definable, and therefore not as visible. 268 pages.

Traces the development of yellowface in the U.S. context during the Exclusion Era (1862–1940), when Asians faced legal and cultural exclusion from immigration and citizenship. Examines a wide-ranging set of primary sources, including makeup guidebooks, play catalogs, advertisements, biographies, and backstage anecdotes, providing new ways of understanding and categorizing yellowface as theatrical practice and historical subject. 296 pages.

Surveys every single book musical that opened during the decade. Each musical has its own entry which features: Plot summary; cast members; creative team; song lists; opening and closing dates; number of performances; critical commentary; film adaptations, recordings, and published scripts, when applicable. Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; publ...

Comprehensive guide to the unique genre of the jukebox musical, delving into its history to explain why these musicals have quickly become beloved for multiple generations of theatergoers and practitioners.

Gathers sixty years of essays, speeches, and manifestos by the founding mother of the resident professional theatre movement. Topics such as: The Institution as Art-Work, the Profit in NonProfit, Race and a Deepening Aesthetic, and Creativity and the Public Mind. Also includes intimate portraits of artists with whom Fichandler frequently collaborated and director's notes from the major productions that defined her vision. 320 pages

Celebrates the pioneers of Black British theatre, beginning in 1825, when Ira Aldridge made history as the first Black actor to play Shakespeare's Othello in the United Kingdom, and ending in 1975 with the success of Britain’s first Black-led theatre company.

The author introduces Broadway, once upon a time ... taking the reader through a decade's worth of adventures, working his way from a menial pencil sharpener for producer David Merrick toward a career as a full-fledged manager, producer, and drama critic. The book follows the author's progress from the wintry night after his sixteenth birthday, when he unexpectedly finds himself alone on the empty stage of a Broadway theatre, peering out at the silent, empty auditorium lit only by a solitary gh...

First book devoted to the musicals that Darryl F. Zanuck produced at Warner Bros., Twentieth Century Pictures, and Twentieth Century Fox. Spotlights how he placed his personal imprint on the genre and how he nurtured and showcased several blonde female stars who headlined the musicals, including Shirley Temple, Alice Faye, Betty Grable, Vivian Blaine, June Haver, Marilyn Monroe, and Sheree North. 320 pages.

In-depth and original study of actor, playwright, director, librettist, play doctor, and producer George Abbott, examining 100 productions. Each chapter examines a period of creativity in his life. 272 pages.

More than 200 publicity stills and photos of some of America's first "It" girls—silent film-era starlets. Accompanying these iconic images are the stories behind them, including accounts from surviving Ziegfeld Girls, as well as ads featuring them.

Routledge Research in Music series. Draws on extensive archival research with original manuscripts to provide a detailed account of the process of orchestration for West Side Story and Gypsy, and their context in the history of Broadway orchestration. Breaking down how the two composers, Leonard Bernstein and Jules Styne, collaborated with orchestrators Sid Ramin, Irwin Kostal, and Robert Ginzler to better understand both these two iconic shows and the importance of orchestration within musical...

Broadway Legacies series. First full scale book about the career of the director-choreographer Tommy Tune (Grand Hotel, My One and Only, Nine, The Best Little Whorehouse in Texas, A Day in Hollywood/A Night in the Ukraine, The Will Rogers Follies). "Celebrates and examines with a critical eye his major projects, and summons for readers a glorious period of dance, performance, and theatrical imagination." 288 pages.

Examines choreography for musical theatre through the lens of dance studies, script analysis, movement research and dramaturgical inquiry ... the choreographic systems of some of Broadway's most influential dance-makers including George Balanchine, Agnes de Mille, Jerome Robbins, Katherine Dunham, Bob Fosse, Savion Glover, Sergio Trujillo, Steven Hoggett and Camille Brown. 232 pages.

Selected theatre reviews from 1992 to 2020 ... starting each chapter is a brief commentary on the developments of that era and the social, political and cultural context within which this theatre was being produced. Also included are key obituaries and letters in response to reviews written.

Comprehensive book on the subject, as related by award-winning actors and designers, and firsthand by the drapers, tailors, and craftspeople who make the clothes that dazzle on stage. ".. shows that there is as much drama behind the scenes as there is in the performance: famous actors relate their intimate experiences in the fitting room, the glories of gorgeous costumes, and the mortification when things go wrong, while the costume makers explain how famous shows were created with toil, tears,...

Illuminates the work of New York City's theater technicians, shining a light on the essential contributions of unionized stagehands, carpenters, electricians, sound engineers, properties artisans, wardrobe crews, makeup artists, and child guardians. Based on the author's (a former theater technician herself) archival research and interviews with more than 100 backstage technicians, members of the New York locals of the International Alliance of Theatrical Stage Employees.

In this long-awaited memoir, dancer and choreographer John Clifford offers a highly personal look inside the day-to-day operations of the New York City Ballet and its creative mastermind, George Balanchine. Balanchine’s Apprentice is the story of Clifford―an exceptionally talented artist―and the guiding inspiration for his life’s work in dance.

When Robert McCrum began his recovery from a life-changing stroke, described in My Year Off, he discovered that the only words that made sense to him were snatches of Shakespeare. Unable to travel or move as he used to, McCrum found the First Folio became his ‘book of life’, an endless source of inspiration through which he could embark on ‘journeys of the mind’, and see a reflection of our own disrupted times.

The full history of the British musical, from The Beggar's Opera (1728) to the present, with an interest in isolating the unique qualities of the form and its influence on the American model. Covers not only the shows and their authors but the personalities as well.