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Melissa Hall has been reviewing live theater since 2006. She lives in Indianapolis and enjoys the city's thriving local arts scene. She is a member of the American Theatre Critics Association and serves on its Steinberg/New Play committee. She is also an associate board member of the Indianapolis Shakespeare Company. She loves to travel and has been to 41 states and 16 countries. When she's not at the theatre, she can either be found at home with her husband, daughters, and dog or at her job, running a magazine for a state association.
Do you think you know the story of Frankenstein? Do you picture a green-skinned creature with bolts in his neck? The true story is less about the monster than it is about its creator and this adaptation looks closely at the writer behind the story. It's a tale of man's hubris and catastrophic guilt and how very human those things are.
Bard Fest, Indy's only annual Shakespeare Festival, is producing the epic two-play cycle of Tony Kushner’s Pulitzer-prize-winning Angels in America. They will present Part One - Millennium Approaches and Part Two - Perestroika in rotation throughout the month. In anticipation of its landmark June premier, some of the cast of Angels in America (AIA) answered some questions about the show.
If you want to be reminded of the magic of theater, take a young child to see their first show. It’s nothing short of exhilarating to see their face light up when a story comes alive in front of them. Beef & Boards Dinner Theatre’s current production of Beauty and the Beast pulls out all the stops. This show is the perfect example of the theater doing what it does best and it’s one of the finest shows I’ve seen there in years.
American Lives Theatre (ALT) closes its strong season with Predictor at the Phoenix Theatre. On the surface, it’s the story of one woman’s fight, but underneath that, the heart of the play lies in the friendship, determination, generational legacy, and so much more that help drive Meg Crane. In the 1960s she invented the home pregnancy test. This is her story and it should’ve been told decades ago. I’m so grateful to playwright Jennifer Blackmer and ALT for sharing it with us now.
If you love dancing, have I got a show for you! An American in Paris is on stage for the first time at Beef & Boards Dinner Theatre. Many will recognize the story from the Oscar-winning 1951 film of the same name. The familiar Gershwin score and songs are lovely and “They Can’t Take That Away From Me” is a particularly beautiful moment in the show.
Shakespeare's Will is a one-woman show about the Bard's wife. At a brisk 90 minutes, the show covers a lot of ground. The famous playwright leaves grief in his wake, but Anne Hathaway was a woman with her own story.
What did our critiA one-woman show starring two of Indy’s finest leading ladies, Wild Horses is a fascinating concept with a big payoff. Constance Macy and Jen Johansen rotate nights for their performances in the coming-of-age story. The one-act play flies by because it feels like chatting with an old friend who’s regaling you with stories from her past. From first crushes to alcohol concoctions only the underaged would dare to drink, the show captures the electric, reckless feel of youth.c think of WILD HORSES at Phoenix Theatre?
Empathy is often in short supply when it comes to how we feel about people on the opposite side of the political divide. Heroes of the Fourth Turning, a Pulitzer-prize finalist, explores that tricky topic in an intense and memorable way. The show is perfectly in line with American Lives Theatre’s mission to provide provocative and entertaining plays to Indy.
Clue, the classic whodunit farce, kicks off Beef and Boards Dinner Theatre's 50th anniversary season. The mystery show takes the famous board game and film and turns it into a play. Each character is given a weapon and a motive and the murders begin. Eddie Curry directs the fast-paced production and keeps the actors as close to their movie counterparts as possible.
Broadway Across America does big musicals well. Obviously, the trend of movie-to-musical has touched every genre, but Disney musicals tend to translate well in that medium. Aladdin is no exception. Everything is big, bright, sparkling, and bursting with color. The special effects don’t disappoint. There are lightning-fast costume changes and spectacular sets. The Cave of Wonders is particularly impressive.
The story resonates with any artist who has questioned their future. By the end, you feel like you're part of the tight-knit trio as they navigate the difficult passage from their 20s into the next inevitable stage.
What did our cOne of the highlights of this year‘s Bard Fest is the rarely-produced King John. There are whispers of other Shakespeare plays echoing in the heartbreaking history All the classics are there but presented in a show that’s often overlooked. There are warring families, devious brothers, and vindictive paranoid monarchs, all grasping at power with greedy fingers. ritic think of KING JOHN at Shelton Auditorium?
The show is a beautiful reminder of what we all love about theater. When the show ends, the discussion begins.
Mary Poppins, the classic story of a practically-perfect nanny who comes to care for the neglected Banks children is on stage now at Beef and Boards Dinner Theatre. It’s a perfect show for families with young kids to enjoy. Statues come to life and kites are flown as the characters learn the timeless lesson of remembering what’s truly important in life.
High school is a different world from what many of us experienced growing up. Now, social media is an integral part of life and that fact is evident from the scrolling feeds presented on the hanging panels of the Dear Evan Hansen set. The story of a community coping with the suicide of a teenage boy took Broadway by storm when it premiered in 2016. It helped people feel seen and connected in a time when suicide and hopelessness run rampant in our society.
Two years ago this play, The Paper Dreams of Harry Chin, was deep in rehearsals at the Indiana Repertory Theatre. It was set to open in March 2020… and then the world shut down. Miraculously, the entire original cast has returned for this production.
If the name didn’t give it away, this is not your average Beef & Boards production. The Broadway hit roars onto the stage with drag queens in stiletto heels and a whole lot of sass. Based on a true story, the musical’s message of accepting people for who they are is more timely than ever.
The Indianapolis Repertory Theatre is heating up these cold snowy days with a sci-fi classic. Fahrenheit 451 is on stage until Feb. 20 on the OneAmerica MainStage. One would hope that this play would become irrelevant in our world, but unfortunately, it’s more important than ever.
Have we ever needed a return to this cozy tradition more? The familiar landscape of fake snow and glowing lanterns welcomes new and old audiences to the Indiana Repertory Theatre's A Christmas Carol. There are many new elements in the production this year giving it a fresh feel, full of hope and promise.
The finale of this year’s bard fest is Elizabeth Rex, a play based on the true story of the execution of the Earl of Essex, the Queen’s lover, for treason. This fictionalized account takes us into a barn holding Shakespeare and his players on the eve of the execution. They receive a visit from the Queen on this pivotal night in her rule.
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