Melissa Hall - Page 3

Sweeney Todd is a deliciously dark musical that tackles a revenge story worthy of The Count of Monte Cristo. The content is not for the faint of heart, but the Stephen Sondheim musical is a classic for a reason.

Lovers of theatre can usually remember their first introductions to the stage. Whether it's a school performance or a professional one, those earliest shows leave an impression. The Indiana Repertory Theatre's current offering, Elephant & Piggie's 'We Are in a Play!', is a delightful way to make theatre accessible for kids as young as 3. The show begins with listening rules for kids, who are on the floor in storytime seating. The relaxed style takes away the intimidation that some people can associate with professional theatre.

It was freezing outside, but School of Rock was heating up Clowes Memorial Hall last night. The Broadway Across America production is based on the 2003 movie of the same name. The musical stays close to that version, but comes alive in a different way. The plot focuses on Dewey, who is a bit of an immature loser. He thinks his band will make it big any day now, but doesn't really have a backup plan. When he finds himself substitute teaching a group of precocious kids he's surprised to find a new passion. The show doesn't really get moving until he meets the kids and discovers they love music as well.

Real life isn't easily split into two categories, comedy and drama. It's a mixture of joy and grief, often at the same time. Every Brilliant Thing captures that perfectly. The one-man show tells the story of an unnamed man whose mother tried to commit suicide multiple times. In an effort to show her all the things she has to live for, he begins a lifelong list of brilliant things when he's only 7 years old.  

Sonia and Vernon are a classic case of opposites attract in Beef & Boards' season opener They're Playing Our Song. The romantic comedy is great for anyone feeling nostalgic for the late 1970s. The decade specific choreography and costumes play such a prominent role, it's hard to imagine the story at any other time.

As one might be able to guess from the title, The Mutilated is not a holly jolly Christmas story. The Tennessee Williams play is set in New Orleans and follows two frenemies who cross paths on Christmas Eve. The pair, Trinket and Celeste, are both broken souls with their own secrets. Gigi Jennewein plays Trinket, a wealthy woman with an unknown mutilation. She's fragile and desperate for affection. Celeste is her polar opposite. Played by Beverly Roche, the shoplifting alcoholic is brash and constantly angling to manipulate those around her.

Tucked away in the newly renovated space behind the 924 Gallery downtown is the new gorgeous Cabaret. The space, formerly a warehouse and then a roller skating rink, is now a beautiful gem. Intimate tables sit close to a stage that hosts stars straight from Broadway. The theatre moved into its new location in April and the result is unbelievable. The Jazz Kitchen designed a menu with cocktails, starters and entrees perfect for any evening. If you haven't been to the new Cabaret yet, what are you waiting for? 

Education and race: there aren't too many issues that are more divisive in our country at the moment. The Indiana Repertory Theatre's current Upperstage production, Pipeline, tackles them both. The 90 minute play keeps a frantic pace as Nya, a public school teacher, finds out her teenage son has gotten into a fight at his private school.  

Don Quixote, the infamous errant knight questing to save those in need and fighting windmills because he sees giants in their frames. He is a familiar character to most of us. Man of La Mancha is a classic musical inspired by the Spanish story. Beef & Boards' current production of the show features Disney royalty in the titular role.

Three men claiming to be Sherlock Holmes are being held in an asylum on an island. The famous detective's trusty sidekick, Dr. Watson, must make his way to the remote isle to identify the true Sherlock. The Indiana Repertory Theatre's season opener is a twisty mystery that keeps you guessing until the final moments. It takes a minute for the show to hit its rhythm, but it's worth settling in to wait and see how the identities are revealed.  

Bright Star is a bluegrass musical with a big heart. Written by banjo-playing renaissance man Steve Martin and Edie Brickell, the show is set in the hills of North Carolina in the 1940s with flashbacks in the 1920s. It is at times playful and at others steeped in nostalgia. There's a large ensemble cast with a full bluegrass band onstage providing live music. The set is simple, with movable pieces on wheels and straightforward staging. The result is an absolutely delightful show.

The Lion King is one of the epic Broadway shows that everyone should see at least once in their life. It's also one of the few stage productions based on a Disney movie that actually works. They never make the mistake of many movie-to-stage adaptations: sacrificing the heart of the story for the spectacle. It is a huge production. From Pride Rock to an elephant graveyard, the sets are so creative.

Six week after giving birth I braved the outside world with my daughter for the first time completely on my own. We went to a breastfeeding support group at a local hospital. I was completely overwhelmed, sleep-deprived and somehow managed to get lost in the winding corridors. The adventure ended with me in tears in an elevator. I don't often share personal details here, but the Phoenix Theatre's production of Cry It Out hit close to home for me.

In 1956 Elvis Presley, Jerry Lee Lewis, Johnny Cash, and Carl Perkins spent one evening jamming together at Sun Studios. The group was referred to as the 'Million Dollar Quartet' and the recording became famous. Years later a musical was made to commemorate that famous night and the show is on stage now at Beef & Boards Dinner Theatre.

When the Theatre on the Square closed the Indy theatre community couldn't help but worry and speculate about what would happen next. It breathed a collective sigh of relief when the building was saved. Now named The District Theatre, the Mass Ave space opens its doors with the musical Forbidden Broadway.

There's a new theatre company in town and its inaugural production is not to be missed. Summit Performance Indianapolis, co-founded by Lauren Briggeman and Georgeanna Smith Wade, opened Silent Sky at the Phoenix Theatre this past weekend. The play by Lauren Gunderson tells the true story of the astronomer Henrietta Leavitt who worked at the Harvard Observatory in the early 1900s. It is an astonishing piece of theatre. 

Here's the premise, it's 1963 and the night before three soldiers are about to be shipped off to Vietnam. They've decided to hold a dogfight, a marine tradition where each guy tries to find the ugliest date possible. The winner takes the pot and the girl is never the wiser. Eddie Birdlace (Patrick Dinnsen) meets Rose, a waitress who he decides will work in a pinch, unfortunately she's more than he bargained for.

'Womanhood shouldn't always mean motherhood.' The line from Tom Horan's new play about the invention of the birth control pill is sure to start some interesting conversations. Horan is the Phoenix Theatre's playwright-in-residence and this is the world premiere of The Pill. The show is performed by an all-female quintet of characters, including the infamous Margaret Sanger.

What do you do when an author dies before his work is finished? You make it into a 'choose your own adventure' musical of course! Audience goers get the rare experience of choosing not only the murderer, but also which lovers end up together and who plays the detective in the Actors Theatre of Indiana's production of The Mystery of Edwin Drood. Charles Dickens never had the chance to let readers know how he would've wrapped up the novel, but now we can all try our hand at solving the mystery.

Indiana Repertory Theater closes its season with the slamming of the door, or rather many slamming doors, in Noises Off. I'll admit that farces don't tend to tickle my funny bone, but this one is an exception to the rule. It rises above the general stereotype of mistaken identities and slapstick (though there is plenty of both) by adding another brilliant layer. It is a play within a play, three acts and two intermissions packed with nonstop humor.