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Cindy Marcolina - Page 22

Cindy Marcolina

Member of the Critics' Circle (Drama) with a master's in dramaturgy. Also a script reader and huge supporter of new work. @Cindy_Marcolina on X; cindymarcolina.bsky.social on BlueSky

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Latest Articles

Review: REMYTHED, VAULT Festival

Review: REMYTHED, VAULT Festival

March 8, 2023

ReMythed zhuzhes up a series of fables, giving it a queer spin, to put what many consider “modern concepts” in perspective and combating LGBTQ+ erasure.

Review: RAT KING, VAULT Festival

Review: RAT KING, VAULT Festival

March 3, 2023

A perplexing romanticisation of poverty and class divide with a stunning central performance by Jacob Wayne-O’Neill.

Review: THE LONG RUN, VAULT Festival

Review: THE LONG RUN, VAULT Festival

March 2, 2023

Directed by VAULT Festival’s Head of Programming Bec Martin in her directorial debut, the play is dark in humour but not in atmosphere.

Review: SNAIL, VAULT Festival

Review: SNAIL, VAULT Festival

March 2, 2023

Bebe Sanders’ latest play is a naturally flowing monologue that ambles comedy, satire, brutal honesty, and allegory.

Review: RIGHT OF WAY, VAULT Festival

Review: RIGHT OF WAY, VAULT Festival

February 24, 2023

Created alongside Susannah Bramwell and Nina Fidderman (respectively credited as creative producer and associate artist), Right Of Way is emotionally intelligent and poignant.

Review: I WAS A GERMAN, VAULT Festival

Review: I WAS A GERMAN, VAULT Festival

February 23, 2023

When Brexit went from theory to reality, Clare Fraenkel looked into her German heritage and found out she was entitled to a German passport.

Review: ROMEO AND JULIE, National Theatre

Review: ROMEO AND JULIE, National Theatre

February 22, 2023

Owens scratches the surface of Welsh underdevelopment and economic deprivation, going as far as giving Julie a perfunctory invective against posh kids, but refraining from digging deeper into the issues.

Review: THE BEACH HOUSE, Park Theatre

Review: THE BEACH HOUSE, Park Theatre

February 21, 2023

In a landscape dominated by a dearth of lesbian stories, it’s refreshing to find one that doesn’t deal with sexuality at all, but focuses on the negotiations of parenthood and the complications of personal connections.




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