BWW Review: SAND IN THE SANDWICHES, Theatre Royal Haymarket
Edward Fox stars in the one-man tribute to Great Britain's most acclaimed Poet Laureate John Betjeman.
Cindy Marcolina - Page 57
Show-stopping Sugary Goodness At WEST END BAKE OFF 2017
On a (thankfully) sunny Saturday afternoon, the thespians who usually inhabit London theatres turned bakers for the day.
BWW Review: 5 GUYS CHILLIN', King's Head Theatre
Peter Darney brings back his highly acclaimed and disturbingly honest 5 Guys Chillin' to King's Head Theatre.
BWW Review: BLUSH, Soho Theatre
Five people face the shame that comes with being exposed in the digital age: a woman dealing with her younger sister's sex tape being published; a father coming to terms with his daughter's sexuality and his relationship with porn; a scorned woman's revenge on an ex-boyfriend; an app developer's fa
BWW Review: LETTICE AND LOVAGE, Menier Chocolate Factory
Lettice Douffet (Felicity Kendal), a tour guide at Fustian House, has inherited her mother's penchant for theatricality.
BWW Review: LIVING A LITTLE, King's Head Theatre
In a zombie-raided Scotland, best friends Paul (Paul Thirkell) and Rob (Finlay Bain) have found refuge in an abandoned flat.
BWW Review: NO PLACE FOR A WOMAN, Theatre503
At the end of World War Two, Annie (Ruth Gemmell) and Isabella (Emma Paetz) are being interviewed in Poland by the Allied forces.
FAVOURITE SONGS: 'See I'm Smiling', THE LAST FIVE YEARS
The Last Five Years recounts Cathy and Jamie's five-year long relationship.
BWW Review: BRIMSTONE AND TREACLE, The Hope Theatre
Dennis Potter's 1976 work finds new life with Matthew Parker.
BWW Review: PAPER HEARTS, Upstairs At The Gatehouse
Even the toughest heart of stone will turn into a paper heart with Liam O'Rafferty's new musical.
BWW Review: ROMEO AND JULIET, Union Theatre
Andy Bewley directs Joe Mackenzie's mostly disappointing but highly energetic adaptation of Shakespeare's tragic tale.
BWW Review: ALL OUR CHILDREN, Jermyn Street Theatre
Set in a Nazi-dominated Germany in 1941, Stephen Unwin's debut play is an affecting examination of humanity, hypocrisy, and morality.
BWW Review: WHILE WE'RE HERE, Bush Theatre
The inaugural production in the refurbished Bush Theatre's new studio space is the latest play from Barney Norris.
BWW Review: LATE COMPANY, Finborough Theatre
During its celebrations for Canada's 150th birthday, Finborough Theatre sees the premiere of Late Company.
BWW Review: THREADS, The Hope Theatre
After breaking up five years prior, Charlie (Samuel Lawrence) writes a quite melodramatic letter to Vic (Katharine Davenport), his ex-girlfriend, confessing how he is dead inside, and how he almost feels as if he were rotting away.
BWW Review: 46 BEACON, Trafalgar Studios
Bill Rosenfield premieres his play 46 Beacon in the United Kingdom with director Alexander Lass at the helm.
BWW Review: THE WINTER'S TALE, Barbican
In the Barbican's vast space, Cheek by Jowl presents their formidable, modern-dress take on Shakespeare's account of blind jealousy, suspicion, abandonment, loss, and young love.
BWW Review: EXPENSIVE SHIT, Soho Theatre
Written and directed by Adura Onashile, Expensive Shit is not afraid to show an uncomfortable truth.
BWW Review: CASTE, Finborough Theatre
Celebrating the 150th year from its first production, Caste at Finborough Theatre is an underwhelming classist act with a polyester feel.
BWW Review: HADLEY FRASER & WILL BUTTERWORTH, Live at Zedel
Music is the centrepiece at Hadley Fraser and Will Butterworth's show at Zedel.
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