BWW Review: FREUD THE MUSICAL, The Vaults
The father of modern psychology comes back from the grave in a flurry of cross-dressing madness.
Cindy Marcolina - Page 57
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BWW Review: SUFFRAGETTE CITY, London Pavilion
It's not every day you get to be shuffled through a tiny green door in the lower-ground floor of a Money Exchange in Piccadilly Circus and, quite literally, enter the Suffragettes' world.
THINGS THAT DO NOT C(O)UNT, Waterloo East Theatre
Nastazja Somers brings her new show Things That Do Not C(o)unt to Vault Festival.
Book Review: YEAR OF THE MAD KING: THE LEAR DIARIES, Antony Sher
Antony Sher details his journey as he prepares for the Royal Shakespeare Company's production of King Lear directed by Gregory Doran, his partner and Artistic Director of the company.
BWW Review: THE DOG BENEATH THE SKIN, Jermyn Street Theatre
Proud Haddock presents The Dog Beneath the Skin, which concludes Jermyn Street Theatre's Scandal season.
BWW Review: HAMLET, Hackney Empire
'Hamlet, Prince of Denmark!' the announcement at Wittenberg's graduation ceremony is barely made that beating drums accompany Hamlet Senior's glass hearse across the stage while Gertrude and Claudius look down woefully.
BWW Review: GOOD GIRL, Trafalgar Studios
After successful runs at Edinburgh Fringe and Vault Festival, Naomi Sheldon brings Good Girl to Trafalgar Studios.
BWW Review: HILDA AND VIRGINIA, Jermyn Street Theatre
Jermyn Street Theatre continues their pursuit of strong women presenting Maureen Duffy's A Nightingale in Bloomsbury Square and The Choice as a double bill directed by Natasha Rickman.
BWW Review: FOUL PAGES, The Hope Theatre
The Hope Theatre's own Artistic Director, Matthew Parker, presents the world premiere of Robin Hooper's Foul Pages in a frenzy of neck ruffs paired with leather all wrapped up in homosexual subtext.
BWW Interview: Rula Lenska Talks THE CASE OF THE FRIGHTENED LADY
Actress Rula Lenska is on the road with The Case of the Frightened Lady.
BWW Review: CONQUEST, The Vaults
Alice (Lucy Walker-Evans) is trying to buy the morning after pill in Boots when she meets Jo (Colette Eaton), who drags her into a world of feminist revenge.
BWW Review: THE VAGINA DIALOGUES, Waterloo East Theatre
"Hi, welcome to the feminist" The Volvas say before embarking in an irreverent and unabashedly in-your-face rollercoaster of a piece.
BWW Review: THE B*EASTS, Bush Theatre
Monica Dolan examines the sexualisation of children from the perspective of a psychotherapist, Tessa, who's assessing a mother who allowed her eight-year-old to have breast implants.
BWW Review: FIND YOUR WAY HOME, Etcetera Theatre
Alan (Anthony Cord) has decided to leave his family for Julian (Julian Bailey-Jones), his younger lover.
BWW Review: AN ACT OF KINDNESS, The Vaults
Two worlds collide at a bus stop.
BWW Review: MAD AS HELL, Jermyn Street Theatre
Peter Finch and Eletha Barrett's relationships scandalised Hollywood and lead the actor to an Academy Award-winning performance in the 1976 film Network.
BWW Review: THINK OF ENGLAND, The Vaults
Bette (Leila Sykes) and Vera (Madeleine Gould) travel the country in an official capacity hosting tea dances to try to improve the morale of the troops in 1942 England.
BWW Review: MISSION ABORT, The Vaults
'I am 26 years old, I live in London, and I work in the arts.
BWW Review: MADONNA OR WHORE, The Vaults
Holly Morgan and Tom Moores tear the house down with their new comedy show, a mix of stand-up and cabaret.
BWW Review: THE BREAKS IN YOU AND I, The Vaults
Chloe (Steffi Walker) and Joanna (Helen White) are watching Being John Malkovich when the former realises she isn't in love with her wife anymore.
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