Review: MY NAME IS, VAULT Festival
Chris Yarnell directs an energetic cast.
Cindy Marcolina - Page 19
Review: HIDE AND SEEK, VAULT Festival
While Hide and Seek can be further polished, Tobia Rossi has impeccable aim as a playwright.
Review: I WAS A GERMAN, VAULT Festival
When Brexit went from theory to reality, Clare Fraenkel looked into her German heritage and found out she was entitled to a German passport.
Review: EMILE AND EMILY, VAULT Festival
All in all, the concept is good but unfocused.
Interview: 'It's Vital, There's Nothing Else Like It.' Bec Martin Discusses the Future of VAULT Festival
It's been a messy, disillusioning time for the arts.
Review: ROMEO AND JULIE, National Theatre
Owens scratches the surface of Welsh underdevelopment and economic deprivation, going as far as giving Julie a perfunctory invective against posh kids, but refraining from digging deeper into the issues.
Review: THE BEACH HOUSE, Park Theatre
In a landscape dominated by a dearth of lesbian stories, it’s refreshing to find one that doesn’t deal with sexuality at all, but focuses on the negotiations of parenthood and the complications of personal connections.
Review: COMPOSITOR E, VAULT Festival
Although the script is generally articulate and well-written, there are a few passages that might need some TLC as they come off as rushed and remain unexplained.
Review: THE TINKER, VAULT Festival
Nothing’s what it seems in Olivia Foan’s new play, but a sluggish build-up and even weaker ending don’t make The Tinker as exciting as it could be.
Review: GREY AREA, VAULT Festival
A fully formed, mature play about the intricacies of navigating young love and mental health.
Review: SURFACING, VAULT Festival
Ultimately, Powell is asking who helps the people whose job is to help others.
Review: MACBETH, Wilton's Music Hall
Just like with Romeo and Juliet, there are a few ways to stage the Scottish Play.
Review: THE OYSTER PROBLEM, Jermyn Street Theatre
In historian Orlando Figes’ debut play, Flaubert’s friends Ivan Turgenev, Émile Zola, and George Sand urge him to either strip down his writing to please the masses or get a temporary job to fend off his creditors.
Review: WINNER'S CURSE, Park Theatre
The production makes a farce of geopolitical tensions and falls short in satire.
Review: THE LEARNING LOTTERY, VAULT Festival
Is Britain a functioning meritocracy? Many try to argue that it is, but research states otherwise.
Review: RESIDUE, VAULT Festival
The importance and beauty of some productions extend beyond what the audience see on stage.
Review: COUNTER, VAULT Festival
A masturbatory look at an infuriating lack of communication.
Review: THIS IS THE LAND, VAULT Festival
The one created by Leeza Jessie, Xavier De Santos, Samuel De La Torre, Alice Barton, Sofia Velez, and composer John Baggott is an astonishingly strange show, which wouldn’t be a problem if it wasn’t so… well, meaninglessly weird.
Review: 52 MONOLOGUES FOR YOUNG TRANSSEXUALS, VAULT Festival
'Hi, would you do me the honour of spitting in this cup for me?' asks the gorgeous person in lingerie as you step through the door.
Review: SMOKE, Southwark Playhouse
A frustratingly capricious script shaped into a disturbingly sexy, impressive production.
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