EDINBURGH 2023: Review: HEAVEN, Traverse
Jim Culleton directs Andrew Bennett and Janet Moran as they take turns to open up in conversational confessional style.
Cindy Marcolina - Page 19
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EDINBURGH 2023: Review: WAITING FOR A TRAIN AT THE BUS STOP, Summerhall
The poet and director crafts a poignant exploration of manipulation, coercive control, and domestic violence, infusing it with poetic interludes that are the definite highlight of the project.
Book Review: DIVA, V&A Exhibition
The term “diva” rose to prominence with its relation to an operatic background and popularly revolves around the traits of someone’s character.
Review: 1000 WAYS THE WORLD WILL END (& HOW IT STARTS AGAIN), King's Head Theatre
With strands of simulation theory and a vibe steeped in folklore, myths, and legends, the play follows two souls as they come back and find each other in three timelines.
Review: UNION, Arcola Theatre
Union is half love letter to a changing city and half harangue against the soulless destruction of local communities for the benefit of a coffee shop chain.
Review: THE WIND AND THE RAIN, Finborough Theatre
Fairly outdated morals go hand in hand with a strikingly modern laddish attitude, while a melodramatic ending eagerly awaits.
Review: DISRUPTION, Park Theatre
Disruption comes from a place of curiosity.
Review: ROCKSTAR, King's Head Theatre
Olly Medlicott’s vision is crystal clear, but this iteration looks and sounds more like the workshop of an early draft.
Review: BENEATHA'S PLACE, Young Vic
Written a decade ago, the piece is perhaps more significant now than it was in 2013.
Review: FISHEYE, Omnibus Theatre
Fisheye is the crown jewel of the first edition of Omnibus Theatre’s AI Festival.
Review: SECRET THOUGHTS, Omnibus Theatre
There are plenty of riveting reflections, from the science versus belief argumentation, to how the awareness of mortality plagues our race, pushing us to research a more significant meaning to make sense of it.
Review: A PLAYLIST FOR THE REVOLUTION, Bush Theatre
The summer season of the Bush opens with a politically charged show about the delicate, complex connection between Jonathan, who lives in Hong Kong, and Chloe, an ambitious second-generation Hongkonger in England.
Review: THEN, NOW & NEXT, Southwark Playhouse
The writers want so badly for this to be a soberly romantic mix between The Notebook and The Bridges of Madison County via Dear Evan Hansen, but only manage to hit the nails of its coffin.
Review: ASSISTED, Omnibus Theatre
While Greg Wilkinson’s play is incredibly thought-provoking, the majority of its themes are offered and then left unexplored.
Review: ACCIDENTAL DEATH OF AN ANARCHIST, Theatre Royal Haymarket
The play is unforgiving.
Review: SHEWOLVES, Southwark Playhouse
Sarah Middleton’s Shewolves was quite the success at Edinburgh Festival Fringe last year, so it’s not a surprise it’s now made its way to London.
Review: I F*CKED YOU IN MY SPACESHIP, Soho Theatre
After playing to sold-out crowds for their whole run at VAULT Festival earlier in the year and winning an Origins Award for Outstanding New Work, Soho Theatre learnt why I F*cked You In My Spaceship has been the talk of London’s fringe scene.
Review: THE THIRD MAN, Menier Chocolate Factory
When Holly Martins arrives in Vienna to start a new job after the Second World War, he learns that his childhood friend Harry Lime died a few days prior.
Review: PAPER CUT, Park Theatre
Kyle has just returned from Afghanistan.
Review: THE UNICORN, Arcola Theatre
The Unicorn is a multifaceted, sombre look at trauma and addiction laced with deliberately unwitting humour and a penchant for benign shock.
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