Review: COMPOSITOR E, VAULT Festival
Although the script is generally articulate and well-written, there are a few passages that might need some TLC as they come off as rushed and remain unexplained.
Cindy Marcolina - Page 23
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Review: THE TINKER, VAULT Festival
Nothing’s what it seems in Olivia Foan’s new play, but a sluggish build-up and even weaker ending don’t make The Tinker as exciting as it could be.
Review: GREY AREA, VAULT Festival
A fully formed, mature play about the intricacies of navigating young love and mental health.
Review: SURFACING, VAULT Festival
Ultimately, Powell is asking who helps the people whose job is to help others.
Review: MACBETH, Wilton's Music Hall
Just like with Romeo and Juliet, there are a few ways to stage the Scottish Play.
Review: THE OYSTER PROBLEM, Jermyn Street Theatre
In historian Orlando Figes’ debut play, Flaubert’s friends Ivan Turgenev, Émile Zola, and George Sand urge him to either strip down his writing to please the masses or get a temporary job to fend off his creditors.
Review: WINNER'S CURSE, Park Theatre
The production makes a farce of geopolitical tensions and falls short in satire.
Review: THE LEARNING LOTTERY, VAULT Festival
Is Britain a functioning meritocracy? Many try to argue that it is, but research states otherwise.
Review: RESIDUE, VAULT Festival
The importance and beauty of some productions extend beyond what the audience see on stage.
Review: COUNTER, VAULT Festival
A masturbatory look at an infuriating lack of communication.
Review: THIS IS THE LAND, VAULT Festival
The one created by Leeza Jessie, Xavier De Santos, Samuel De La Torre, Alice Barton, Sofia Velez, and composer John Baggott is an astonishingly strange show, which wouldn’t be a problem if it wasn’t so… well, meaninglessly weird.
Review: 52 MONOLOGUES FOR YOUNG TRANSSEXUALS, VAULT Festival
'Hi, would you do me the honour of spitting in this cup for me?' asks the gorgeous person in lingerie as you step through the door.
Review: SMOKE, Southwark Playhouse
A frustratingly capricious script shaped into a disturbingly sexy, impressive production.
Review: THE SILVER BELL, VAULT Festival
The singularity of souls, how coincidence and circumstances change the course of a life, the idiosyncratic relationship we create with specific people, they all come together with refined technique and deft use of language.
Review: MOLKA, VAULT Festival
It’s a heavy topic, and the company bear the weight of it throughout.
Review: ALL BY MYSELF, VAULT Festival
It’s meant to be a satirical look at our obsession with our online personas versus the reality behind the screen, but - like everyone’s day-to-day life - it’s just a little too mundane.
Review: UNDER HEAVEN'S EYES, VAULT Festival
Part TED Talk, part memorial to the lives lost due to racially motivated brutality, and part plea for change, Tajah’s piece is as educational as historically relevant.
Review: BORDERS ألسياج הגדר, VAULT Festival
Danishman highlights the complex relationship between identity and the necessity of a certain political affiliation.
Review: DEATH SUITS YOU, VAULT Festival
Quadruple (at a minimum) threat Sam Hooper and composer Robert Tripolino write a scrumptiously macabre play that defies genres and styles.
Review: PROMISES OF GRIEF, VAULT Festival
Dian Cathal details the standardised reactionary clichés people fall into when faced with death.
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