Review: THE PRINCE, Southwark Playhouse
The Prince is a weird concept.
Cindy Marcolina - Page 23
'This is only the beginning!' West End Winners Announced for The Stage Debut Awards 2022
After a virtual ceremony in 2020 and a pandemic-induced silence in 2021, The Stage Debut Awards have finally returned in all their glitz and glamour the day before the State Funeral of Queen Elizabeth II.
Review: 2:22 - A GHOST STORY, Criterion Theatre
The new company brings new energy to Matthew Dunster’s production, but the core of the show remains a smashing success.
Review: LOVE ALL, Jermyn Street Theatre
As directed by Littler, it’s deceivingly traditional on the surface.
Review: DOCTOR FAUSTUS, Southwark Playhouse
Directed by Ricky Dukes, Lazarus Theatre offer a take on Christopher Marlowe’s demonic tale that defies all genres, spanning everything from farce to gore in 95 minutes of esoteric intrigue.
Review: A DIFFERENT STAGE, Duke Of York's Theatre
A Different Stage contextualises the Gary Barlow the tabloids know, giving him the chance to be at the forefront of his own version of the story whilst reconfirming him as an exceptional entertainer.
Review: RIDE, Charing Cross Theatre
Still, Ride is an impressive feat in both material and execution.
Review: THERE'S A DEAD BODY IN MY LIVING ROOM, Etcetera Theatre
Naima Sjoholm writes an intriguing pastiche that toys with our perception of the plot.
Review: HIDDEN FIGURES: WW2, St. Peter's Church
Underneath an unassuming church in Bethnal Green, Party Geek and their creative director Paul King are single-handedly reframing the Second World War with a brilliant concept and an astonishing execution.
Review: CRUISE, Apollo Theatre
After a stellar outing last year and a nomination for Best New Play at the Olivier Awards, Jack Holden’s buzzing tale of a long-lost but never forgotten gay London is back with a smirk and a tear for a limited engagement in the West End.
Review: WONDERVILLE: MAGIC & CABARET, Wonderville
It’s a fantastic, highly entertaining night out that will leave you speechless from beginning to end.
Review: THE WEST, COLAB Tavern
The experience toes the line between hen-do fun and delightfully over-the-top kitschiness.
Review: AN UNEXPECTED TALE IN SMOKY MIDTOWN, Canal Café Theatre
Amanda Elizabeth Rischel writes a scratchy comedy infused with typically noir tropes.
Review: FOX-LIGHT, The Hope Theatre
It’s unfortunate how numb and aimless this piece is.
Review: THE SUN, THE MOUNTAIN, AND ME, Union Theatre
The Sun, the Mountain, and Me is an equally dark and vibrant look at men's mental health, tactfully showing the path to recovery for those who need it.
Review: CHESS - THE MUSICAL IN CONCERT, Theatre Royal Drury Lane
Nick Winston stages less of a concert and more of an almost-fully-formed production with clear-cut vision.
Review: TASTING NOTES, Southwark Playhouse
Just like some meetings should have been emails, some musicals should have been plays.
Review: THE TEMPEST, Shakespeare's Globe
Love Island meets Below Deck in Benidorm in this OTT aestival pastiche.
Review: JACK ABSOLUTE FLIES AGAIN, National Theatre
Jack Absolute Flies Again! Originally scheduled for the Spring of 2020, it took two years, a director change, and a cast reshuffling for the show to get off the ground.
Review: HUNGRY, Soho Theatre
“I thought I was being romantic, but I’m just being drunk and gay”.
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