The singularity of souls, how coincidence and circumstances change the course of a life, the idiosyncratic relationship we create with specific people, they all come together with refined technique and deft use of language.
It’s a heavy topic, and the company bear the weight of it throughout.
It’s meant to be a satirical look at our obsession with our online personas versus the reality behind the screen, but - like everyone’s day-to-day life - it’s just a little too mundane.
Part TED Talk, part memorial to the lives lost due to racially motivated brutality, and part plea for change, Tajah’s piece is as educational as historically relevant.
Danishman highlights the complex relationship between identity and the necessity of a certain political affiliation.
Quadruple (at a minimum) threat Sam Hooper and composer Robert Tripolino write a scrumptiously macabre play that defies genres and styles.
Dian Cathal details the standardised reactionary clichés people fall into when faced with death.
A snapshot of class divide that doubles as a melancholic love letter to the city.
It becomes more and more evident that we don’t need the traditional conventions displayed at the beginning.
Remi Rachuba moved to Glasgow from Poland in the late 90s to pursue his dreams and become an actor.
Some shows are great even when everything goes wrong.
There are some shows that fit perfectly within the walls of The Vaults.
It’s equally funny and stimulating, opening up a broader conversation about people’s use of foreign cultures and experiences to further their own goals.
It’s a missed opportunity to explore young parenthood and the effects of thoughtless actions on a couple.
A vivid exploration of what it means to navigate life as a black woman in England ensues.
Impeccable and efficiently disquieting aesthetics don't lift a content that - while expertly made - is ultimately rather underdeveloped.
A disorientating and disruptive piece that challenges the nature of theatre itself.
This first iteration of the piece is the perfect chance for the material to grow alongside its creatives: the elements of a great production are all there, they just need further polishing.
Bloody Mary: Live! is a joy to watch.
Director Ricky Dukes refocuses the story on the younger characters, exploring their response to the personally catastrophic events in the play.
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