Review: EVENING ALL AFTERNOON, Donmar Warehouse
“What a thing to have a mother!” That’s how Anna Ziegler’s new play ends. Studies show that it takes two to five years for a blended family to become a cohesive unit, and when Jennifer marries John, his daughter Delilah refuses to cooperate. Jennifer badly wants to be in Delilah’s life. In...
Review: BIRD GROVE, Hampstead Theatre
George Eliot’s Middlemarch was, and is, radical for its acknowledgement of how society places limits on even the most ambitious and idealistic of its inhabitants. In his new play, Alexi Kaye Campbell explores how that notion of compromise may have affected Eliot herself, both to her own benefit an...
Review: TO MAURY WITH LOVE, Theatre Royal Drury Lane
To Maury With Love at Theatre Royal Drury Lane celebrated composer Maury Yeston’s 80th birthday with songs from Titanic, Nine, and Grand Hotel. Featuring the London Musical Theatre Orchestra, the charity concert supported Bowel Cancer UK, delivering strong performances despite limited context and ...
Review: WHAT I’D BE, Jack Studio
The premise of What I’d Be is disarmingly simple: two estranged sisters sit on a bench in a small town, and talk. In one unflinchingly cathartic hour of theatre, they’ve ricocheted from outright resentment to reconciliation....
Review: A MIDSUMMER NIGHT'S DREAM, Leeds Playhouse
Innovative take on familiar comedy proves hit and miss as lovers and fairies fight...
Review: THE STORY OF PEER GYNT: AN EVENING WITH KÅRE CONRADI, The Coronet Theatre
f we’re speaking technically, a dramatised lecture is an educational performance that joins drama and academia in order to make the topic more entertaining to the public. In this case, Conradi offers an engaging one-man show that makes the bulky five acts of Peer Gynt accessible and smooth. He lig...
Review: THE BATTLE, Birmingham Rep
Before Taylor Swift versus Charli XCX - but after The Beatles versus The Rolling Stones - came Blur versus Oasis. David Niven's debut comedy at Birmingham Rep takes us back to the summer of 1995, when temperatures and egos both soared and the nation was gripped by the chart battle between Oasis’ �...
Review: SPANISH ORANGES starring Maryam d'Abo, Playground Theatre
#MeToo and cancel culture needs a new angle sadly lacking in humdrum new play...
Review: DEEP AZURE, Sam Wanamaker Playhouse
While most people knew Chadwick Boseman for his blockbuster appearances in the Marvel Cinematic Universe as T’Challa/Black Panther, the actor was also a playwright and director. His early career was spent treading the boards in New York, where he became a Drama League Directing Fellow at 24 years ...
Review: DRACULA, Starring Cynthia Erivo, Noël Coward Theatre
Multi-award-winning Cynthia Erivo is having a pretty good year: still riding high on the success of the Wicked films and nominated for an MBE in the 2026 New Year Honours list, she is now going back to her stage roots in Kip Williams's adaptation of Bram Stoker's gothic masterpiece, Dracula. Antici...
Review: 1.17AM, OR UNTIL THE WORDS RUN OUT, Finborough Theatre
Two best friends, the ghost of Katie’s brother, a secret. When Roni shows up at Charlie’s old flat, she finds Katie rummaging through his things while a party is in full swing upstairs. When Charlie died months prior, Katie disappeared from Roni’s life, leaving her without a place to stay and ...
Review: THE SHITHEADS, Royal Court Theatre
The Shitheads is the perfect example of the importance of the Royal Court to London’s present day new theatre scene. The debut play from poet Jack Nicholls, this is a show that swings big... and the result is unlike anything else currently playing in the city....
Review: JOSH SHARP: TA-DA!, Soho Theatre
Josh Sharp’s ta-da! is a million miles a minute ride through everything from queerness to quantum theory, told through 2000 powerpoint slides. And despite being exactly as mental as it sounds, it really works....
Review: AFTER MISS JULIE, Park Theatre
War is over. The Labour Party has won a historic majority and will form a government anchored by socialist principles (fancy that), the NHS about to be born - and financed. The world was turning upside down and, so too, was the humble kitchen of the not so humble manor house of a peer who took the n...
Review: SWEETMEATS, Bush Theatre
Delicious comic timing carries the humour with an effervescent pace, while the cultural aspect of the script adds a bittersweet layer to it. It’s genuinely funny, with a quick sting in the tail. Natasha Kathi-Chandra’s direction is unhurried, leaning into Khan’s deliberate restraint in buildin...
Review: I'M SORRY PRIME MINISTER starring Griff Rhys Jones, Apollo Theatre
The two old favourites are no longer in Whitehall, but need each other just as much...
Review: SHADOWLANDS, Starring Hugh Bonneville and Maggie Siff
In his book, A Grief Observed, C.S. Lewis wrote, 'The pain I feel now is the happiness I had before. That's the deal'. It's that deal that William Nicholson's poignant play explores in the true story of Lewis's late-in-life love, marriage and loss. Thoughtful, tender and touching, Shadowlands examin...
Review Roundup: THE UNLIKELY PILGRIMAGE OF HAROLD FRY, Starring Mark Addy & Jenna Russell
Harold Fry was never meant to be a hero. An ordinary man in an ordinary life until a letter from a long-lost friend sends him out the front door… and he keeps on walking. From Devon’s quiet lanes to the windswept streets of Berwick-upon-Tweed, his journey becomes a pilgrimage of love, redemption...
Review: HERE THERE ARE BLUEBERRIES, Stratford East
Sometimes a play is far more valuable than what the four walls of a theatre can hold. 2007: history will never be the same after the U.S. Holocaust Memorial Museum gets a hold of a photo album from 1940s Germany. As the archivists leaf through the pages, the day-to-day routine of Nazi officers stati...
Review: MAN AND BOY, National Theatre
If anyone still thought Terence Rattigan a staid drawing room playwright, his 1963 play Man and Boy ought to put an end to that. Anthony Lau’s version doesn’t always elevate the source material to its full potential, but it presents a case for giving the text another look....
Review: DEAR LIAR, Jermyn Street Theatre
Showbusiness is rife with affairs; it’s the reason tabloids exist. While these days paramours trade in texts and DMs, epistolary correspondence used to be the currency of illicit romances. It was the case for one George Bernard Shaw and Mrs Patrick Campbell (née Beatrice Rose Stella Tanner)....
Review: THE UNLIKELY PILGRIMAGE OF HAROLD FRY, Theatre Royal Haymarket
First seen in Chichester last summer, The Unlikely Pilgrimage of Harold Fry now makes its joyful arrival into London. Based on the 2012 novel by Rachel Joyce which became a 2023 film, the show is a musical that cleverly acts as a snapshot of modern Britain and a study into the complexities and darkn...
Review: MILES, Southwark Playhouse
The opening tableau of Miles sticks in the mind: a man writhes atop a piano, as though something long-dormant within him is being woken up. Similar sequence recur throughout the show, conveying a man both at one with his music and at war with it....
Review: MAGGOTS, Bush Theatre
If you input “what does death smell like?” into Google, you’ll get a variety of results saying that it depends on the conditions of the body. That’s what Linda searches after she hasn’t seen her neighbour in some time. Life at Laurel House will never be the same; loneliness kills in Farah ...
Review: THE VIRGINS, Soho Theatre
Featuring two of the most awkward sex scenes you'll ever see, this acerbic comedy is a merciless meditation on teenage fumblings....
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