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Aliya Al-Hassan
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Kat Mokrynski
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Vikki Jane Vile
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Review: STAGE KISS, Hampstead Theatre
Art imitates life, and life imitates art in Sarah Ruhl’s 2014 play Stage Kiss. When two ex-lovers are cast in the same show, their on-stage relationship bleeds into their off-stage one, and vice versa. The weight of their baggage threatens to ruin their relationships, but Ruhl is excessively compa...
Review: THE SNEEZE, Golden Goose Theatre
Director Edward Neale really knows how to get the best out of his cast, giving everyone time to showcase their abilities and strengths. His creation and direction regarding the transition scenes were one of the highlights of the production - a unique take on Chekov’s truly uplifting play. The enti...
Review: TULSA BALLET - MADE IN AMERICA, Royal Ballet and Opera
Tulsa Ballet made its Linbury Theatre debut last night, and the dancers of the company made a strong impression. Seeing a company for the first time one never truly knows what to expect, but these dancers could hold their own on any global opera house stage.
...
Review: SAMSON ET DALILA, Royal Ballet And Opera
This revival of Richard Jones’s 2022 production of Samson et Dalila excels on a musical level with spectacular performances by Aigul Akhmetshina as Dalila and SeokJong Baek as Samson....
Book Review: WALKING SHADOW LOVE, LOSS AND SHAKESPEARE, By Greg Doran
While The Winter's Tale's regarded as a play of two halves (set in Sicilia and Bohemia), former Royal Shakespeare Company director Greg Doran's poignant and absorbing Walking Shadow is a book of two halves....
Review: 1536, The Ambassadors Theatre
On 13 May 1536, Anne Boleyn’s household is broken up ahead of her going on trial for treason. On 13 May 2026, Ava Pickett’s play 1536 continues performances in its new West End home. 490 years may feel like a long time, but just how much has actually changed? Set against the backdrop of Anne Bol...
Review: THE LAST MAN, Southwark Playhouse Elephant
A virus has decimated the entire population, turning them into zombies. Or has it? Whilst all hell breaks loose, a man is isolating in a bunker alone. Deep underground, his thoughts are his only company and entertainment. His reality slowly alters. Why do we keep going in the face of hardship? Is th...
Review: SABRAGE, Lafayette
Cabaret-circus-champagne extravaganza Sabrage has been refreshed just in time to lift our hearts in this sorry hour. Wars continue in the Middle East despite claims of a “ceasefire”. Fuel and food prices are heading north for the summer. Fascism leers openly on both sides of the Atlantic. The th...
Review: CAROLINE, Queen's Theatre, Hornchurch
Sixty years ago, pirate radio floated on a diet of great pop, but was sunk by a spoilsport government. That said, its spirit lived on - and still does today!...
Review: KRAPP'S LAST TAPE, Starring Gary Oldman, Royal Court Theatre
First staged last year at Theatre Royal Bath, Gary Oldman directs, set-designs, co-produces and performs Samuel Beckett’s 1958 one-act play, Krapp's Last Tape at London's Royal Court, the theatre where the play made its UK debut back in 1958. But this production is no exercise in ego, but an emo...
Review: IL CIMENTO DELL’ARMONIA E DELL’INVENTIONE - ROSAS/A7LA5, Sadler’s Wells
Rosas return to Sadler's Wells for the UK premiere of Il Cimento dell’Armonia e dell’Inventione, a choreographic collaboration between De Keersmaeker and Radouan Mriziga of collective A7LA5.
...
Review: PETER GRIMES, Royal Ballet And Opera
Peter Grimes hinges on balancing the duality between its chorus and Grimes as an individual. In one corner the spectacle of the mob, bustling and boiling with rage in their witch hunt for Grimes, and in the other corner is lonely fisherman Grimes himself, whose mental breakdown demands gutturally in...
Review: FOAL, Finborough Theatre
Titas Halder's new play Foal is named after some of the night terrors that visit his protagonist as he sinks into a mental black hole. A study of personal relationships and a fight to find compassion in an often hostile world, we follow A.K., a man recalling and reliving sections of his life as his...
Review: THE WASP, Southwark Playhouse
An awkward school reunion between childhood friends turns into a seething, horrid thriller in Morgan Lloyd Malcolm’s play The Wasp. The long-term effects of bullying and the despair of the economic gap gather to deliver an ever-turning, slow-burning, stomach-churning piece of theatre. Director Jam...
Review: THE ANTI 'YOGI', Soho Theatre
The Anti “Yogi” (heavy on the quotation marks) is one of those shows where the tagline tells you everything you need to know: “liberation, not Lululemon”. This is less a play than a call to arms, reminding the audience emphatically that the yoga classes they attend are not just another fitne...
Review: BULLYACHE - A GOOD MAN IS HARD TO FIND, Sadler’s Wells East
A Good Man is Hard to Find could be the title of a very inoffensive romcom, but in fact it's the latest work from the avant-garde duo BULLYACHE.Coined as a “brutal breakdown of power and the elite” the work is a journey in itself…from crawling slug men to snuff movie style sacrifice. With so m...
Review: THE CONVERSATION WITH HARRIET WALTER, St Martin-in-the-Fields
Shakespeare veteran Dame Harriet Walter talks about the Bard in a reverent tone, but she doesn’t let him off the hook. After all, the Succession and Killing Eve star has built her latest book – She Speaks! What Shakespeare’s Women Might Have Said – around the idea that despite being a great ...
Review: ESCAPED ALONE, The Coronet Theatre
Caryl Churchill meets ‘il dolce far niente’ in this reimagined production of her 2016 play Escaped Alone. Italian companies lacasadargilla and Piccolo Teatro present a timid adaptation written by Monica Capuani and directed by Lisa Ferlazzo Natoli and Alessandro Ferroni. It’s a pity that the q...
Review: LES BALLETS TROCKADERO DE MONTE CARLO, Sadler’s Wells
Les Ballets Trockadero de Monte Carlo, otherwise known as the Trocks, are back at Sadler’s Wells as part of their National tour of a mixed bill until 6 May. Post-show I think I might be losing my sense of humour…but thankfully most of the Sadler’s Wells audience seemed happy!...
Review: ALIBI: DEAD AIR, Theatre Deli
With yet another highly-anticipated series of The Celebrity Traitors on the horizon, entire streaming channels dedicated to murder mysteries and absolutely no shortage of true crime podcasts (and TV shows about true crime podcasts), it appears we live in a nation completely insatiable when it comes ...
Review: FILMS IN CONCERT: THE LORD OF THE RINGS TRILOGY, Royal Albert Hall
It takes just under ten hours to appreciate J. R. R. Tolkien’s masterpiece if you watch Peter Jackson’s epic trilogy one film after the other. For many fans, it’s a yearly occurrence to gather with friends to re-watch Frodo and his band of brothers fighting evil to save the Shire. This year yo...
Book Review: KIDS, WAIT TILL YOU HEAR THIS! MY MEMOIR by Liza Minnelli, Michael Feinstein, Josh Getlin, Heidi Evans
Even 400 pages or more cannot contain whole life, nor the personality...
Review: BLUE/ORANGE, OSO Arts Centre, Barnes
Joe Penhall's incendiary play, Blue/Orange, was garlanded with awards after its 2000 debut at the National Theatre, winning the Olivier, Critics' Circle and Evening Standard awards for Best New Play in 2001. It has been revived many times and endures as its themes remain both prescient and urgent. ...
Review: AUGMENTED - DANCE POWERED BY MAM + AISOMA, Sadler’s Wells East
There was something in the air on Friday night…and it wasn't just pollen! One could describe it as the school show of all school shows - but that might be doing it a disservice. Enter the room AUGMENTED: Dance powered by MAM + AISOMA, a collaboration between Juilliard, Rambert School and Studio W...
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