BWW Review: Laura and Linda Benanti Return to Kennedy Center in THE STORY GOES ON
The show, aptly titled 'The Story Goes On,' featured an eclectic set list, but there was one common thread - each song was exceptionally well sung.
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The show, aptly titled 'The Story Goes On,' featured an eclectic set list, but there was one common thread - each song was exceptionally well sung.
The premise is promising: when a group of porn stars decides to make a "real movie", hilarity ensues.
The Kennedy Center kicked off its multidisciplinary contemporary cultural assault Tuesday with something thought to embody the approach, Taylor Macs 'A 24-Decade History of Popular Music (1776-2016).
Godspell is one of those shows that is reinvented with each production.
Giuseppe Verdi's epic opera is being staged for the first time in two decades at WNO and features a sterling cast in a grand production.
This production is worthy of an audience based on the story alone.
Madeline Joey Rose's solid research and attention to detail set her solo play apart from the myriad of others that have tried to introduce typical theatergoers to cultures (especially religious ones) that might be less familiar to them.
What if gospel music was taken out of church? What if its structure, soul and power were applied to some other ancient stories, such as, for example, Sophocles, where actors talk about gods plural?
Last season on Broadway there was a play called Time and the Conways presented at Roundabout Theatre Company.
While not entirely rare for a single family to possess multiple musical talents, it's certainly unusual to see two people from the same family as leads in the same performance.
There is something to be said about being present in historical plays.
'We believe in the power collaboration, between artists and with the audience' - These words are the mantra of dog & pony dc, and do they deliver.
We all have bad days; it's inevitable.
Of her dozens of books over a long career, just one title by the esteemed science fiction and fantasy writer Ursula K.
At the AMP Strathmore, Laura Osnes delights in her intimate cabaret.
As directed by Alex Levy, THE FARNSWORTH INVENTION is theatrically inventive and mostly compelling recounting of of Farnsworth and Sarnoff's parallel stories.
LIGHT YEARS, a world premiere musical at Signature Theatre, is a moving performance with a beautiful score and an introduction to touching and endearing characters.
Heather Raffo's play is challenging, but ultimately rewarding.
It is wrong to keep a lady waiting, and in this case, a mistake to miss her altogether.
It's a powerful work and one of the strongest offerings to date in the ongoing Women's Voices Theater Festival.
While the script is not the most engaging, the acting work is exceptionally strong.
Imagination Stage's The Princess & the Pauper, written by Anu Yadav and directed by Janet Stanford, successfully captures the ambience and energy of Bollywood in a show which is excellent for both kids and adults alike.
It will take biographer Robert Caro five volumes to complete his portrait of Lyndon B.
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