BWW Review: THE PAJAMA GAME at Arena Stage
Some musicals from the golden age of Broadway are done to death. Let's face it, how many productions of Guys and Dolls and Fiddler on the Roof can you take? Anytime a theater chooses to produce a show that isn't seen as often as the aforementioned ones I get very excited. When they are presented wel...
BWW Review: VICUÑA AND THE AMERICAN EPILOGUE at Mosaic Theater Company
Mosaic Theater Company's Production of Vicu a and the American Epilogue is in high demand and for good reason. If you're in DC and you meander to work every day in a cloud of existential dread wondering how we all got here and where our country could possibly be going, then I can't recommend this T...
BWW Review: A SHORT SERIES OF DISAGREEMENTS PRESENTED HERE IN CHRONOLOGICAL ORDER at Studio Theatre
There was sufficient buzz about the booking of a new Daniel Kitson show at Studio Theatre this season that they would apparently take anything....
BWW Review: A LITTLE PRINCESS SARA CREWE Delights at Creative Cauldron
Based on the novel by Frances Hodgson Burnett, Creative Cauldron's A LITTLE PRINCESS SARA CREWE is a charming take on the classic. Matt Conner and Stephen Gregory Smith infuse the time-worn story with delightful original songs, which the children of the Learning Theater Ensemble take on with infecti...
BWW Review: MYSTERY SCHOOL at The Edge of the Universe Players 2
The pint size dynamo known as Nora Achrati is one of the area's most dynamic actresses so a show where it's just her and the audience should make for a great night of theatre. Achrati portrays five different characters in Paul Selig's ethereal and spiritual script Mystery School....
BWW Review: Restoration Stage Inc's THE VERY LAST DAYS OF THE FIRST COLORED CIRCUS a Fine, If Lengthy, Effort
Steven A. Butler, Jr., a Maryland native, has a truly compelling story about his La Plata great-great grandparents, whose love blossomed when the Jim Crow, Blackface era was at its height. With talent and drive, they struggled against the odds and against an exploitative white manager to operate ...
BWW Review: Hysterical Hit BOOK OF MORMON Says 'Hello!' At The Kennedy Center
Long-time hit THE BOOK OF MORMON uses absurdity, irony, and pop culture allusions to stir up some laughs and gasps at The Kennedy Center....
BWW Review: DOCTOR FAUSTUS is Devilishly Good at the Lab Studio Theatre
Doctor Faustus transforms into a production about how a woman is manipulated by the world around her. With a solid cast, Brave Spirits Theatre's production turns Marlowe's vision on its head and explores it through a feminist lens....
BWW Review: Pinky Swear's SAFE AS HOUSES Plays It Too Safe
Pinky Swear's production of Natalie Ann Piegari's new play SAFE AS HOUSES boasts an excellent cast, a well-designed set, and a gripping concept: what would you do if your husband, who vanished ten years ago, suddenly showed up at your house as if no time had passed at all? But the intriguing idea ne...
BWW Review: The Welders' HELLO, MY NAME IS Immerses Audiences in Intimate Adoptee Stories
Upon arriving at Rhizome DC, the homelike site of the Welders' theatrical event HELLO, MY NAME IS..., I was handed a name tag before being ushered into a living room. Many members of the fifteen-person audience had already arrived. From that point, it was a fully immersive experience as we witnessed...
BWW Review: Synetic Theatre's PETER PAN is a Joyous but Mature Celebration of Neverland
Given that it's the time of year when Synetic brings out ghoulish Halloween fare, the choice of a children's favorite like Peter Pan may come as a bit of a surprise. But in this incarnation, adapted in fine fashion by Ed Monk, this is a Peter with bite and enough darkness to keep even the grownups...
BWW Review: SERGIO MENDES at Strathmore
For 57 years Sergio Mendes has been a driving force in the world of popular music. since 1966. Starting withHerb Alpert presents Sergio Mendes and Brazil '66, he took Brazilian and Bossa Nova music and bought it to the masses. His recordings of such pop songs as The Look of Love and Mas Que Nad...
BWW Review: WSC Avant Bard's EMILIE: LA MARQUISE DU CHATELET DEFEDS HER LIFE TONIGHT a Heady, Brilliant Evening
As effervescent and fun as it is filled with the world of ideas (and equations), 'Emilie: La Marquise du Chatelet Defends Her Life Tonight' is a heady evening, bringing a great women back to brilliant life both onstage and in our collective memory....
BWW Review: THE SMARTEST GIRL IN THE WORLD at Imagination Stage
Sometimes playwrights don't know when to quit and there's a situation where an incidental plot point becomes a major one because it's unnecessarily brought to the forefront again and again. Miriam Gonzales' The Smartest Girl in the World suffers from this problem and it's too bad because otherwise t...
BWW Review: The Mariinsky Ballet Stages LA BAYADERE
What do you do, when you find yourself with a ballet artist who can seemingly levitate at will? A lithe male body that floats and leaps with such an airy insouciance it seems almost unfair he has to come back to earth? Answer: you seek out an equally lithe, supple prima ballerina whose talents match...
BWW Review: SHINING BROW at Urban Arias
Composer Daron Hagen and librettist Paul Muldoon's opera is a musical homage to architect Frank Lloyd Wright. The production by Urban Arias at Atlas Performing Arts Center is a delight. World class singers deliver a larger than life story and an historical tragedy few have ever heard of....
Half Dozen Micro-Plays in DIGITAL EYE at Blind Whino
Two days was an exceedingly short time to take in the innovative collaboration project this week titled 'Digital Eye.'...
BWW Review: Close Up ANTONY AND CLEOPATRA at Folger Theatre
A condensed 'Antony and Cleopatra' at the Folger Theatre still has time for a couple of ensemble dance numbers straight out of 'Solid Gold,' a battle scene that's almost as well choreographed and a whole lot of kissing....
BWW Review: AN ACT OF GOD at Signature Theatre
An Act of God is an irreverent black comedy that manages to retain mass appeal....
BWW Review: SOTTO VOCE at Theatre J
The current worldwide refugee crisis is the right time to recall the tragedy of the U.S.S. St. Louis, the German ocean liner that set sail in 1939 with 937 Jews seeking new homes. Cruelly denied entry to Cuba, the U.S. and Canada, the refugee ship had to turn back to Europe where hundreds of the onc...
BWW Review: THE RED SHOES at The Kennedy Center
The Red Shoes is almost more big-budget Broadway musical than ballet. With a sweeping score, dramatic narrative, and lavish production values, Matthew Bourne's production does nothing by halves....
BWW Review: Bold I'LL GET YOU BACK AGAIN at the Round House Theatre
With its emphasis on both 1960s psychedelic rock music and the Three Stooges, it would seem the latest offering at the Round House Theatre was tailored precisely for my taste....
BWW Review: THE MISTRESS CYCLE at Creative Cauldron
Creative Cauldron in Falls Church, VA is dedicating their season to women and their unique stories. The season's current nod to its dedication is The Mistress Cycle. Appropriately, two women wrote the book and music: Beth Blatt and Jenny Giering. At its core, The Mistress Cycle is a show by women fo...
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