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WASHINGTON, DC THEATER REVIEWS

The latest reviews and critic recommendations from Washington, DC
BWW Review: ASSASSINS at Pallas Theatre Collective

BWW Review: ASSASSINS at Pallas Theatre Collective

by Elliot Lanes — October 10, 2017
Any musical theatre geek knows that Stephen Sondheim's central subjects for musicals are rarely light and fluffy individuals. Sweeney Todd has a barber who slits people's throats and Sunday in the Park with George has a painter who is a perfectionist and egomaniac....
BWW Review: THE EFFECT is an Intense, Riveting Experiment at Studio Theatre

BWW Review: THE EFFECT is an Intense, Riveting Experiment at Studio Theatre

by Hannah Wing — October 10, 2017
Studio Theatre's production of The Effect explores love and mental health with heart-racing, gut-wrenching gusto....
BWW Review: Langston Hughes' Poetry Comes Alive at Metrostage

BWW Review: Langston Hughes' Poetry Comes Alive at Metrostage

by Keith Tittermary — October 10, 2017
Politics can be the graveyard of the poet. And only Poetry can be his resurrection. Langston Hughes, 1964 These words by the great Langston Hughes adorn the backdrop of Metrostage's moving production of Carlyle Brown's Are you now, or have you ever been Waiting for the play to begin the audien...
BWW Review: LOTUS at The Kennedy Center

BWW Review: LOTUS at The Kennedy Center

by Hannah Land — October 9, 2017
It's a real shame that you can't buy a ticket to a performance of Lotus, an exhilarating night of tap dancing and jazz excellence. That's because the performance was a one-night only, sold out performance full of incredible tap dance and music....
BWW Review:  LOVE AND INFORMATION at Forum Theatre

BWW Review: LOVE AND INFORMATION at Forum Theatre

by Jennifer Perry — October 9, 2017
While there is nothing particularly easy about this play, it is a unique viewing experience that every area theatergoer should have....
BWW Review:  Keegan Theatre's STONES IN HIS POCKETS an Eye-Opening Visit to the Emera

BWW Review: Keegan Theatre's STONES IN HIS POCKETS an Eye-Opening Visit to the Emerald Isle

by Andrew White — October 6, 2017
Marie Jones, a native of Belfast, brilliantly punctures our tin-whistle conceit of the Irish in her poignant drama Stones in his Pockets. The play is also an actor's dream, because it calls for two actors to take on an entire village of roles, American as well as Irish....
 BWW Review: NIGHT TRAIN 57 at Kennedy Center

BWW Review: NIGHT TRAIN 57 at Kennedy Center

by Elliot Lanes — October 6, 2017
Laundry night in our house doesn't garner much excitement. However, in the world of Dan Zanes, Claudia Eliaza and Yuriana Sobrino, hanging your socks out to dry leads you on a magical, musical, mystical journey up in the heavens, courtesy of a magic train. That is the basic premise of Night Train 57...
BWW Review: THE LOVER AND THE COLLECTION at SHAKESPEARE THEATRE COMPANY

BWW Review: THE LOVER AND THE COLLECTION at SHAKESPEARE THEATRE COMPANY

by Jenny Minich — October 5, 2017
The Lover and The Collection ooze Mad Men-era sex appeal....
BWW Review: CABARET at Shenandoah Conservatory

BWW Review: CABARET at Shenandoah Conservatory

by Andrew Burrill — October 4, 2017
BWW Review: CABARET at Shenandoah Conservatory, a brilliantly relevant and commanding journey that engages from beginning to end....
BWW Review: WIDOWERS' HOUSES at Washington Stage Guild

BWW Review: WIDOWERS' HOUSES at Washington Stage Guild

by Elliot Lanes — October 3, 2017
DC's little jewel, known as the Washington Stage Guild (WSG), has always presented pieces that you can't see elsewhere in the area. With its current offering Widowers' Houses, WSG gives area theatregoers a chance to see a lesser known work by esteemed playwright George Bernard Shaw. While this scrip...
BWW Review:  SHE RODE HORSES LIKE THE STOCK EXCHANGE at Taffety Punk

BWW Review: SHE RODE HORSES LIKE THE STOCK EXCHANGE at Taffety Punk

by Jennifer Perry — October 1, 2017
While it's hard to fully embrace this comedic play, it is worth a watch if only for the fine acting and compelling thematic content....
BWW Review: THE WILD PARTY at The Constellation Theatre

BWW Review: THE WILD PARTY at The Constellation Theatre

by Molly Korroch — October 1, 2017
Queenie and Burrs are the story of a once steamy love gone stale. Andrew Lippa's The Wild Party tells their story as they lash out in manipulation and jealousy. Directed by Allison Arkell Stockman, The Constellation Theatre's production opened on September 21. Told against the backdrop of a seedy Ne...
BWW Review:  National Theatre of Ghana's 10 BLOCKS ON THE CAMINO REAL a Fitting, Eart

BWW Review: National Theatre of Ghana's 10 BLOCKS ON THE CAMINO REAL a Fitting, Earthy Tribute to Tennessee Williams

by Andrew White — September 29, 2017
In keeping with their love of open-air, marketplace theatre the company embraced a variety of outdoor spaces (I saw them on the west lawn at the National Building Museum), creating a vibrant atmosphere well before the first actor took the stage....
BWW Review: In Series Stages THE MAGIC FLUTE at Masonic Temple

BWW Review: In Series Stages THE MAGIC FLUTE at Masonic Temple

by Roger Catlin — September 28, 2017
In its 30 seasons as a community-based, portable opera company, the In Series organization has appeared on a number of local stages, in colleges, revamped movie houses and contemporary theater spaces....
BWW Review: BERNSTEIN ON BROADWAY at Kennedy Center

BWW Review: BERNSTEIN ON BROADWAY at Kennedy Center

by Elliot Lanes — September 26, 2017
Leonard Bernstein was arguably one of the most versatile musicians the world has ever known. If you are a lover of classical music, you know that his recordings and compositions were the stuff legend is made of; and if you are a musical theatre geek, you know that Bernstein wrote some of the most in...
BWW Review: Sail the High Seas with HOW I BECAME A PIRATE

BWW Review: Sail the High Seas with HOW I BECAME A PIRATE

by Keith Tittermary — September 26, 2017
This summer when I was watching a movie, I saw a trailer for the yearly sequel of Pirates of the Caribbean. I thought to myself, are pirates still a thing? With so many other film villain tropes out there, why do we keep coming back to pirates? Well, as evident by the hordes of children adoring How ...
BWW Review: Factory 449's Powerful LELA & CO

BWW Review: Factory 449's Powerful LELA & CO

by Roger Catlin — September 25, 2017
The riveting story of 'Lela & Co' occurs in a country that is not named; it could and, sadly, probably is going on in a number of places....
BWW Review:  Arena Stage Goes Local with NATIVE GARDENS

BWW Review: Arena Stage Goes Local with NATIVE GARDENS

by Jennifer Perry — September 20, 2017
Good cast, good technical work, some funny jokes, but there's something missing....
BWW Review: CLOVER at Ally Theatre Company

BWW Review: CLOVER at Ally Theatre Company

by Molly Korroch — September 19, 2017
History and theatre buffs alike will love Clover, a new full-length play by Laura Rocklyn and Ty Hallmark. Rocklyn stars as Marian Hooper Adams-called 'Clover' by friends and family....
BWW Review: Emotional, Impressionistic I KILLED MY MOTHER at Spooky Action

BWW Review: Emotional, Impressionistic I KILLED MY MOTHER at Spooky Action

by Roger Catlin — September 19, 2017
Being called 'the Tennessee Williams of Transylvania' is just about the coolest moniker a playwright could receive....
BWW Review: CLOSER(GROUP) at Dance Place

BWW Review: CLOSER(GROUP) at Dance Place

by Hannah Land — September 19, 2017
closer(group) is here to challenge how we view dance. This bold, immersive performance will make you rethink the relationship between dancers and audience members....
BWW Review:  Next Stop's DISGRACED a Stunning, Necessary Examination of All-American

BWW Review: Next Stop's DISGRACED a Stunning, Necessary Examination of All-American Prejudice

by Andrew White — September 18, 2017
Stop for a moment to think how things have changed; how the election of Donald Trump and the imposition of a travel ban on Muslims and openly anti-immigrant, pro-white nationalist sentiment have torn away at the nation. It is no wonder that Akhtar's searing drama deserves its place on the stage righ...
BWW Review: THE ARSONISTS is Incendiary at Woolly Mammoth Theatre Company

BWW Review: THE ARSONISTS is Incendiary at Woolly Mammoth Theatre Company

by Evann Normandin — September 14, 2017
Do you ever feel like we're all just sitting around watching the world burn? If you would like to do that in the presence of like-minded theatre goers, then head down to Woolly Mammoth and experience the sensation that is THE ARSONISTS. Written by Max Frisch in 1958 and commonly interpreted as a met...
BWW Review: WORD BECOMES FLESH Captivates at Theater Alliance

BWW Review: WORD BECOMES FLESH Captivates at Theater Alliance

by Evann Normandin — September 13, 2017
Back by popular demand (and just in time) WORD BECOMES FLESH is theatre worth doing more than thinking about. This encore presentation written by Marc Bamuthi Joseph with additional dramaturgical compositions by Khalil Anthony and Dahlak Brathwaite and directed by Psalmayene 24 is an arresting compo...
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