BWW Review: THE PAJAMA GAME at Arena Stage
Some musicals from the golden age of Broadway are done to death.
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BWW Review: MYSTERY SCHOOL at The Edge of the Universe Players 2
The pint size dynamo known as Nora Achrati is one of the area's most dynamic actresses so a show where it's just her and the audience should make for a great night of theatre.
University of Virginia Department of Drama presents: SEVEN GUITARS
The University of Virginia Department of Drama presents SEVEN GUITARS by August Wilson, directed by Theresa M.
BWW Review: ASSASSINS at Pallas Theatre Collective
Any musical theatre geek knows that Stephen Sondheim's central subjects for musicals are rarely light and fluffy individuals.
BWW Review: THE EFFECT is an Intense, Riveting Experiment at Studio Theatre
Studio Theatre's production of The Effect explores love and mental health with heart-racing, gut-wrenching gusto.
BWW Review: NIGHT TRAIN 57 at Kennedy Center
Laundry night in our house doesn't garner much excitement.
BWW Review: CABARET at Shenandoah Conservatory
BWW Review: CABARET at Shenandoah Conservatory, a brilliantly relevant and commanding journey that engages from beginning to end.
BWW Review: WIDOWERS' HOUSES at Washington Stage Guild
DC's little jewel, known as the Washington Stage Guild (WSG), has always presented pieces that you can't see elsewhere in the area.
BWW Review: Arena Stage Goes Local with NATIVE GARDENS
Good cast, good technical work, some funny jokes, but there's something missing.
Shenandoah Conservatory presents CABARET during the Musical's 50th Anniversary!
Shenandoah Conservatory's production of CABARET runs from Friday, September 29th through Sunday, October 2nd, in the Ohrstrom-Bryant Theatre on the campus of Shenandoah University!
BWW Review: Whipping, or the Football Hamlet Goes for the Touchdown at Callan Theatre
Something is clearly rotten in the state of the DFL and perhaps America itself.
Avant Bard Announces 2017-2018 Season
The exhilarating musical The Gospel at Colonus returns, Lauren Gunderson's fiery genius Emilie makes her DC debut, and Shakespeare's fantastical The Tempest takes the stage by storm
BWW Review: AN OCTOROON is Anything But Black and White at Woolly Mammoth Theatre Company
Woolly Mammoth Theatre Company's stunning remount of AN OCTOROON by Branden Jacobs-Jenkins, directed by Nataki Garrett reunites the principal cast and production teams from Woolly's sold out 2016 run.
BWW Review: Jane Krakowski and Tituss Burgess Kick Off the District of Comedy Festival with the National Symphony
The concert delivered some great performances and is a wonderful example of how unique the Kennedy Center is within our national arts landscape.
BWW Review: TREY PARKER'S CANNIBAL! THE MUSICAL presented by HalfMad Theatre at Capital Fringe
A couple of things intrigued me about HalfMad Theatre's entry into this year's Capital Fringe.
BWW Review: THE LARAMIE PROJECT presented by The Wandering Theatre Company at Capital Fringe
Anytime a company presents something I don't expect to see in a festival setting, it generally peaks my interest.
BWW Review: NIGHT SEASONS Embraces the Charmingly Quotidian at Quotidian Theatre Company
Horton Foote's NIGHT SEASONS, directed by Jack Sbarbori at the Quotidian Theatre Company, examines the nature of a life defined by money and greed, and the notion that perhaps living is the greatest punishment of all.
BWW Review: Come to the CABARET at Kennedy Center
The current national tour, based on the recent Broadway revival at Roundabout Theatre Company's Studio 54 and taking up residence at the Kennedy Center through August 6, does just that - explore and provide a unique take.
BWW Review: THE SECOND CITY'S ALMOST ACCURATE GUIDE TO AMERICA DIVIDED WE STAND at The Kennedy Center
Unlike in your real life, there is someone onstage able to give voice to your concerns and make you laugh when you feel like you want to cry.
BWW Review: RENT Returns to the National Theatre
The cast and the rocking band pour every ounce of energy into everything they do.
BWW Review: HEDWIG AND THE ANGRY INCH Rocks the Kennedy Center
Simply put, get thee to the Kennedy Center to experience it for yourself.
BWW Review: MA RAINEY'S BLACK BOTTOM at 1st Stage
Important content and several exceptional performances outweigh 1st Stage's flawed production of August Wilson's Ma Rainey's Black Bottom.
BWW Review: THE SCHOOL FOR LIES at Shakespeare Theatre Company
DC is a topsy-turvy, satirical farce; or so it seems this morning.
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