Round House Theatre’s “Sleep Deprivation Chamber,” directed by Raymond O. Campbell, is a tale of injustice, which echoes stories of police brutality in the news, wrapped in dreamy surrealism.

Round House Theatre’s production of “He Brought Her Heart Back in a Box” is a haunting portrait of segregated Georgia.

Will on the Hill...or Wona??t They? is almost like attending a lecture on Shakespeare by multiple enthusiast professors, but it leaves the audience with a major case of a?oeZoom fatigue.a?? 

Movies and TV shows about space can be pretty serious, but DC area theatre artists Rebecca Wahls and Rebecca Ballinger (Becca) decided to take on the lighter side of space in their space-comedy web series, Rebecca and Becca in Space.

Who What Where and Ruthie are teaming up again for Spark, a romantic comedy about Scotti and June, who fall for each other at Club Spark, a seedy sex club. This time instead of a house, the stage is Zoom. Spark, directed by Chelsea Radigan, is a one-time virtual reading, which is going to be livestreamed on YouTube on April 30th. 

Mission Partners, a Bethesda based social impact communications firm, will host a Virtual Sunday Supper and a Show fundraiser to benefit The Theatre Lab on Sunday, April 26. Tickets are $15 and all proceeds will support The Theatre Lab -- Washington, D.C.'s largest and most comprehensive independent, nonprofit school for the dramatic arts.

Everyone once in a while a project is announced that basically sounds fool proof. The latest entry into Kennedy Center's Broadway Center Stage series Next to Normal is definitely one of those projects.

Jersey Boys, directed by Des McAnuff, is a typical, fast paced jukebox musical full of popular songs, but the storyline doesn't hit the right notes.

A great deal is packed into The Magical Piñata. There's a brief explanation of where Mexico's population comes from; a smattering of spoken Spanish and songs in both Spanish and English; pratfalls; a morality tale; and lots of laugher.

As a reviewer you hear lots of advance hype about a particular show or performer before having your own experience. Much of the time the hype doesn't live up to the end product. Selling over 90 million recordings opera singer Andrea Bocelli was definitely one of those performers who I had heard a lot about before seeing him perform live at Capital One Arena. I of course was familiar with some of his recordings but nothing prepared me for what I was about to witness. Here is a case where the hype not only lived up to the end product it exceeded it at least twenty fold. Bocelli stepped out onstage and flat out held around 20,000 concertgoers spellbound with his ringing tenor in a concert that included some of the most beautiful arias ever written.

Tis the season for Santa Claus, holiday lights, people lining up at three am to get a deal on a 76 inch TV set, and of the course the perennial holiday ballet favorite by Peter Ilyich Tchaikovsky known as The Nutcracker.

The giggles and guffaws zoom along at top speed, even as the bus breaks down in this genuinely riotous adaptation of Mo Willems' 2003 Caldecott-awarded picture book, Don't Let the Pigeon Drive the Bus!

Keep. makes you think about a lot of things which does make the two hours go by quickly.

This rap-infused, woke update of Mark Twain's The Prince and The Pauper, a world premiere theater piece for young audiences commissioned by the Kennedy Center, has many charms and much humor, even if it goes more than a little heavy on the agitprop for audiences under the age of 10.

Every once in a while you run across a big dilemma with a production. What happens when everything falls into place except one big thing? For the answer to this question look no further than the latest installment of the Broadway Center Stage series at Kennedy Center Footloose.

The newly opened REACH at Kennedy Center continues the institution's promise set forth by President John F. Kennedy of arts for all.

4615 Theatre Company's Enron, directed by Jordan Friend, is an entertaining, satirical glimpse into a whirlwind scandal.

We are now at the midpoint of summer and you are most likely looking for something a little bit different to do with your kids before sending them back to school. What if I told you that the Kennedy Center is currently producing a World Premiere Commission that is both entertaining and educational? I hope you'd say 'Tell me more!' because I have plenty to say about this brand new musical for all ages called Earthrise. The production was created to commemorate the 50th anniversary of the Apollo 11 launch.

In order to pull off a successful solo show there are a few things you absolutely need to have.

Master monologist Mike Daisey is known locally for his many performances at Woolly Mammoth Theatre Company. When you go to a Mike Daisey performance you expect to continue the conversation afterwards. His stuff is that thought provoking and is always spot on.

This past week marked the 50th anniversary of the passing of the iconic entertainer Judy Garland. Can you believe she was only 47 when she passed? Think of the body of work she left us in such a short life.

Throughout theatrical history many great ladies of the theatre have tackled the role of Thornton Wilder's famous matchmaker Dolly Gallagher Levi in the musical Hello, Dolly! In 2017 a brand new revival of the show hit Broadway starring Bette Midler (with Donna Murphy alternating in) and later on in its run Bernadette Peters. That production is now touring the country with Tony Award winning actress Betty Buckley in the starring role and veteran actor Lewis J. Stadlen as the well-known half a millionaire Horace Vandergelder.

Washington DC's premiere arts education institution The Theatre Lab School of the Dramatic Arts presents it's second world premiere musical as part of its Summer Musical Institute for Teens program.

Folger Theatre's Love's Labor's Lost, directed by Vivienne Benesch, compliments the uniqueness of this comedy through a delightfully funny cast and production set during the 1930's.

For 25 years now the percussion spectacular known as Stomp has been making beautiful noise all over the world. This high-octane audible feast is back in town at the National Theatre for a week and the historic rafters are shaking from the melodious vibrations Stomp brings with it.