BWW Review: CRAZY MARY LINCOLN at Pallas Theatre Collective
New musicals are always a risky proposition for any theatre company, but Pallas Theatre Collective is rising to the challenge in a big way with its current...
Regional - Washington, Dc — Page 6
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BWW Review: Compelling, Timely SIDE EFFECTS at Taffety Punk
As Capitol Hill seems to talking nonstop about the state of American health care at a time when it all might change, a couple of one-man plays at the Capitol...
Polarbear Opens Mouth and A Story Jumps Out at the Kennedy Center
Sometimes you attend a performance and one of the most memorable parts is something unscripted and spontaneous, and that leaves you with a lasting impression...
BWW Review: Titus Tackles Serious Issues at the Kennedy Center
The Kennedy Center Theater for Young Audiences takes a bold leap in bringing this one man show from Red Bridge Arts in Scotland. Titus, a show recommended for...
BWW Review: Delightful NEARLY LEAR Brings Kid-Friendly Shakespeare to the Kennedy Center
It's thrilling to discover a work of Shakespeare for the first time, especially as a kid. For me, those introductions came from old episodes of "Wishbone" on...
BWW Review: OUTSIDE MULLINGAR Charms at Keegan Theatre
This rewarding theatrical experience is a must-see for anyone interested in exploring the power of love, memory, and family in a small Irish town.
BWW Review: ALAN CUMMING SINGS SAPPY SONGS Kicks Off Renée Flemming VOICES Series at the Kennedy Center
'Have a hanky ready!' Alan Cumming exclaimed at the beginning of what evolves into an emotional, entertaining, and engaging evening of cabaret. In the first...
BWW Review: SMART PEOPLE Uses Comedy to Tackle Race at Arena Stage
As topics go, you couldn't pick a more immediate one than race in America. And as cities go, Washington is an apt location for a production of Lydia R...
BWW Review: Stellar Touring Production of FUN HOME Plays the National Theatre
I witnessed a stellar and - dare I say - pretty flawless production that completely and utterly immersed me into Alison Bechdel's world.
BWW Review: Pointless Theatre's .d0t:: A ROTOPLASTIC BALLET Brings Futurism to Life
If you've ever dreamed of seeing Lin-Manuel Miranda collaborate with Daft Punk, Pointless Theatre's .d0t:: A ROTOPLASTIC BALLET may be the closest you'll get...
BWW Review: Coming of Age with Heart and Humor in BRIGHTON BEACH MEMOIRS at Theater J
Featuring a cast of seasoned veteran actors working beside some of the DC-area's most gifted young performers, Theater J offers a sublime take on Neil Simon's...
BWW Interview: Broadway's Patrice Covington Shares Her Favorite '80s Songs in Advance of Friday's American Pops Orchestra Concert
On Friday, April 7 at 8:00 PM, Maestro Luke Frazier and the American Pops Orchestra will celebrate popular music of the 1980's with a concert entitled 'You...
BWW Review: THE LITTLE MERMAID at Kennedy Center
Most of us know the story of Hans Christian Andersen's The Little Mermaid from the Disney animated feature and subsequent stage musical adaptation. What people...
BWW Review: BATTLEFIELD at Kennedy Center
Sometimes a theatrical presentation doesn't need much to make its statement. In the case of world-renowned Director Peter Brook's Battlefield, all you need to...
BWW Review: SOPHISTICATED LADIES: 100 YEARS OF ELLA & COMPANY
The National Symphony Orchestra's (NSO) Principal Pops Conductor Steven Reineke has always put together musical programs that are fun and classy. This...
BWW Review: Art Forms Brilliantly Collide in TO SAIL AROUND THE SUN at Kennedy Center
An aural and visual feast, TO SAIL AROUND THE SUN is wonderfully inventive and will hopefully set the stage for similar multidisciplinary programming in the...
BWW Review: Timely New Play PETROL STATION Premieres at Kennedy Center
Anglo-Kuwaiti writer-director Sulayman Al Bassam's new play PETROL STATION is as of-the-moment as it gets. Drawn from politics, literature, and myth, it...
BWW Review: Scena Theatre's THE NIGHT ALIVE is Supernaturally Good
'May lost souls find salvation' is the tagline of Scena Theatre's production of Conor McPherson's modern Irish play THE NIGHT ALIVE. Any lost souls wandering...
BWW Review: MNEMONIC Leaves a Deep Impression at Anacostia Playhouse
Theater Alliance's production of Mnemonic, directed by Colin Hovde, is not just a story of migration, but of who we are as humans.
BWW Interview: Sulayman Al Bassam Talks PETROL STATION at Kennedy Center
Sulayman Al Bassam is returning to the Kennedy Center next week for the first time since 2009. The international playwright and director has had his work...
BWW Review: Keegan Theatre Presents Masterful PARADE, A Must See Production
Co-directed with precision by Christina A. Coakley and Susan Marie Rhea, Keegan's PARADE keeps the staging simple and imaginative, cutting away clutter and...
BWW Review: GRUG AND THE RAINBOW at Kennedy Center
Kids are bombarded with big flashy images in pretty much every form of entertainment nowadays. Those of us that grew up with theatre for young audiences (TYA)...
BWW Review: RAGTIME at Ford's Theatre
RAGTIME, currently playing at Ford's Theatre, hits a number of current, resonant themes across multiple notes with powerful ballads and a stellar cast. DC...
BWW Review: INTELLIGENCE Premieres at Arena Stage
All in all, I certainly commend Arena Stage, including Artistic Director Molly Smith, for taking a chance on this new work. Unfortunately, there's a ways to go...
BWW Review: FROM THE MOUTHS OF MONSTERS Makes Powerful Premiere at the Kennedy Center
Inspired by (but not literally adapted from) Mary Shelley's 200-year-old novel Frankenstein, Idris Goodwin's FROM THE MOUTHS OF MONSTERS makes a powerful world...
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