BWW Review: CRAZY MARY LINCOLN at Pallas Theatre Collective
New musicals are always a risky proposition for any theatre company, but Pallas Theatre Collective is rising to the challenge in a big way with its current production Crazy Mary Lincoln.
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New musicals are always a risky proposition for any theatre company, but Pallas Theatre Collective is rising to the challenge in a big way with its current production Crazy Mary Lincoln.
As Capitol Hill seems to talking nonstop about the state of American health care at a time when it all might change, a couple of one-man plays at the Capitol Hill Arts Workshop was breaking down the issues in terms that are immediate, emotional and human.
Sometimes you attend a performance and one of the most memorable parts is something unscripted and spontaneous, and that leaves you with a lasting impression of the performance.
The Kennedy Center Theater for Young Audiences takes a bold leap in bringing this one man show from Red Bridge Arts in Scotland.
It's thrilling to discover a work of Shakespeare for the first time, especially as a kid.
This rewarding theatrical experience is a must-see for anyone interested in exploring the power of love, memory, and family in a small Irish town.
'Have a hanky ready!' Alan Cumming exclaimed at the beginning of what evolves into an emotional, entertaining, and engaging evening of cabaret.
As topics go, you couldn't pick a more immediate one than race in America.
I witnessed a stellar and - dare I say - pretty flawless production that completely and utterly immersed me into Alison Bechdel's world.
If you've ever dreamed of seeing Lin-Manuel Miranda collaborate with Daft Punk, Pointless Theatre's .
Featuring a cast of seasoned veteran actors working beside some of the DC-area's most gifted young performers, Theater J offers a sublime take on Neil Simon's semi-autobiographical look at growing up poor and horny in Depression era Brooklyn.
On Friday, April 7 at 8:00 PM, Maestro Luke Frazier and the American Pops Orchestra will celebrate popular music of the 1980's with a concert entitled 'You Spin Me 'Round: An 80's Dance Party' at George Washington University's Lisner Auditorium in Washington, DC.
Most of us know the story of Hans Christian Andersen's The Little Mermaid from the Disney animated feature and subsequent stage musical adaptation.
Sometimes a theatrical presentation doesn't need much to make its statement.
The National Symphony Orchestra's (NSO) Principal Pops Conductor Steven Reineke has always put together musical programs that are fun and classy.
An aural and visual feast, TO SAIL AROUND THE SUN is wonderfully inventive and will hopefully set the stage for similar multidisciplinary programming in the future.
Anglo-Kuwaiti writer-director Sulayman Al Bassam's new play PETROL STATION is as of-the-moment as it gets.
'May lost souls find salvation' is the tagline of Scena Theatre's production of Conor McPherson's modern Irish play THE NIGHT ALIVE.
Theater Alliance's production of Mnemonic, directed by Colin Hovde, is not just a story of migration, but of who we are as humans.
Sulayman Al Bassam is returning to the Kennedy Center next week for the first time since 2009.
Co-directed with precision by Christina A.
Kids are bombarded with big flashy images in pretty much every form of entertainment nowadays.
RAGTIME, currently playing at Ford's Theatre, hits a number of current, resonant themes across multiple notes with powerful ballads and a stellar cast.
All in all, I certainly commend Arena Stage, including Artistic Director Molly Smith, for taking a chance on this new work.
Inspired by (but not literally adapted from) Mary Shelley's 200-year-old novel Frankenstein, Idris Goodwin's FROM THE MOUTHS OF MONSTERS makes a powerful world premiere at the Kennedy Center's Family Theater.